The Vigilant Citizen

1. This Opera About Lusting Over Jesus Has Performers Actually Bleed and Cook Human Flesh

The "radical feminist" opera Sancta Susanna was recently presented at the Stuggart Opera in Germany. The result: 18 audience members required assistance due to shock and nausea. Three people even needed treatments from a doctor.

Humans usually feel nausea when around things that are foul, gross, putrid, and potentially dangerous. In other words, it is our bodies telling us to get the hell away. These 18 audience members got the message loud and clear. The opera does not only contain bloody scenes that are physically difficult to watch; it is the equivalent of poison to the soul.

Composed by Paul Hindemith, Sancta Susanna first premiered in Stuggart in 1921. However, the show was canceled due to its blasphemous content. Furthermore, Hindemith's music was qualified as "degenerate." Over a century later, performance artist Florentina Holzinger adapted the opera and took it to new levels of degeneracy. And, since the elite wants the masses to bask in Somodom and Gomorrah-levels of depravity, the show was not canceled; it was promoted. Would the show exist if it mocked any other religion? We all know the answer.

The opera's creators describe Sancta Susanna as a "radical vision of the Holy Mass." They're lying. It's a Satanic Black Mass. Like Sancta Susanna, Black Masses mock Jesus Christ using sex, blood, sacrifices, and the corruption of Christian symbols in the context of a traditional mass. That said, the show's promotional material never states this obvious fact. In typical mass media hypocrisy, they use media-friendly buzzwords such as "feminism" and "exploration of sexuality" to justify the depravity seen on stage.

There's a difference between artistic expression and just acting as if possessed by a demon.

"Art"

Sancta Susanna is about a repressed nun who discovers sexuality. That theme was probably groundbreaking in 1921 but, in 2024, it is so ridiculously tired. However, that doesn't matter. In today's context of cultural Marxism, art is not about artistic expression; it is about hammering the masses with the same symbols and messages over and over again. As we're about to see, everything in this opera was regurgitated in one way or another in past mass media described on this site.

A nun warns Susanna of an old story about the nun Beata, who desired Jesus on the cross and was walled up alive for it. Meanwhile, in the background, naked people climb up a wall. Because "art."

A naked woman pours wine to nuns as they turn away from God.

A naked woman pushes a sword shaped like a crucifix down her throat as other women in the background sing and drink wine. They love to turn the Last Supper into an orgy of gay sex (see the Paris Olympics).

Lesbian sex scenes are mixed with Christian imagery because, uhh, "art."

Performers mimic the crucifixion as they're doused in fake blood.

While the scene above contains fake blood, the show also involves real human blood. To illustrate the Eucharist, a piece of skin is cut from a performer's side and is then cooked on a stove. For real. The occult elite loves to turn their sickness (cannibalism) into "art." No wonder some people got nauseous.

A woman dressed as Jesus performs an Eminem song while wearing a BDSM-style hat. This is awe-inspiring art.

Considering what we've seen above, what would be the lamest, most predictable, yet most blasphemous way of concluding the show? The nun has sex with Jesus?

The nun has sex with Jesus.

Jesus spanks a half-naked nun.

In the show's "climax," the nun pulls down Christ's loincloth while he's crucified. She later has sex with Jesus.

Was this "art?" Or a hate letter to Christianity?

In Conclusion

For decades, "performance art" has been a way for the occult elite to act out their sick rituals and obsessions in public while surrounding themselves with an aura of "artistic genius." Marina Abramovic, an actual witch connected with the elite, has been carrying out all types of Satanic and cannibalistic "performances" under the guise of "art" as the media gushed at her "genius." I'm using a record number of quotation marks because these words have wholly lost meaning.

None of this is art; all of this is Satanic rituals, just like Sancta Susanna.

Under the guise of "performance art," the creators of the show expose the audience to an actual Black Mass where real sex, pain, blood, and blasphemy are carried out, releasing all of this sick energy into the ether. None of this is artistic and has nothing to do with feminism. It has everything to do with saturating the public space with specific symbolism and meanings and dominating culture with a particular message.

If culture is a reflection of those who control society, does that mean that they're Satanic, degenerate cannibals who are obsessed with desecrating Christianity? Exactly.

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The post This Opera About Lusting Over Jesus Has Performers Actually Bleed and Cook Human Flesh first appeared on The Vigilant Citizen.

2. The Controlled Demolition of Diddy

For decades, insistent rumors regarding Diddy's depraved activities swirled around the entertainment industry. Many people witnessed unspeakable things, but nearly all kept their mouths shut. And, when questioned specifically about these things, almost all would say: "I can't talk about it." And they're still not really talking about it.

Because revealing what actually happened at these parties would require revealing not only Diddy's tendencies but also the tendencies of the entire entertainment industry and the elite that controls it.

We're not merely talking about decadent parties; we're talking about rape, sex slaves, and pedophilia. Diddy did not invent any of this, but he was overly brazen and enthusiastic.

Despite being guilty of actual crimes punishable by law, Diddy somehow remained a free man for decades. Despite the mountain of evidence and witness accounts, authorities were always lenient and gave him a pass. This led Diddy's victims and entourage to believe he was "untouchable." He thought so, too.

There were reasons for him to believe this: He was connected with powerful and influential people. More importantly, he had dirt on powerful and influential people—some recorded on video. This caused him to become even bolder in his actions while also reducing victims and witnesses to silence for fear of being blackballed or worse.

There is absolutely nothing new about this. Over three years ago, I published an article titled The Bad Boy Records Curse: Why So Many Artists Who Signed With Diddy Became Religious? in which I documented several artists who signed with Diddy and made a 180-degree turn towards religion (to an extreme). As explained in the article, it wasn't a coincidence. These people saw things that deeply troubled them spiritually and sought refuge in religion.

Most of the events listed in that article happened in the 1990s. But Diddy never stopped in the decades that followed. He even found a way turn his parties into cool, trendy, media-friendly, corporate-sponsored "celebrations of excellence." They were celebrations of decadence.

Reverend Al Sharpton and Mary J. Blige at Diddy's 2004 White Party.

In many ways, Diddy was a black Jeffrey Epstein. And he might end up like him.

Black Jeffrey Epstein

Like Jeffrey Epstein, Diddy had considerable wealth and influence, which led him to rub shoulders with top politicians, businessmen, and celebrities. Like Epstein, Diddy hosted gatherings that degenerated into orgies involving a combination of rich and powerful people with heavily drugged sex slaves – male and female. Under Diddy's watch, numerous "big names" engaged in activities ranging from the embarrassing to the outright criminal. Many of these encounters were filmed, and whether he knew it or not, Diddy built a massive library of blackmail material.

To quote a Kanye West song, "No one man should have all that power." That is definitely what his occult elite friends believed. Diddy could not continue owning this material and use it as leverage. Even worse, this material could be stolen and leaked. Like Epstein, Diddy needed to be neutralized, and all the compromising footage had to be seized.

We're not merely talking about rappers spilling champagne on video models. Minors were involved. On October 1st, attorney Tony Buzbee launched a lawsuit against Diddy involving 120 victims. The youngest rape victim is nine years old. Like with Epstein, Diddy's case could place "important" people in a dire situation. Buzbee stated that the lawsuit will involve many "household names," including "powerful hotel execs, bankers, and pharmaceutical bosses."

Some of America's biggest music executives are said to be panicking as a top attorney has warned that high-profile accomplices of Sean "Diddy" Combs will be named in a new wave of accuser suits — and "the names will shock you."

"Many people at the highest level, including artists, executives, managers and others are not sleeping well right now," Bryan Freedman told Page Six.

"Those who have knowingly allowed and/or encouraged the behavior while remaining silent should be concerned.

Last month, former record exec and convicted felon Suge Knight — Diddy's longtime rival, now in prison for voluntary manslaughter — claimed to NewsNation that Diddy's former staffer, veteran A&R man "Tubby" Holiday, procured young and underage girls for Diddy to sex-traffic.

"This guy's job was to bring underage girls and girls who'd have sex. For employees and other artists," Knight claimed.

Holiday is now the president of Giant Records and co-founder of Black Music Action Coalition. We were unable to reach reps for Holiday.
– Page Six

Like in Jeffrey Epstein's case, taking down Diddy is a highly delicate task. It needs to be a controlled demolition. When a building is demolished, it is done through a carefully calculated implosion to make sure the structure collapses on itself without affecting the surrounding buildings. This is precisely what was done with Epstein and what will be done with Diddy. While some people might get smeared by the "revelations" that are bound to happen in the coming months, the most significant crimes and the most prominent criminals (occult elite pedophiles) will be spared – like in Epstein's case.

One of the main reasons there needs to be a controlled demolition of Diddy is due to political ties. Diddy did not merely "endorse" a candidate; he's been on the payroll of the Democratic Party for decades. It is not a good look.

Diddy at the 2004 DNC interviewing Hillary Clinton.

Throughout the 2000s, Diddy was the face of "Vote or Die" – an initiative supposedly about encouraging young people to vote. In actuality, it was a roundabout way of turning MTV into an ad campaign for the Democratic Party. Some people called it "Vote (for us) or Die."

Diddy hanging out with Hillary Clinton, John Cusack, and Ben Affleck at the 2004 DNC.

Diddy was also heavily involved in Obama's 2008 campaign. In this picture, he is flanked by another music industry mogul, Russell Simmons … who was also accused of rape by several women this year.

Diddy's relationship with Obama went beyond mere endorsement. The two have met several times since then, as exemplified by this Diddy Facebook post from 2017.

Diddy with Obama in 2020.

In April 2020, Kamala Harris praised Diddy for pushing elite-approved COVID propaganda to Black America.

Other than politicians and heads of megacorporations, a very long list of celebrities were involved with Diddy and his shenanigans. All of them will want to see a controlled demolition of Diddy without them being affected.

Diddy was linked in many ways to the Jay-Z and Beyonce power couple, and he has dirt on them.

Jay-Z at Diddy's white party in 2003.

Jay-Z co-hosted the 2004 White Party with Paris Hilton. It featured Diddy walking around with an original copy of the Declaration of Independence and kicking off his 2004 "get out and vote initiative." The party even had corporate sponsors such as Sony.

While this sounds like good, clean fun, the party devolved into Sodom and Gomorrah at 5 am. Some industry observers believe that Jay-Z might soon be the target of a similar "controlled demolition."

Ashton Kutcher was partying hard with Diddy.

In a 2019 video, Kutcher said this about Diddy parties:

"I've got a lot I can't tell. Can't tell that one either. … I'm actually cycling through them. Diddy party stories, man, that was some weird memory lane thing."

When a celebrity "can't tell" about what happened at a party, it usually involves crime and pedophilia. Ironically enough, Kutcher was later heavily involved with organizations that fight child sex trafficking and human trafficking. It's almost as if he wanted to prove to the world that he was really against that.

Diddy's relationship with Justin Bieber involves heavy grooming. And more.

In my past articles about Justin Bieber, I stated that industry people most likely abused the Canadian singer while he was a minor. That might have started with Bieber's bizarre relationship with Diddy and Usher, with whom he was signed. Diddy groomed Usher as a teenager, and the cycle continued with Bieber. In a 2009 video, Diddy hangs out with 15-year-old Bieber and says:

You ever seen the movie 48 Hrs? Right now Justin is having 48 hours with Diddy, him and his boy. They're having the times of their lives, like where we hanging out and what we're doing we can't really disclose. But it's definitely a 15-year-old's dream.

I have been given custody of him. You know, he's signed to Usher and I had legal guardianship of Usher when he did his first album. I did Usher's first album.

For the next 48 hours, he's (Bieber) with me. And we're gonna go buck full crazy."

He said that on camera for MTV. Imagine what happened when there were no cameras.

Sex Slavery

In January 2024, comedian Brandon T. Jackson talked about Diddy parties on the "Breaking the Machine" podcast and recalled what Denzel Washington told him:

"Denzel always told me, [when] we be at the parties, 'You leave 30 minutes before the devil get there. OK?' Always remember that Denzel would leave the parties early."

Leaving "before the devil gets there" is a perfect way of putting it.

Because this wasn't merely a party, it was a den of sin and heinous crimes. It was typical Hollywood debauchery where aspiring stars got abused in the promise of success and sex slaves got drugged and repeatedly raped.

Indeed, a recent lawsuit claims misdeeds occurred at those events, too: In July, Adria English, who was hired by Mr. Combs to work a series of White Parties in the mid-to-late 2000s, sued him, asserting she was plied with drugs and ecstasy-laced liquor at the events, and commanded to have sex with certain guests, making her into "a sexual pawn." Jonathan Davis, a lawyer for Mr. Combs, denied in July that his client had ever "sexually assaulted or sex trafficked anyone."

In her 114-page suit — which included a "trigger warning" because of its graphic nature — Ms. English, who said she worked at several White Parties in the mid-to-late 2000s, suggested the glamour was a facade. At one party, she said that Mr. Combs asked her to wear a black dress to indicate to other guests that she was available for sexual encounters. She said she was later paid $1,000 for an encounter with a guest, according to the court papers.
– New York Times

Guests at parties weren't merely offered alcohol. They were administered a cocktail of drugs that are used in sex trafficking rings to keep victims docile and out of it. According to lawyer Buzbee, one particular drug that is often cited is Xylazine or tranq. It is also used as a horse tranquilizer.

'One individual who was 22 years at the time she was assaulted said that the typical MO at one of these parties…was that when you were handed a drink, and now we know that the drink is laced with something, that if you refused to drink it, you were kicked out of the party,' Buzbee detailed.

In another disturbing case, an adult pregnant woman claims she was raped after attending a group dinner with Combs in Miami.

'She wasn't drinking because she was pregnant, but whatever she drank at the table, apparently was laced with something,' Buzbee stated.

'She blacked out, and she woke up in the same bed, again allegedly with Mr. Combs in his mansion in Miami. Her vagina and her anus were torn and sore, and I could go on. And literally, you're sensing a theme here.'
– Page Six.

Although these allegations are terrible, it is those involving minors that are terrifying the "elite" around Diddy. If the public knew what these people did to children behind closed doors, there would be an uprising. That is why Epstein was "suicided" before he even went to trial.

Among the 120 victims in Tony Buzbee's lawsuit, 25 were minors when they were abused – between 1991 and 2024.

The youngest victims were 9, 14, 15 when they were victimized, the high-profile lawyer announced at a press conference in Houston Tuesday.

'This individual, who was 9 years old at the time, was taken to an audition in New York City with Bad Boy Records,' the attorney disclosed.

'This individual was sexually abused allegedly by Sean Combs and several other people at the studio in the promise to both his parents and to him himself of getting a record deal.' 'Other boys were there to audition as well,' Buzbee stated. 'All of them were trying to land a record deal. All of them were minors.'

'Another minor told allegedly by Sean Combs that he would make him a star, but he needed to visit with him in private about it away from his parents. Once they were in private area, allegedly Mr. Combs made the victim perform oral sex upon him,' Buzbee said.

'An individual, 15 years old at the time, flown to New York City to attend a party was drugged and then taken into a private room allegedly in the presence of Mr. Combs where this female individual– minor– was raped and then other individuals took turns raping her,' Buzbee detailed.
– Daily Mail

The rumors that were circulating for decades might be true: Diddy and his people abused young boys. They're closeted pedophiles, like so many other influential people in Hollywood. And they don't want to be outed. So Diddy needs to be out.

In Conclusion

Diddy's parties were typical "occult elite" madness. From the outside, they gave an aura of "success and excellence." However, when day turned into night, humans turned into werewolves. The classy gathering turned into a depraved affair when many were unwilling, highly impaired participants. In the words of Denzel Washington, the "Devil came out." And what he said was probably more literal than one might think.

Diddy is definitely not the only one organizing and partaking in such events. However, Diddy was particularly bold about it, so it was an open secret in the industry. Even worse, countless damning moments involving powerful people were filmed by Diddy's people, hence creating a massive library of elite degeneracy.

Of course, the elite wants none of that. Jeffrey Epstein also had the same kind of dirt on countless people. What happened? A controlled demolition. He went down, but nearly nobody else, not even those who flew on his "Lolita Express" over 20 times (Bill Clinton). Epstein is now gone.

Diddy is in a similar position. Like Epstein, he was put on suicide watch while incarcerated. Will there by massive revelations about the elite in the coming months? Or will Diddy simply disappear?

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The post The Controlled Demolition of Diddy first appeared on The Vigilant Citizen.

3. An In-Depth Look at the Dark Messages and Symbolism in “Longlegs”

Warning: Monstrous spoilers ahead!

The least one can say is that Longlegs is disturbing. And that feeling somehow gets worse as one slowly processes the implications of its story and the deeper meaning of its symbolism. Although the movie itself has its creepy moments, the scariest part of Longlegs is realizing the mindset of those behind it. Because, at its core, the movie is a love letter to Satan and the twisted perspective that comes with it.

While, at face value, Longlegs follows the FBI investigation of an occult-minded serial killer, its subject matter alludes to much more. Through symbolism and references, the movie highlights society's dark, Satanic underbelly and its obsession with preying on children. While one would hope that, at least, the film ends with evil losing and good prevailing, that's not what happens. At all.

Not unlike several cultural products released in recent years, Longlegs has an upsetting "moral of the story:" Evil is deeply ingrained in society, especially at its highest levels, and fighting it is a lost cause.

Not only does Satan's shadowy figure appear over 15 times (in a semi-subliminal matter) during Longlegs, but the movie's subject matter reeks of pure, unadulterated evil. It is about turning fathers, the protectors of families, into their destructors through the Satanic mind control of their young, innocent daughters.

In its own creepy way, Longlegs touches on the occult elite's favorite themes: Preying on children, destroying families, attacking fathers, and blaspheming Christianity. Once all is said and done, the movie ends with these simple yet telling words:

"Hail Satan."

No wonder mass media gushed over that movie, it perfectly fits their agenda. Here's a look at the deeper symbolism in Longlegs.

The Meaning of the Name Longlegs

Longlegs makes a one-eye sign (while yelling "cuckoo") to a teenage girl. That scene sums up the movie.

Played by Nicolas Cage, Longlegs is a disturbed man with a creepy prosthetic face. While his obsession with Satanism might be attributed to his love of 1970s glam rock (lots of rockstars were into it), we soon discover that he's actually imbued with a supernatural, demonic force.

As he carries out his murders, Longlegs sends out cryptic messages written in a coded language. Most of them contain biblical references to the Devil.

While the movie doesn't explain the origins of the name Longlegs, some clues paint a clearer (and creepier) picture.

The movie's first scene is filmed from a child's perspective. Right from the start, we understand that this is all about preying on children.

At the movie's beginning, Longlegs tells a girl, "It seems I wore my long legs today," alluding to the difference in height. That expression is rather bizarre. It's almost as if he took a "human form" before appearing to the girl.

Shots of snakes slithering are peppered throughout the movie. Snakes are associated with Satan in the Bible. Also, they don't have legs.

Through symbolism, Longlegs is directly associated with Satan. Either he's Satan himself, or he's his loyal servant.

The name Longlegs can also be related to the type of spider called "daddy long-legs." As we'll see, the concept of fatherhood (daddy) is at the movie's core. Furthermore, daddy long-legs spiders are known for living in basements. Longlegs also lives in a basement.

All shots of Longlegs' basement are red, giving these scenes a "hellish" feel.

Throughout the movie, there are numerous references to the "man downstairs." These can refer to Longlegs, who lives in a basement, or Satan, who lives in hell.

In that hellish basement, Longlegs makes cursed dolls that look like the daughters of families he's targetting.

Longlegs controls the minds of little girls through lifesized dolls that are given to the families as "gifts from the church."

At one point, a shot of a doll's head made by Longlegs transitions to his own bizarre, prosthetic face. He's a Satanic "doll" as well.

The dolls are imbued with an evil presence. When inside families' homes, the fathers are forced to make a terrible choice: Either the family bows "all the way down" to Satan, or the father has to kill everyone, including himself. All families were decimated that way. Except one.

The Unholy Trinity

FBI agent Lee Harker studies coded letters written by Longlegs.

Right from the beginning of the movie, it is clear that there's something off about Agent Lee Harker. She has psychic abilities and deep insight into Longlegs' mind.

Harker discovers that Longlegs' algorithm is based on Satanic symbolism, especially the inverted triangle symbol. This specific figure will eventually take on a deeper meaning.

While Harker progresses in her investigation, we realize that she was in contact with Longlegs in the past. Even worse, she might be closely related to him.

At one point, the FBI subjects Harker to a word association game. When she sees an inverted triangle, she automatically says, "Father."

While the scene above goes by extremely quickly, it highlights a part of the story that most viewers probably missed.

Towards the middle of the movie, Longlegs screams while driving his car. Towards the end of the movie, Harker Lee screams inside the same car (which happened to be stored at her mother's house). The message: She's his "descendant." None of this is spelled out; this narrative is told only through symbolism.

We eventually learn that Harker's mother has been Longlegs' accomplice for years. Dressed as a nun from a local church, she tricks families into accepting Longlegs' satanic dolls as a "gift."

In a particularly symbolic shot, Harker's mother is reminiscent of the Virgin Mary. However, while Mary usually bows her head and hands down in submission to God, Harker's mother does the opposite. Also, she's covered in the blood of a dead family, and she's saying, "Hail Satan."

Considering that fatherhood is an essential theme in the movie and that Harker's mother is a Satanic Virgin Mary, the concept of an unholy trinity begins to make sense. Furthermore, the symbol of the inverted triangle takes on a deeper meaning: The two points at the top represent the mother and the father (Longlegs). The bottom point of the triangle is the "descendant": Lee Harker.

In the movie's climactic moment, Harker has the opportunity to free a girl from Satan's control by shooting the cursed doll in the head. However, as ominous music plays in the background, Harker cannot pull the trigger. She leaves with the girl while the doll is intact.

To most viewers, Harker appears to have saved the girl. However, when one understands the movie's subtext, Harker becomes the girl's new Satanic handler. This fact is further highlighted by the disturbing scene that follows it.

Although he's supposed to be dead, Longlegs reappears in the very last scene of the movie to say, "Hail, Satan."

In short, the bad guys did not lose, and the good guys did not win. Nearly everyone was controlled by Satan from the start. And that's the central message of the movie: Satan is everywhere.

The Metamessages in Longlegs

As stated at the beginning of the article, the creepiest part of Longlegs is not the movie itself but its implications and the mindset of those behind it.

For instance, the movie focuses heavily on the concept of preying on children and causing them unspeakable harm. Osgood Perkins, the director of the film, stated in an interview that the murder of JonBenét Ramsey inspired him.

JonBenét Ramsey, famous for participating in child beauty pageants, was found dead in 1996 in her family's basement. She was six years old.

The case of JonBenét Ramsey has troubled America for decades. Everything about it is bizarre and reeks of shady, elite-related dealings. The mere fact that it remains an unsolved mystery (despite the existence of an odd ransom note and signs of sexual violence on the girl) indicates that there's something "off" about that story. It's almost as if the powers that be don't want people to know what actually happened.

In an interview, Longlegs' director stated:

"I was very interested in that case. The murder took place approaching Christmas, and one present that the parents had gotten for JonBenét was a life-size replica doll of herself, wearing one of her pageant dresses. It was in a cardboard box in the basement, 15 feet from where she was killed, and there was something so insane about that, I'd cataloged it away."

While a psychopathic, pedophilic story inspires the movie, it also contains self-aware "metamessages" about it exploiting children.

In one scene, Harker Lee talks with the girl who will eventually become her "Satanic protégé."

The little girl asks Harker:

– Did you wanna be an FBI agent when you were little?

– No. I actually wanted to be an actress.

– That messes up kids.

– So they say.

Think about this scene for a second. The movie's makers made an actual child actress say in a dialog that being a child actress "messes up kids." This dialog has nothing to do with the story; it appears to have been added as a reference to the movie itself.

Then, we see that girl actress take part in scenes dark and creepy scenes that involve fathers brutally murdering their families. Working in that environment might, indeed, "mess up" a kid. Is the movie itself preying on children? What else would you expect from a film ending with "Hail, Satan?"

Speaking of the Devil, he lurks in the shadows everywhere in the movie. His silhouette appears over 15 times, and most viewers will miss nearly all of them. These appearances are made to have a near-subliminal effect, forcing the unconscious mind to think, "I cannot escape the Devil." Here are a few examples.

The horned Baphomet-like beast lurks near the American flag as Harker Lee studies the case. Everything is going according to Satan's plans.

The Devil lurks in the doorway of young Harker's bedroom.

Satan looms over young Harker.

For a split second, the Devil's silhouette appears in a window as Harker realizes that her colleague got shot. He's behind it.

Hollywood loves to portray Satan as an all-powerful being that cannot be defeated. It's almost as if they worship him.

Oddly enough, another ominous figure keeps popping up during the movie: Bill Clinton.

Clinton's portrait is in the middle of this shot, right where our eyes are naturally drawn. It's almost as if he were a third character in the scene.

Although framed pictures of Presidents exist in federal buildings, the emphasis on Bill Clinton in numerous scenes is too obvious to ignore.

In another shot, Bill Clinton looms over Agent Carter's head. Spoiler: He will end up under the influence of the Devil.

In this shot, a video of Longlegs looms over Agent Carter, similar to Bill Clinton. Is there a connection to be made there?

Another bizarre fact: Longlegs often talk about invading "white houses." He tells Harker during his interrogation:

"Your house was even whiter when I came to visit."

Of course, the color white symbolically represents purity, so it is only fitting that the Devil wants to soil white houses. That said, consider this: Where did Bill Clinton (and all U.S. Presidents) live? The White House.

Is the movie sending some message about Bill Clinton and the global elite in general?

In Conclusion

Longlegs is one of those movies praised by mass media while garnering lots of hate from "regular" viewers. On the one hand, critics praised the movie's cinematography and haunting atmosphere while in awe of its deep symbolism and biblical references. On the other hand, the movie is literally about Satan preying on young girls. Not only that, the "moral of the story" is that everything went according to Satan's plans. Maybe that's why so many people hated that movie.

Considering the movie's subject matter, who in their right mind can truly "enjoy" it? Why did they make a child actress talk about how being a child actress "messes up children?" Isn't this twisted?

If popular culture reflects society, what does such a movie say about our society? Well, it says a whole lot. Most of the topics alluded to in the film are often censored in the media and dismissed as "conspiracy theories." However, the elite must reveal the truth somehow, so it is done through "fiction." Under the guise of being scary and creepy, horror movies reveal, in the most brutal fashion possible, the true mindset of those "behind the scenes."

Yup, they're devil-worshipping child predators who want to destroy families and brainwash children. And that's what Longlegs is all about.

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The post An In-Depth Look at the Dark Messages and Symbolism in "Longlegs" first appeared on The Vigilant Citizen.

4. Symbolic Pics of the Month 09/24

Halsey has been featured on this site numerous times because almost everything she does is thoroughly drenched in Monarch mind control symbolism. Even while pregnant, she took part in weird ritualistic videos, which was rather worrying. But now she's back in shape, and this new Paper Magazine photoshoot also indicates that she's back in Sex Kitten mode. This photoshoot has so many symbolic pictures that this entire article could be dedicated to it. Here are some of them.

The magazine cover says it all. In Monarch mind control, Sex Kitten slaves are often identified with feline prints. How she wears that coat indicates that this is not about "fashion" but about what the coat's feline print represents.

The feline coat + phallic object in her mouth = Sex Kitten imagery.

If you thought the feline-print coat does not necessarily allude to Sex Kitten programming, the photoshoot includes other symbols to emphasize its meaning.

Now, she's wearing feline-print lingerie. That specific print is clearly significant. Furthermore, the one-eye sign confirms that she's complying with her occult elite masters by doing this Kitten stuff.

In this pic, Halsey wears a sheer top, exposing her breasts and exposing the fact that she's less an artist and more a representative of the Sex Kitten system. There's literally a lion door knocker on her vagina. Sex. Kitten. None of this is subtle.

As their name implies, Sex Kittens are compared to animals and are treated as such. Here's Halsey eating on the floor like an animal.

Sex Kittens are routinely dehumanized, put in gross situations, and stripped of dignity because that's how they are kept under control.

Kind of like that.

The same issue of Paper Magazine also featured NLE Choppa, a rapper who was chosen to receive some of that precious industry spotlight. This means that he must start complying with the agenda. First order of business: Do some weird gay stuff.

They told him, "Get naked," and put a cake on your genitals. Because when you become an industry artist, you get treated like a prostitute.

NLE Choppa had to make the all-important one-eye sign during the photoshoot to demonstrate complete compliance with the agenda. To reach the next level of stardom, it has to be done.

These past months, mass media has been ridiculously gushing over Charli XCX. They even called this entire season "Brat Summer" in honor of her album and the general vibe that comes with it. If you wanted to sound cool to your chronically online friends, you had to say "Brat Summer" occasionally. Even Kamala Harris adopted the Brat thing in her campaign, making it instantly cringy.

In the latest issue of i-D magazine, Charli XCX makes a big, fat, one-eye sign, indicating that this whole hype surrounding her is elite-sponsored marketing.

To ensure that you understand that this hand sign is not a fluke but a forceful symbol indicating industry plant status, Charli does it again on the magazine cover.

A couple of years ago, Charli XCX posted a series of Instagram posts about her selling her soul for fame. And now she's super big and famous. Coincidence?

Speaking of super big and famous, Chappell Roan is now the "it girl." To sound cool to your chronically online friends, mention Chappell Roan. To keep the hype going, the VMAs threw a bunch of awards at her, and magazines began the gushing session.

The cover of Rolling Stone magazine boldly declares: A Star is Born. Because they decided so, it's almost an order.

Nowadays, being a star involves participating in weird, unsettling and unflattering photoshoots.

Most of Roan's interviews are about LGBTQ topics (e.g., "Can a woman be a drag queen?") because music is no longer about music; it is about agendas. In this picture, Chappell makes a clear one-eye sign to indicate that she's already an industry pawn.

While newcomers must make the one-eye sign to gain entry into the industry, veterans must do it to avoid getting kicked out. In this Hollywood Reporter, Angelina Jolie hides her eye in nearly every photoshoot picture while looking odd and distressed.

Paris Hilton released an album titled Infinite Icon and the cover art could not be more symbolic. Hilton stands between two Masonic pillars under a crescent moon.

Hilton's cover art is inspired by the High Priestess tarot card, which features the Masonic pillars Jachin and Boaz and a crescent moon. I call Madonna the "High Priestess of the music industry" due to her special status. Does this cover imply that Hilton (an heiress of the elite Hilton dynasty) is on the same path?

Shortly before giving birth to her third child, Cardi B posted maternity pictures on social media. They are easily one of the worst maternity pictures in recent history.

For her maternity pics, Cardi sits on a bike because, I guess, it looks cool. However, riding bikes while pregnant is considered a "high-risk" activity that's dangerous to the baby. So what's the message here? But that's not even the worst thing about this pic. Behind her is the word "PEDOPHILE" (in white, over "homesick"). Furthermore, the picture appears framed to give this word full visibility. This cannot be an accident. And if it is not an accident, what is wrong with them?

On numerous occasions, I stated that the Pride flag has become a representation of a globalist world order where nations are erased and replaced with a bizarre focus on people's sexualities. This ad for the Swedish Armed Forces blatantly confirms this fact.

The ad on the left depicts soldiers holding a Pride flag under the words "A Flag Worth Defending." Aren't they supposed to defend the Swedish flag? Is it not worth defending? And why is an army necessary to defend a flag representing homosexuals? Isn't this a social thing? Armies defend nations, not sexual orientations. The main goal of this ad campaign follows the same phenomenon we've been observing for years: The erasure of national identity to replace it with the globalist LGBTQ flag.

Two years ago, I published an article titled "The Elite is Desperately Trying to Convince You to Eat Bugs. Here's Why." In it, I explained the pathetic yet unmistakable mass media push to make us eat insects. The media push hasn't stopped since then.

In a recent BBC article (which is funded by British taxpayers), a "journalist" makes lame arguments to convince us to eat literal cockroaches. Yes, they mention cockroaches. These "articles" do not randomly pop up; they are ordered from above to get the world used to this concept. They want us to live in a Fear Factor episode.

Special thanks to everyone who sent in pics!

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The post Symbolic Pics of the Month 09/24 first appeared on The Vigilant Citizen.

5. The Hidden Meaning of Katy Perry’s Highly Symbolic Performance at the 2024 VMAs

The past few years of Katy Perry's career were not easy. After ruling pop music in the first half of the 2010s, she released a string of unpopular songs with questionable videos while constantly finding herself in embarrassing situations. Some might say she's in a long, drawn-out "humiliation phase" of her career, as the industry apparently selected her to be a "fool" in popular culture.

While this concept might seem far-fetched, it makes complete sense when one understands the mindset of the elite, which is influenced by occultism and ritual drama. Furthermore, Monarch mind control is rampant in the entertainment industry, where trauma and humiliation is an integral part of the process of breaking down and keeping control of slaves.

As seen in numerous articles, Katy Perry's works have been drenched in the elite's agenda, including MK symbolism. For instance, the 2012 video Wide Awake (analyzed here) is one of the most blatant videos about Monarch programming ever made. In the 2017 article "What is Happening to Katy Perry?" I look at the singer's downward spiral from superstar to industry pariah. Sometimes, stars are universally praised, and they can't do no wrong. Then, all of a sudden, everything they do is wrong.

After a string of bizarre events, Perry shaved her head and dyed it blonde – a common occurrence in MK slaves. Then, she released Bon Appétit, a song that compares her to an all-you-can-eat buffet, complete with a video that alludes to cannibalism (one of the elite's obsessions.)

The cover art of Bon Appétit represents her being banged by three dudes. That's the type of song industry slaves have to release.

The loss of dignity only got worse in the years that followed.

While most celebrities paraded around in high fashion at the 2019 MET Gala, Katy Perry was dressed as a hamburger. And she was mercilessly laughed at for months. Humiliation ritual.

In 2024, Perry tried to make a big comeback and released a big single with a big music video. It was a big flop. Everyone hated Woman's World, as critics panned its feminist message for being tone-death and out-of-date. Not only that, the song was produced by Dr. Luke – the infamous producer who Kesha sued for "sexual assault and battery, sexual harassment, gender violence, civil harassment, violation of California's laws against unfair business practices, infliction of emotional distress (both intentional and negligent), and negligent retention and supervision." Not very empowering.

As explained in this very old article, Dr. Luke was basically Kesha's MK handler. So him producing Katy Perry's "feminist anthem" was not well received.

It's almost as if all of this was done on purpose to further humiliate Perry. The video's imagery was so absurd that some wondered if it wasn't actually a parody.

In one of the Woman's World's many perplexing scenes, Perry is peeing in a urinal. With her girls. Because it's a group activity. But seriously, what is the actual message of this scene? That being a "strong woman" involves having a penis? But having a penis means that you're a man, negating the strong woman narrative. None of this makes sense.

What is the meaning of this scene (other than insinuating sex)?

The entire video seems tailor-made to cover Perry with scorn and ridicule. Here are the very first comments one encounters on YouTube.

It's a never-ending streaming of negative comments.

Music critics also hated the song.

A typical review of Woman's World.

Despite releasing the biggest flop of 2024, MTV decided to award Katy Perry the Video Vanguard Award (also known as the Lifetime Achievement Award). The choice was somewhat surprising.

Upon hearing the news, I wondered: Is her humiliation phase finally over? Will mass media restore some of her dignity? At face value, the answer seems to be "yes." However, when one understands the symbolism of her 10-minute performance that preceded the award, the answer is definitely "NOPE." The entire thing was about depicting her as a sad product of mind control.

Here's a look at the performance.

Lifetime Slavery Award

To celebrate her achievements at the 2024 VMAs, Perry served her fans a medley of hits from the past decade (while carefully avoiding Woman's World). Sadly, the symbolism throughout that performance pointed directly to her being an MK slave of the occult elite.

The performance began with Perry floating in a "portal" in a highly symbolic position: The arch of hysteria.

Previous articles show that the elite is bizarrely obsessed with this specific position.

The arch of hysteria has been identified centuries ago as the most extreme physical reaction to trauma and, according to some, demonic possession.

Tony Podesta, one of Washington's most powerful people, proudly displays the sculpture Arch of Hysteria by Marguerite Bourgois in his house. It's one of the many examples of the elite obsessing over this specific position.

So why is Perry assuming this specific position? Because it represents trauma, the first step of Monarch programming.  Once the trauma is intense enough, the body's defense mechanism is to dissociate. This is when MK handlers begin programming. All of this process is described through symbolism during Perry's performance.

Perry floats around inside the "portal" to dissociation. To make things more obvious, butterfly wings flash on each portal side.

MK slaves who dissociate are said to feel a "floating" sensation. Therefore, after the trauma represented by the arch of hysteria, Perry floats to represent her state of dissociation. The butterfly wings confirm that this is all about Monarch Programming. Those specific wings will be seen again later.

Meanwhile, Perry sings her hit E.T., which contains lyrics that could easily describe the relationship between an MK slave with her handler.

You're so hypnotizing
Could you be the devil, could you be an angel
Your touch magnetizing
Feels like I'm floating, leaves my body glowing

(…)

Kiss me, k-k-kiss me
Infect me with your love and fill me with your poison
Take me, t-t-take me
Wanna be a victim, ready for abduction
Boy, you're an alien, your touch so foreign
Its supernatural, extraterrestrial

Then, the programming phase begins.

Rapper Doechii awaits Perry in an "MK lab" surrounded by spare parts of women. This is about dehumanization and the creation of new alter personas.

To indicate that they're artificial MK creations, Perry and Doechii's costumes feature tubes and metallic parts.

Although the song is literally titled I'M HIS, HE'S MINE (a rather heterosexual theme), Katy simulates sexual activities with Doechii. One of the aims of Monarch programming is to create Sex Kittens slaves who have no limits or inhibitions.

Katy Perry "scissors" Doechii, not because she's a lesbian but because she's a programmed slave, and she has to.

Meanwhile, Orlando Bloom (Katy Perry's husband) seems somewhat perplexed by this situation.

As Perry performs her next song, the next phase of her programming is depicted through symbolism.

Perry sits on a heart turning cold (dehumanization) as digits scroll on top of it.

In Perry's world, 143 is code for "I Love You" (the number of letters in each word). The very human feeling of love is translated to binary computer language (it is not actually binary, but whatever), representing Perry being programmed to "love" who she is told to "love."

The sex kitten slave has to "service" a ridiculous number of dudes. Why are there so many of them? Meanwhile, Orlando Bloom is still wondering what's happening.

To represent her complete transformation into a Monarch slave, Perry wears giant butterfly wings (stylized to look like devil horns). 

Perry's performance ends with her standing on a pyramid of men while holding a big butterfly—pure Monarch programming.

Then, her husband comes on stage to hand her the Video Vanguard Award.

In a possibly unintentional yet highly symbolic scene, Kerry exchanges that big butterfly representing mind control (why was she still holding it?) with a shiny award from the music industry.

If one ignores the blatant symbolism above, her receiving this award should be, in theory, a glorious moment. It appears that she finally got her dignity back. With that being said, here are the first words of her acceptance speech.

"I did that all on my first day of my period, too."

Wow. Dignity denied. It's almost as if she was told to say that. And, as usual, Perry got criticized in the media.

Even when Katy Perry wins, she loses.

In Conclusion

The music industry is weird. While some stars enjoy unlimited praise from mass media, others are "sacrificed" and covered with unlimited ridicule. After ruling the 2010s, Katy Perry turned into a hamburger-wearing weirdo who gets attacked every time she does or says something. She even got rejected by Kamala Harris' people when she offered Woman's World as a campaign song. Ouch.

While the Video Vanguard Awards supposedly celebrate a lifetime of achievements, Katy's performance celebrated a lifetime of slavery. As she performed her biggest hits, Perry reenacted the sad life of an MK slave who is subjected to trauma, dissociation, programming, and exploitation. Even when Perry is "celebrated," she's humiliated.

And she did that all on the first day of her period.

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6. Sinister Sites: Baron Empain Palace, an Egyptian “House of Horrors”

When one thinks of Egypt, one usually pictures the Great Pyramids of ancient times or the Islamic architecture of recent times. So when one comes across Baron Empain Palace—a bizarre building inspired by Hindu and Cambodian temples—it appears out of place. It's almost as if it wasn't built by Egyptians at all. That's because it wasn't.

The palace was built by Belgium-born Baron Édouard Empain, an extraordinarily wealthy industrialist best known for building the Paris Metro. During the end of the 19th century, Empain's construction company took on massive infrastructure projects worldwide, some financed by the Rothschilds – the most powerful dynasty in modern history.

As seen in previous articles, the Rothschilds are the definition of "occult elite," and, as we'll see, Empain shared a keen interest in the dark arts.

Baron Édouard Empain.

In 1904, Empain traveled to Egypt and convinced the local government to sell him 10 square miles of land North of Cairo. In this desertic area, Empain built Heliopolis, a modern city of "leisure and luxury" that would eventually attract elite figures from Egypt and the Arab world. At the center of it all, on an artificial mound, Empain built a palace that would become his family's primary residence.

Baron Empain Palace during construction circa 1909.

No expenses or eccentricities were spared in the making of this palace. It was built with the finest materials and included some of the most intricate features imaginable. French architect Alexandre Marcel even erected the building on a rotating base, allowing occupants to view the entire city and bathe in sunbeams throughout the day. These strange steampunk-like characteristics lead some to claim that the building was constructed with the help of some form of unholy magic.

While the palace, like its surrounding city, was meant to be a place of "leisure and luxury," some of the events that occurred inside its walls were neither leisurely nor luxurious. Here are some of the stories surrounding the palace:

• Empain conducted occult rituals in the Palace's basement, in a room where nobody was allowed to enter. member of the Freemasons and other secret societies
• This basement room leads to a secret tunnel that connects the palace to the nearby Basilica Church.
• Empain's daughter, who was paralyzed and riddled with psychological problems, could not leave the palace due to social stigma. She was found dead inside the building's service elevator, in a probable suicide.
• Empain's wife died by falling from the palace's massive spiral staircase, in a probable suicide.

In 1929, Baron Empain died of a mysterious illness and, per his will, was buried in the crypt of the Basilica Church. Some years later, the palace was sold at an auction and soon became one of those creepy, abandoned places surrounded by mystery.

In the following decades, the palace was believed to be "haunted" as people reported strange noises, odd sightings, and even flickering lights. There were also persistent rumors of orgies and satanic rituals taking place in the abandoned palace.

The palace made the news a few times for being a gathering place of Satanists in the 1990s.

Despite its state of disrepair, the palace's "energy" continued to attract a specific crowd. Its walls were "decorated" with graffiti depicting satanic symbols or unsettling words such as "evil evil ghost of death," while countless bats flew around the premises.

In the early 2000s, the palace was thoroughly renovated and became a popular tourist attraction. Of course, the creepiest parts were closed off to the public, and the secret chambers were probably torn down. However, most of the palace's art and sculptures were restored. While some of the stories surrounding the palace are based on unreliable accounts, the works of art provide a clear glimpse into the mindset behind its creator.

Here's a closer look at the palace.

A Temple of Deceit

Visiting the Palace involves climbing stairs and coming across symbolic sculptures.

Walking towards the palace's entrance, one is greeted with art of various origins, such as Hinduism, Buddhism, Greco-Roman mythology, and the Bible, along with some pieces leaning on the erotic side. At first glance, these sculptures give off a sense of refinement and high spirituality.

However, examining these sculptures and their subject matter more closely reveals a darker narrative: They allude to the darker side of human nature and spirituality. While most sculptures were impaled or decapitated throughout the years by trespassers, their symbolic meaning remains intact.

A marble sculpture depicting Narcissus welcomes guests to the palace. Interesting choice.

In Greek mythology, Narcissus was a young man who was so impossibly handsome that he fell in love with his own image reflected in a pool of water.

"As he reached his teenage years, the handsome youth never found anyone that could pull his heartstrings, indeed, he left in his wake a long trail of distressed and broken-hearted maidens, and one or two young men fell by the wayside too. Then, one day, he chanced to see his own reflection in a pool of water and, thus, discovered the ultimate in unrequited love and fell in love with himself. Naturally, this one-way relationship went nowhere, and Narcissus, unable to draw himself away from the pool, pined away in despair until he finally died of thirst and starvation."
– World History Encyclopedia, Narcissus

Narcissus is the origin of the term "narcissism" and "narcissistic personality disorder," a psychiatric condition marked by grandiosity, excessive need for attention and admiration, and an inability to empathize. In other words, Narcissus represents the exact opposite of a spiritual being. He is the embodiment of self-absorption.

Therefore, Narcissus's welcoming of guests at Baron Empain Palace indicates that this is not a temple of spirituality; it is about the opposite: indulging in worldly excesses.

This happens to be the basis of Satanism. This next sculpture might confirm this fact.

Another marble figure depicts David stepping victoriously on Goliath's head.

In the Old Testament, the giant Philistine warrior Goliath was defeated by the young Israelite shepherd David using a sling. It is the original underdog story. But why is a Biblical tale depicted in this Hindu-inspired temple? It is difficult to say. However, a bizarre detail etched at the sculpture's base indicates that there might be an entire other meaning to this sculpture.

The base has 666 etched in Arabic numerals at the very center.

A chart of Arabic numbers. The number 6 is identical to what is seen above.

Other pieces around the premises also allude to the darker side of spirituality.

Near the entrance door stands a prominent sculpture of Shiva the Destroyer.

Shiva is the third god in the Hindu trinity, and while he has many forms and meanings, he is often called the "destroyer of worlds." In the sculpture above, Shiva is definitely in a destructive mood as he's surrounded by a ring of fire and cobras he uses as weapons. As seen in previous articles, the occult elite loves Shiva, probably because he is known to "destroy the universe to recreate it," which happens to be the ultimate goal of the elite. Is this why Shiva statues exist in symbolic places such as CERN and the World Health Organization?

Throughout the palace, countless figures with angry and menacing eyes surround visitors, giving them an unsettling feeling of being watched.

Inside the palace, visitors are greeted with more symbolic art.

While this statue has been thoroughly defaced, the panel says it is "The Temptation of Buddha."

A recurring theme in Buddhist art, this sculpture represents the demon Mara tempting Buddha with his three beautiful daughters, Rati (lust), Trishna (thirst), and Raga (delight).

A classic depiction of Buddah's temptation.

While this story is about resisting temptation, the Baron probably selected it because it involves demons, lust, and seductive daughters.

Buddha sits on twin pillars similar to those guarding the entrance of Masonic temples.

A classic Masonic chart depicting the twin pillars of Freemasonry. Baron Empain was most likely a Freemason.

Most of the palace's original objects and furniture are long gone, leaving visitors to gaze at mostly empty rooms. However, one of the palace's most striking features can still be experienced.

A dizzying spiral staircase goes all the way up the palace's massive tower.

It is from the top of this staircase that the Baron's wife fell to her death. This grim fact sums up the story of the Baron Empain Palace: Behind the guise of wealth and luxury lay complete moral decay, profound distress, and a cloud of dark energy that can still be felt today.

In Conclusion

The Baron Empain Palace is the definition of a "sinister site." It was built by a man of incredible wealth and connected with the world's most powerful dynasties (the Rothschilds). Not unlike the elite of today, he was obsessed with occultism and mankind's darkest impulses.

Through a collection of carefully chosen pieces such as Narcissus, Shiva the Destroyer, and the literal number 666, the palace signals (to those in the know) the true purpose of its "temple." While, in its upper levels, the palace welcomed lavish balls and elite gatherings, its lowest levels were the site of dark activities such as occult rituals, orgies, and blood sacrifices. Who even knows what happened in that underground tunnel?

Baron Empain Palace was built on a rotating base so that it could always bask in sunlight. However, despite the unrelenting presence of the Egyptian sun, the palace will forever be surrounded by darkness.

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7. Something’s Terribly Wrong With Sabrina Carpenter and her Video “Taste”

In my last article about Sabrina Carpenter, I explained how the pop singer was being propped up to become a big star. Some months later, she's magically topping charts everywhere, and every media outlet is gushing over her. They even awarded her single Espresso the title of "Song of the Summer" … in April.

In other words, Sabrina Carpenter has been granted the proverbial spotlight by the powers that be. And it's all artificial. And some people have noticed that something was off.

Many people noticed that no matter what song they listened to on Spotify, the app automatically followed it with Espresso.

Could a near-monopolistic app like Spotify tweak its algorithm to push Sabrina Carpenter artificially? Yes, it could be—very easily.

The trend was so evident that the mass media had to report on this "conspiracy theory."

When mass media uses the term "conspiracy theory," it usually means people are on to something.

But why is Sabrina Carpenter being force-fed to the public right now? The answer can be summed up in one word: Agenda. Her videos and the general narrative surrounding her work comply with the occult elite's terrible agenda.

In 2019, when Carpenter was much less of a household name, I published an article about her video In My Bed, which happens to be one of the most blatant music videos about Monarch mind control in history.

In this scene from In My Bed, Sabrina is in a straitjacket with her eyes spinning (representing her being hypnotized) as MK handlers observe her. She is trapped in a room that is obsessively "decorated" with pictures of her at various ages, including baby pictures. She has been under "their" control since birth.

In 2023, I wrote about her video Feather. Its message was deeply toxic. Also, while filming that video, Sabrina and her crew desecrated an actual church. Priests actually had to re-bless its altar after her foul presence.

In Feather, Sabrina dances suggestively on the altar of an actual Church, surrounded by the coffins of the men she killed. On the coffins is written "RIP Bitch." That's basically satanic.

After that video, the media began hyping her up and describing her becoming a massive star as inevitable.

Translation of the title: Sabrina Carpenter is an industry plant.

After force-feeding the world the "song of the summer," Espresso, Carpenter released Taste. To ensure young people were exposed to its violent toxicity, Jenna Ortega (known to children as Wednesday) was cast in the video.

Distasteful

Taste takes place in Sabrina Carpenter's cinematic universe, where most men get brutally murdered while she exhibits complete indifference. As seen in past articles, Carpenter did not invent anything; murdering men in music videos has been a "trend" for years. And, by "trend," I mean a purposefully recurring agenda bent on attacking and demeaning masculinity at all levels of society.

In Taste, a man dies for no reason, and nobody cares. Even worse, they make fun of him. Meanwhile, Sabrina Carpenter and Jenna Ortega survive all kinds of abuse.

Taste was mainly inspired by the 1992 movie Death Becomes Her, in which two aging women drink a potion that promises eternal youth.

In Death Becomes Her, the protagonists become immortal due to a potion created by a bizarre, witchcraft-y secret society. Although not specified in Carpenter's video, we can assume that she's immortal for the same reason, which is entirely appropriate. Everything about this video is in line with the occult elite's obsessions.

Taste begins with a shot of a bed on which are placed weapons and devices one could associate with BDSM. Also, there's a teddy bear.

This shot is oddly reminiscent of the highly controversial Balenciaga ad campaign that alluded to pedophilia.

The Balenciaga ad campaign featured sad-looking children posing with questionable items. In this picture, a young girl poses with a leash, a collar, and a plush bear wearing a BDSM outfit. The rest of the campaign is worse. The similarities between this ad and the first shot from Carpenter's video are striking. Are they bizarrely paying hommage?

In Taste, Sabrina Carpenter wants to kill Jenna Ortega because she's with her man. The song is said to be about Camilla Cabello and Shawn Mendes, who is supposed to be Carpenter's ex (or whatever, I don't care). However, as is usually the case, the video's symbolism refers to something much darker: Monarch programming.

Indeed, while the video spoofs several horror movies, the scenes are strung together to refer to concepts such as trauma and dissociation subtly. To make sure we understand that this video is about occult elite weirdness, it features the most violent one-eye sign in history.

Carpenter throws a knife in Ortega's eye, effectively creating a bloody one-eye sign.

At the hospital, Jenna wears a nurse outfit inspired by Kill Bill: Volume 1. It's a great way to keep that one-eye symbolism going.

In the scene above, Ortega holds a defibrillator and angrily walks towards Carpenter.

While defibrillators are usually used in the chest area, Jenna places them on each side of Carpenter's head, effectively electroshocking her.

Appropriately enough, electroshock is used in Monarch programming to induce trauma, dissociation, and memory loss.

To retaliate, Carpenter also engages in MK-related shenanigans.

Carpenter spies on Ortega while holding a voodoo doll. She removes the head from the doll – a classic way of representing an MK slave dissociating.

Witchcraft and especially voodoo magic play an essential role in the programming of MK slaves.

"In discussing how trauma-based mind-control is done, voodoo must be included as a component. Many of the mind-controlled slaves have had voodoo as part of their trauma, and many had voodoo dolls placed into their Systems. When vows and oaths are made, an object is given to the satanic cult or the Illuminati for the Keeper of the Seals to guard. If the vow is broken voodoo magic can be used against the offender by using the object given in the sealing."
– Fritz Springmeier, The Illuminati Formula to Create a Mind Controlled Slave

Ortega happens to own a Sabrina Carpenter voodoo doll. She throws it in a fireplace.

As a result of voodoo magic, Carpenter catches fire. And, yes, fire torture is an important part of Monarch programming as well.

In another gruesome scene, Ortega cuts off one of Carpenter's arms and chokes her with it. Pop music is unhinged.

In this scene, Carpenter is wearing white while Ortega is wearing black. Duality is an important part of MK programming.

While some might think that the scenes above might not be about mind control, the following scene clearly alludes to a dissociative state of mind.

Ortega and the guy (who is basically a prop in the video) engage in a passionate Hollywood kiss.

Ortega then believes that she's actually kissing Carpenter.

When the video was released, mass media gushed over this scene. And while everyone was like, "OMG yaasss so iCoNic," they completely missed the point of the scene: It is about Ortega being in a dissociative state.

Ortega pulls out a chainsaw out of nowhere and slices Carpenter.

As Ortega watches Carpenter falling into a swimming pool, the real Carpenter appears behind her.

We then realize that Ortega manipulated into murdering the guy.

In Sabrina Carpenter's cinematic world, a man's death is always met with ridicule and indifference. Nothing of value is lost. And the funeral is the perfect time to make light of the situation.

The guy is so generic that he doesn't even get a name. At his funeral, he's ironically referred to as "Beloved boyfriend."

At the guy funeral, while the nameless guy's mother is crying, Ortega smiles and touches Carpenter in a flirty way.

Yeah, they're going to be a lesbian couple.

In the video's final scene, Carpenter and Ortega leave the funeral while laughing at the guy they murdered, calling him clingy, insecure, and with "lots of trauma."

The final scene is heavily inspired by Death Becomes Her, but the "moral of the story" is the exact opposite.

By the conclusion of Death Becomes Her, the women looked like rotting corpses.

In Death Becomes Her's funeral scene, Ernest is eulogized as having achieved "true immortality" through a fulfilling life where he accomplished good deeds and fathered wonderful children. In other words, by leaving the toxic energy of these witches and becoming a good person, he achieved eternal life. Meanwhile, the women who engaged in witchcraft for superficial purposes must live a sad life where they continually spraypaint their skins to cover their decaying flesh.

However, in Taste, the guy is nothing more than an innocent victim of murder. But he's a man, so it's ok. Meanwhile, Sabrina Carpenter and Jenna Ortega emerge as victorious, glamorous, and murderous lesbians. In the occult elite's narratives, there is no "moral of the story." Evil wins, and that's about it.

In Conclusion

Like many other industry pawns, Sabrina Carpenter was "raised" in Disney's system. Then, an inorganic force pushed her toward stardom. But that came at a price: She had to take part in toxic, violent videos where death and mind control are celebrated. Because, in mass media, when a celebrity has the attention of impressionable minds, they have to be used to push agendas. It's either that, or the spotlight goes to someone else.

In Taste, Carpenter plays the role of a psychopath alongside Jenna Ortega, another child star raised by the industry. In this gratuitously gory video, both engage in "hilarious" situations that subtly refer to the trauma and dissociation of MK slaves. Then, they kill a man, and they live happily ever after.

In short, Taste is a "taste" of what the elite wants us to become: Angry, sadistic, emotionless, mind-controlled, man-haters. And if we could all suddenly turn gay, that would be great, too.

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8. Politics and Mind Control: Why “The Manchurian Candidate” is More Relevant Than Ever

Released in 1962, The Manchurian Candidate perfectly captured the Cold War climate of its time. In an era characterized by confusion and paranoia, countless people in politics and entertainment were suspected of secretly working for the communists. Over sixty years later, as politicians are still accusing each other of working for China, Russia, or a communist agenda, The Manchurian Candidate still manages to reflect the climate of our time.

But there's another aspect of The Manchurian Candidate that makes its story truly unique, prophetic, and more relevant than ever: It was one of the first pieces of entertainment ever that directly addressed the concept of mind control, where individuals could be brainwashed and programmed to carry out high-profile assassinations.

In many ways, the movie was stunningly accurate and prophetic. One year after its release, John F. Kennedy was assassinated by a man who claimed to be a "patsy" … before being assassinated himself. Five years later, Robert F. Kennedy would be assassinated by Sirhan Sirhan, a 24-year-old Palestinian man who would later claim he was a product of mind control.

Sirhan Sirhan's story is a movie on its own.

As years passed, the public realized that mind control was not science fiction. In 1975, the Church Committee shed some light on the CIA's Operation MKULTRA and its controversial mind control techniques. Once again, The Manchurian Candidate was accurate and oddly prophetic.

There might be a reason for this stunning accuracy: The movie was produced by Frank Sinatra. While he's mostly known for singing Fly Me to the Moon, some researchers argued that he was also an MK handler.

In 1958, the author Richard Condon had his novel The Manchurian Candidate published which describes an American Army sergeant, who is captured and programmed to assassinate on the cue of a Queen of Diamonds of a deck of cards. Richard Condon's ability to think about the potential of behavior modification and hypnosis, had allowed him to stumble upon what had actually been going for over a decade. Frank Sinatra bought the movie rights for this book, let the movie out briefly and then squelched the second release of the film. Frank Sinatra has been a slave handler. He has handled Bob Hope's slaves, when Bob Hope has lent them to the Rat Pack (which consisted of Dean Martin, Frank, Sammy Davis, Jr. Peter Lawford & Joey Bishop). Frank Sinatra spends time with the Rockefellers and the Rothschilds.
– Fritz Springmeier, The Illuminati Formula to Create a Mind Controlled Slave

Ironically enough, Sinatra is a "deprogrammer" in The Manchurian Candidate.

During the movie's filming, Sinatra also worked with well-connected people, such as Willam Joseph Bryan Jr..

Both Frank Sinatra and CIA mind control programmer William Joseph Bryan, Jr. (aka William Joseph Bryon, and William Jenning Bryan III, etc.) were members of the Tommy Dorsey Band. Bryan programmed people while he was with the Air Force as Chief of Medical Survival Training which was the Air Force's covert mind-control section. Later he opened up his own hypnotherapy Institute on Sunset Strip in Hollywood where he programmed some people in the Illuminati who are actors. He also was the person who programmed Sirhan Sirhan to be involved in the Robert Kennedy assassination. After Bryan died in spring 1977, the CIA cleaned out all of his files including his home files.

In William J. Bryan, Jr.'s book entitled The Chosen One The Art of Jury Selection, Bryan teaches how to use hypnosis on jury members to win one's case. On the back of the book he states about himself, "In addition Dr. Bryan served as an Electronics Engineer in the Navy in World War II, was Director of all Medical Survival Training for the United States Air Force, and a leading expert on brainwashing." William J. Bryan was the technical director for Frank Sinatra's movie The Manchurian Candidate. It was hoped that the movie would scare Americans into thinking that the enemy (the communists) was carrying out mind-control.

In short, The Manchurian Candidate is more than a movie – it is a purposeful exposition of the dark side of the occult elite. Here's a look at its story and symbolism.

Programmed

The movie revolves around Sergeant Raymond Shaw, the son of a prominent political family.

After the Korean War, Raymond Shaw returned to the United States as a hero. He received the Medal of Honor—the highest military decoration of the U.S. Armed Forces—for saving the lives of fellow soldiers in his platoon.

When asked about him, members of his platoon automatically and robotically answer:

"Raymond Shaw is the kindest, bravest, warmest, most wonderful human being I've ever known in my life."

However, none of this is true. In actuality, Shaw's platoon was captured by Soviet forces and was taken to Manchuria to be brainwashed. While they were programmed to believe that Shaw was a hero, several soldiers had recurring dreams revealing what actually happened.

The movie's dream scenes capture rather accurately the state of mind of MK slaves.

In their dreams, soldiers in Shaw's platoon sit in a hotel lobby where a ladies' garden club meeting is in progress.

The soldiers were dissociated from reality and programmed to believe that old ladies were in attendance.

However, their dreams also contain flashes of clarity, where they recall what actually happened to them.

The ladies' garden club turns into a meeting of Chinese and Soviet intelligence officials where the captured American soldiers are used to demonstrate the power of mind control.

At one point, the speaker orders Shaw to grab a gun and shoot one of his soldiers in the head. Since he's triggered and suggestible to orders, Shaw complies immediately.

Under the watchful eyes of Chinese and Soviet officials, Shaw carries out the killing, proving that mind control is a powerful tool in the war against America. At this moment, ex-soldiers wake up from their dream while screaming.

Back in the United States, Shaw lives a normal life but remains an MK sleeper agent. To trigger him (and make him receptive to orders), Shaw's handlers tell him:

"Why don't you pass the time and play some solitaire."

When Shaw encounters the Queen of Diamonds, he is fully triggered and receptive to orders. As we'll soon see, this particular card was selected as his trigger for profound psychological reasons.

When not triggered, Shaw is a regular American citizen and is employed as an assistant of the "most respected political journalist in America." How many mind-controlled slaves controlled by communists are working in American media today?

Two years after his original "conditioning," Shaw's programmers needed to ensure his programming was still functioning.

At the programming site in New York, Shaw is met with his communist handler. To keep him triggered, a Queen of Diamonds card is placed in front of him.

To avoid suspicion from the outside world, Shaw's time in reprogramming is disguised as a "car accident." As we've seen in previous articles, reprogramming is always concealed with excuses such as "hospitalization" or "rehab."

To test out his "mechanism," Shaw's handlers decide that he needs to kill someone. So they order him to shoot his boss at the newspaper. By doing so, Shaw would also replace him as an influential political journalist.

When Shaw creeps into his boss' bedroom at 4 am to murder him, he finds him wearing a women's robe.

By having him wear a particularly frilly robe, the movie is most likely implying that this political journalist is gay. While this fact might be irrelevent nowadays, it had specific implications in the Cold War espionage context of the movie. In those days, homosexuality was illegal and those who were outed as gay suffered widespread condemnation. This rendered homosexuals working in key positions particularly vulnerable to blackmail from outside forces.

During a Congressional hearing, CIA director Roscoe Hillenkoetter stated:

"The use of homosexuals as a control mechanism over individuals recruited for espionage is a generally accepted technique which has been used at least on a limited basis for many years. While this agency will never employ homosexuals on its rolls, it might conceivably be necessary, and in the past has actually been valuable, to use known homosexuals as agents in the field. I am certain that if Joseph Stalin or a member of the Politburo or a high satellite official were known to be a homosexual, no member of this committee or of the Congress would balk against our use of any technique to penetrate their operations … after all, intelligence and espionage is, at best, an extremely dirty business."

In other words, the movie slyly implied that outside forces compromised American journalism.

After proving to his communist handlers that he could still carry out an assassination, Shaw was handed over to his handlers in America.

The American Operators

Shaw's stepfather is a United States senator an the vice-presidential nominee. His mother, Eleanor, controls everything behind the scenes.

Johnny Iselin is a caricature of the modern, made-for-TV politician. At one point, Eleanor tells him:

"I keep telling you not to think! You just keep shouting point of order after point of order into the television cameras and I will handle the rest."

Throughout the movie, this power couple accuses their opponents of being communists. However, towards the film's end, we're in for a major plot twist: They've been working for communists all along. Even worse, Eleanor is Raymond Shaw's "American operator." In other words, she's his mind-control handler.

Throughout the movie, Eleanor is framed with the Queen of Diamonds, hinting at her being the ultimate handler.

Shaw's original communist chose the Queen of Diamonds as his trigger because "she is reminiscent in many ways of Raymond's dearly loved and hated mother."

At one point, Shaw's mother gives him a mouth-to-mouth kiss. It was the movie's classy way of hinting at the all-out incestual relationship that happens in the novel. MK programming often involves disturbing sexual trauma.

As Shaw's handler, Eleanor is ruthless. She orders him to murder her political opponent and his daughter, who happens to be Shaw's wife.

When Shaw's future wife reappeared in his life during a costume party, she wore a Queen of Diamonds card. Shaw's mother had arranged this whole meeting, probably to facilitate her assassination.

While this was bad, Eleanor had much bigger plans for her mind-controlled son. At the upcoming national convention of her political party, Shaw would assassinate the presidential nominee. Eleanor's husband, the vice-presidential nominee, would automatically succeed him as President of the United States. They would then blame the assassination on communists, which would justify dictatorial powers that would make, in Eleanor's words, "Marshall Law seem like anarchy."

In short, Shaw would be used as a mind-controlled assassin to turn the United States into a communist puppet regime. Luckily, Major Marco came to the rescue.

Deprogrammed

Major Marco holds a deck full of Queens of Diamonds to Shaw's face. He wants him to be super triggered.

Major Marco (played by Frank Sinatra) was in Shaw's platoon when it got captured and programmed by communist forces. After having recurring dreams of the event, he discovers the truth about Shaw and is tasked with deprogramming him.

After triggering Shaw using cards, Marco attempts to break the link between Shaw and his handlers. He tells him:

"This is me Marco talking. Fifty two red queens and me are telling you: It's over. The links, the beautifully conditioned links are smashed. They're smashed as of now because we say so".

After the deprogramming session, Marco lets Shaw go, not knowing if it worked. Shaw then proceeds to carry on the mission his mother programmed him to do.

Shaw infiltrates the political convention disguised as a priest and finds a strategic location to snipe his target to death. One year after the release of the movie, JFK was sniped to death by a man who claimed to be a patsy.

In the end, Shaw did not follow his mother's orders. Quite to the contrary, he kills her and her husband, freeing the country from these treasonous politicians.

After the shooting, Shaw symbolically puts on his Medal of Honor because he finally believes he deserves it.

Then, Shaw kills himself. Death is the MK slave's only true path to freedom.

The 2004 Remake

While the original movie was never re-released, its story remained relevant. In 2004, Tina Sinatra (Frank Sinatra's daughter) co-produced a modern retelling of The Manchurian Candidate.

The DVD cover of the 2004 remake of The Manchurian Candidate. That tagline is quite clever.

Set in the early 2000s, the movie stars Denzel Washington as Major Marco, a veteran of the 1992 Persian Gulf War. Besides being darker and grittier than the 1962 movie, the remake made key changes to the original story.

First, the plot occurs within the Democratic party (with Shaw's mother resembling Hilary Clinton) while, in the original movie, the compromised party was implied to be the Republicans. Second, the main antagonists are not Russian and Chinese communists but an international corporation named Manchurian Global.

However, the main change involves Raymond Shaw himself. In the original story, he was a programmed assassin. In the remake, he's the vice-presidential nominee and is under mind control.

Raymond Shaw is injected with a microchip while he's in a dissociative state.

Bizarre fact: Raymond Shaw is played by Liv Schreiber. As explained in my article titled There's Something Terribly Wrong Happening With the Sons of Celebrities, Shreiber has been involved in some MKULTRA-type weirdness involving his sons.

In other words, the remake of The Manchurian Candidate is as accurate and prophetic as the original one.

In Conclusion

The Manchurian Candidate remains relevant to this day because it is not merely a work of fiction or entertainment. It is an exposition of the underside of American democracy created by people "in the know." Some would describe it as a case of "predictive programming" where the dark deeds of the elite are revealed to the world (e.g., assassinations perpetrated by MK slaves) before they happen.

While the two movies have fundamental differences, they both remain relevant today. In the 2004 movie, the main threat to American democracy is a globalist entity. This remains true today. And, like in the 1962 version, that entity is working to bring about a global form of communism.

To bring about that New World Order, they rely on mind-controlled puppets to shout "point of order after point of order at the television cameras" until the masses turn themselves into Manchurian Candidates.

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The post Politics and Mind Control: Why "The Manchurian Candidate" is More Relevant Than Ever first appeared on The Vigilant Citizen.

9. Symbolic Pics of the Month 08/24

Since this site's launch in 2008, Rihanna has been mentioned countless times due to the symbolism surrounding her. One of the recurring themes is Monarch mind control, more specifically, Sex Kitten programming. And, despite now having two children, this degrading symbolism (when one understands what it means) still defines her career. The following Perfect Magazine photoshoot is more proof of this fact.

As seen in previous articles, Sex Kitten slaves are often identified with feline prints. Everything about this picture, from her clothing to the furniture, is covered in feline prints. The clashing juxtaposed prints are not aesthetically pleasing, but that doesn't matter. The overkill sends a message: This is about Sex Kitten programming.

Rihanna poses suggestively with an actual feline (along with pearls), further highlighting that this is about Sex Kitten programming.

In this pic, Rihanna is bound and restrained while holding a mic, representing her being a slave of the music industry. Her strategically placed hair also creates a one-eye sign, further driving the point home that the occult elite owns her.

In many ways, Kim Kardashian is similar to Rihanna. After peaking in popularity about 14 years ago, these maturing mothers still must subject themselves to degrading symbolism to keep their careers going.

Two years ago, Balenciaga released an ad campaign that featured children surrounded by BDSM items and even references to pedo porn. As explained in this article, the campaign was vile, and the outrage was intense. But the symbolism is still there. The company's recent ad campaign featuring Kim Kardashian is all about Sex Kitten programming. She is made to look like Marilyn Monroe (the original Sex Kitten) while wearing animal-print shoes. Also, her face literally says, "I can't believe I still have to do this crap at my age." Those behind the ad actually wanted to see that sick-and-tired face: It is part of the industry slave experience.

Speaking of former sex symbols who need to do weird things to stay relevant, Sharon Stone's Instagram account contains some weird and upsetting posts.

In a bizarre Instagram post, Sharon Stone has a black eye while giving a thousand-mile stare as if something traumatizing just happened. Making things more concerning, the caption says: "This trip has been tough, but I'm tougher." Most comments on IG wonder if Stone underwent some shady occult elite ritual. After all, she's literally sporting a one-eye sign.

Eminem's new album, The Death of Slim Shady, included some highly symbolic imagery regarding the nature of his alter-ego.

In one promotional trailer, we see Slim Shady's birth. And it's a horned, demonic baby.

In another trailer, Slim Shady seems tied up and forced to watch a screen. The scene looks like an MKULTRA brainwashing session. At the bottom right, we see Eminem's official profile pic: Him doing devil horns while hiding one eye. All of the symbolism is about him being controlled by evil forces.

The album cover features Slim Shady making a one-eye sign while peeking from a body bag. The message: This album was brought to you by the occult elite.

Speaking of rappers hinting at Monarch programming, here's Ice Spice (aka nobody's favorite rapper). After wearing a big inverted cross at the Superbowl, she again used jewelry to explain why she's inexplicably famous.

At the 2024 BET Awards, Ice Spice wore a literal chain around her neck (hinting at slavery) and a butterfly pendant (hinting at Monarch programming). She also had a butterfly tattoo on her arm.

Here's another female rapper who associates herself with the exact same imagery.

On the cover art of her new album, Meghan Thee Stallion emerges from a Monarch butterfly chrysalis. What better way to represent the emergence of a new Monarch slave persona? In the background, we see a camera and a pod-like enclosure, hinting that Stallion was "programmed" in that room.

What's the "reward" for being an industry slave?

Stallion twerked and made devil horn signs at a Kamala Harris rally.

Speaking of industry slaves, Lil Uzi Vert (pronounced Lil Lucifer) has been used for years to push the gender-blurring agenda in the rap world. And, every time, it is a thoroughly humiliating display. And, every time, people hate seeing it.

Marc Jacobs selected this male rapper to model a dress and a handbag. His face says: "I can already hear people roasting me for this." And, of course, nearly all of the comments on IG is people roasting him.

Speaking of gender-blurring, the government is hard at work erasing the word "woman" to replace it with the most dehumanizing terms possible. Here's another ridiculous example.

In a post celebrating "Menstrual Hygiene Day", the U.S. Department of Labor refered to women as "menstruators". While, at face value, this post is supposed to be "inclusive," it actually excludes women by reducing them to a mere bodily function.

Speaking of gender-blurring, the elite loves celebrities who claim to be "non-binary" and use "they" pronouns (like Lil Uzi Vert seen above). Those who accept to do this cringy, ridiculous stuff get rewarded with some media attention. Of course, it has to be symbolic.

In a Wonderland Magazine photoshoot, Emma D'Arcy clearly displays Baphomet's "As Above, so Below" hand sign. Why? because that's the occult elute's favorite deity. Also, Baphomet is technically "non-binary."

Speaking of Baphomet.

For some reason, Snoop Dogg's presence at the Olympics was very mediatized. And, for some reason, he walked around with a pendant that looked much like Baphomet. In response to the understandable questioning, Snoop replied that it was not Baphomet but a goat, as in "Greatest of All Time." This sounds like BS. I am 100% sure he is fully aware that he is FAR from being the greatest rapper of all time. It's all about Baphomet making an appearance at the Olympics.

As explained in previous articles, the LGBTQ flag is not merely about "pride"; it is a globalist flag representing the elite's control of a degenerate society that bizarrely focuses on individuals' most private aspect: Their sexuality.

This is a London street during Pride Month. Does this look like a "celebration"? Or a conquering force that is forcibly imposing its flags on nations worldwide?

Meanwhile, in the actual parades, full-grown adults expose themselves to children. This is the kind of society they are trying to build.

The agenda is so pervasive that it is even infiltrating religion.

The Episcopal Church changed its logo to include the Pride flag. How can this thing even remotely represent a Christian church? Furthermore, the red cross of St. Georges (a martyr who chose to be executed rather than recant his faith in Jesus Christ) was removed from the logo. Symbolic.

Marlon Wayans has a "daughter who transitioned into a son." While this piece of information could have stayed private, it was abundantly published because that's what Hollywood parents with transgender children have to do. Then, Wayans further promoted this fact with a bizarre photoshoot of him posing with an LGBTQ half-mask. Other than being creepy, the mask actually symbolizes Wayans true self being taken over by a faceless entity.

This is from the trailer of the upcoming movie Beetlejuice Beetlejuice. The 666 is there on purpose because everything needs to be blatantly satanic now.

Special thanks to everyone who sent in pics!

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The post Symbolic Pics of the Month 08/24 first appeared on The Vigilant Citizen.

10. An In-Depth Look at the Depravity of the 2024 Paris Olympics Opening Ceremony

As I watched the opening ceremony of the 2024 Paris Olympics live, two thoughts repeatedly came to mind: "France has fallen" and "We're living in Sodom and Gomorrah." These exact thoughts probably came to lots of other people's minds because the backlash was immediate and came from all over the world. While mass media attempted to dismiss the outrage it simultaneously engaged in another mission: Scrubbing the internet of videos of the ceremony. The official YouTube channel of the Olympics and news channels all decided that this thing needed to be forever forgotten. Even YouTube channels that used some footage to comment on the ceremony were hit with copyright strikes.

In short, they don't want people to rewatch this thing intently because it contains several outright shameful moments. However, the damage was done: The occult elite carried out its mega-ritual for the entire world to see, and the foul energy that emanated from it was harvested.

Needless to say, I was fully expecting symbol shenanigans during the ceremony. In 2012, I wrote an analysis of the Opening and Closing ceremonies of the London Olympics, which were highly symbolic (and even prophetic). However, after witnessing the Paris ritual, the London ceremonies were, comparatively, the epitome of class and good taste. I mean, at least children could watch it.

It's not like the Paris ceremonies skimped out on the effort and expenses. While Olympic ceremonies usually occur in a stadium, the Paris organizers daringly chose to have them within the city itself, and the results were often visually striking and grandiose. However, by doing so, the elite also exposed its outright hypocrisy.

The same globalist elite that is purposely turning cities around the world into hellholes through lax policies and uncontrolled immigration expelled thousands of migrants and homeless people from Paris for the Olympics. They don't want to see any of this when they're around.

Usually, Olympic ceremonies celebrate the culture, history, and achievements of the host nation. Using powerful symbolism, the opening ceremonies of the Paris Olympics accomplished the exact opposite: They were about the subjugation of France, along with its rich culture, to the sick, depraved, and thoroughly satanic global culture of the occult elite. Even when pieces of France's history and culture were seemingly "honored," it was through a distorted lens that ultimately celebrated their corruption.

Here's a look at the ceremony.

From Darkness to Light

All Olympic ceremonies are inherently highly symbolic and charged with a deep occult meaning. Indeed, modern Olympics were revived by Pierre de Coubertin, a French aristocrat who was an active Freemason.

Pierre de Coubertin was an active Freemason from his days at Oxford University where he was initiated in Apollo University Lodge No 357, Oxford, England in 1890.

The torch-bearing ceremony surrounding the Olympics is imbued with occult meanings that are directly linked with de Coubertin's Masonic ties. In occultism, Lucifer is perceived as a savior for passing the light of divine knowledge to humanity. In Latin, Lucifer literally means "light bearer".

A Greek mythology, Prometheus is the equivalent of Lucifer. He took the fire of knowledge from the gods and gave it to humanity.

In short, the torch-bearing ritual has a deep Luciferian meaning. In the 2024 Olympics, the ritual began by physically portraying one of the elite's favorite mottos: From darkness to light.

The ceremony began with children walking through the Catacombs of Paris using the Olympic torch to light their way.

The opening ceremony of the Olympics began with kids walking around a legendarily creepy underground ossuary that contains the remains of over six million people. This place is truly a sinister site: It is entered through a place called Barriere d'Enfer (Gate of Hell), and there have been persistent rumors of dark rituals taking place in its underground passages for centuries.

As the children illuminate walls made of human skulls (using the Luciferian torch), a creepy, faceless man invites them on a boat.

The mysterious figure brings the children from darkness to light. Literally.

A Masonic image with the occult's Luciferian motto.

As the masked man takes the children towards the proverbial light of the occult elite, we see a shot of their current puppets.

Macron and the President of the Olympic Committee stand up for the torch's arrival. Macron's handler sits on the right—sorry, I mean "wife." Sitting on the left is António Guterres, the United Nation' Secretary-General. Why is he here? Because France is under the control of globalists.

After this symbolic display, the mysterious man carrying the torch runs across Paris and takes the viewers through the 12 tableaux of the ceremony.

Vaguely inspired by figures such as the Fantom of the Opera, this figure represents the faceless elite guiding France and the world through the ceremony's various narratives.

And it starts with blood.

Decapitated Heads

Gojira's performance began with a gruesome shot of Marie Antoinette holding her decapitated head.

Dressed in ritualistic red – the occult color of sacrifice – the death of several other French figures is celebrated in this bizarre display. Other than the fact that children are watching this ceremony, why are the violent deaths of French people being celebrated at the Olympics?

The masked figure (representing the elite) oversees the revolution.

Here's an often-overlooked fact about the French Revolution: It was mainly organized by secret societies such as the Freemasons and the Rosicrucians to overthrow and replace the Monarchy and the Catholic Church. Considering the occult elite context of this ceremony, the death of figures associated with both these pillars, such as Marie Antoinette, is celebrated in a ritualistic manner.

The performance ends with what looks like the blood of the executed splattering from the windows of the building. Yes, we're still watching the … *checks notes* … Olympics.

While the French Revolution is usually perceived as a positive thing, we are currently entering the next phase of the occult elite's grand scheme. And it is not good for anyone: Moral and social decay to facilitate the coming of a New World Order. The rest of the ceremony made sure to highlight this decay.

Bisexual Threesome

Following this celebration of death, Olympic organizers found it essential to then focus on sexuality. In a bizarre scene at the National Library, two men and a woman engage in flirtatious behavior as they read French literature books about sexuality. Some of the choices are rather perplexing.

One suggested book is Diable au Corps (Devil in the Flesh). It is about a married woman having an affair with a 15-year-old boy while her husband is out at war. Yes, the Olympics managed to make a reference to sex with a minor.

After frolicking for a while, the three friends realize that they're horny and that they need to have sex right now. So they run away, leaving a huge mess at the National Library. But that's OK because they're LGBT.

Then, the viewers are treated to a bisexual threesome scene. By the way, we're still watching the Olympics.

Meanwhile, outside, there's a choreography meant to represent the "rise of desire", complete with scenes of men kissing.

After this bizarre focus on lust, the ceremony then makes a heavy political statement.

Humiliating France

The next tableau is called "Equality." But the elite did not want to celebrate equality between people (they definitely do not believe in that). Instead, they've decided to portray equality between "tradition and modernity." And their version of "modernity" is one global, braindead culture.

The segment begins with the Republican Guard Orchestra standing guard on one side. They represent tradition.

On the other side is singer Aya Nakamura. She reprsents "modernity."

When Macron personally invited Nakamura to represent "modern France" at the Olympics, the controversy was immediate. The main reasons: She's been accused of destroying the French language in her songs with her slang, which mixes English, Arabic, and West African words and expressions. In other words, she represents the elite's dumbed-down globalist culture.

Needless to say, selecting this specific artist to play this specific role was highly political. The message: France's culture, history, and identity are being replaced by a single global culture. The same is happening around the world.

As Nakamura performs Djadja, the poor old man behind her has to awkwardly dance to the zouk beat of the song.

The symbolism is powerful: Traditional France has to move to the beat of the globalist rhythm.

The Blasphemy

As in every occult elite display, there needs to be an outright salute to Satan. At the Paris Olympics, that was accomplished by turning the opening ceremonies into a Black Mass where Christianity was openly desecrated.

French DJ Barbara Butch plays the role of Jesus Christ (complete with a halo) and is surrounded by drag queens in a scene mocking the Last Supper.

Faced with the backlash, the media attempted to gaslight people and claim the scene was inspired by a painting called Feast of the Gods. That is a lie.

The producer said it himself until they decided to backtrack and lie. Then, they deleted videos of the ceremony.

A fashion show featuring this bearded drag queen tramples on the Last Supper table.

As if that wasn't enough, this creep then makes an appearance.

When this naked man started singing, the entire world sighed in anger.

This man represents Dionysus, the Greek god of wine-making, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. Also known as Bacchus, the cult of Dionysus is associated with drunken ecstasy, sexuality, and blood offerings.

The religion of Dionysus often included rituals involving the sacrifice of goats or bulls, and at least some participants and dancers wore wooden masks associated with the god. In some instances, records show the god participating in the ritual via a masked and clothed pillar, pole, or tree, while his worshipers eat bread and drink wine.
– Dionysus, Wikipedia

In other words, Dionysus represents the exact opposite of Jesus Christ. And that's why they have him lying on the table looking all sleazy and lustful.

Also, why is there a little girl there?

As Dionysus horrified the world, a little girl hanged in the background, held by a large man.

The same girl dances with a bunch of sweaty degenerates.

Remember how they celebrated the book Devil in the Flesh? And that it was about sex with a minor? And now there's this girl dancing with near-naked weirdos? Those are the kinds of shameful things they are trying to scrub from the internet.

Celebrating the New World Order

When this excruciating display of blasphemy concluded, things got somber. Because it was time to celebrate the ultimate goal of the occult elite: The New World Order.

To do this, they started by singing John Lennon's Imagine, the unofficial anthem of the New World Order.

Although there's nothing French about that song, Juliette Armanet performed Imagine.

When that song was performed at the 2012 London Olympics, it made some sense because Lennon was from there. However, in this case, it made no sense until one understands that the song contains the occult elite's all-time favorite lyrics.

Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion, too

(…)

Imagine no possessions
I wonder if you can

No countries, no religion, and no possessions. This is exactly the ultimate goal of the occult elite, championed by organizations such as the World Economic Forum. This is why António Guterres, the United Nations Secretary-General, was sitting right next to Macron. They want to erase France (and all other countries) for a single world government.

The next segment visual depicts this exact goal.

The masked figure (still representing the elite) enters center stage riding a white horse.

Does it represent the pale horse of the apocalypse? I hope not because, as the Bible states, "his name that sat upon him was Death, and Hell followed with him."

Creepily enough, all nations of the world literally followed the horseman.

People carrying national flags lined up on each side of the street. Then, as the horseman passed them, they gradually followed him.

There is no better way of representing the world's nations falling in line behind the occult elite's New World Order.

In Conclusion

As this depraved ceremony progressed, the rain kept intensifying. It was as if God was attempting to extinguish the Olympic flame that had turned into a hellish fire. And, like everything satanic, the entire thing was steeped in lies. While it was said to be unifying, the ceremony was actually divisive. While it was said to be about love, it is actually about hate. White it was said to be about France's glory, it is actually about its humiliation.

The occult elite appears intent on turning the entire world into Sodom and Gomorrah and the opening ceremonies of the 2024 Olympics was a blatant celebration of this fact.

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The post An In-Depth Look at the Depravity of the 2024 Paris Olympics Opening Ceremony first appeared on The Vigilant Citizen.