The Vigilant Citizen

1. Lady Gaga’s 2025 Coachella Performance Was Nothing Less Than a Satanic Megaritual

Considered one of the "coolest" festivals in the world, Coachella is a yearly event where pop music and fashionable people converge for a weekend of partying. Of course, Lady Gaga is a natural fit in this environment, and over 100,000 people made sure to be in attendance for her live performance.

While Gaga had already performed at the festival in 2017, nobody truly expected what she had in store for this year's edition: a nearly two-hour-long theatrical show with props, visual effects, massive sets, and pyrotechnics. It was big, elaborate, and meticulously choreographed to tell a story—but not any kind of story. It was a ritual drama, the kind enacted in occult secret societies during initiation ceremonies.

And it was blatantly satanic. It was so satanic that even the state-owned BBC had to acknowledge this fact.

Fans swarmed to catch the Poker Face singer perform songs from her new album Mayhem, delivering a visual spectacle by opening her set with what can only be described as a satanic ritual to her 2011 song Bloody Mary.
– BBC, Stars mingle in Coachella audience as Lady Gaga wows festivalgoers

Divided into four acts, Gaga's performance strung together her biggest hits and songs from her most recent album Mayhem in a way that fit the overarching narrative of death and rebirth. Of course, it was highly ritualistic and heavy with spiritual meaning.

Here's a look at this intense performance.

Abracadabra

Gaga's performance began with the show's two main characters facing each other while reciting the same poem.

The lady on the left is named Mahem, aka the Mistress. She's a demonic figure symbolically dressed in red –  the color of initiation, sacrifice, and transformation in occultism. Mayhem faces Gaga, dressed in white, representing the purity of the uninitiated candidate.

If you've read previous articles on this site, you already know where this is going. The overarching narrative and the color codes used in this performance are a recurrent theme in the music industry, and Lady Gaga is one of the pop stars who brought this occult-inspired symbolism to the mainstream.

After the intro, Gaga appears in a gigantic red dress and gets into "worshipful mode." Who is she worshipping? Take a guess.

This is the part the BBC said "it can only be described as Satanic." Gaga performs Bloody Mary, a song in which she plays the role of Jesus' girlfriend Mary Magdalene. Yes, it is blasphemous, like many other songs in her repertoire.

In the first part of the show, Gaga plays the role of Mayhem. Underneath her gigantic dress, poor souls are trapped behind bars. Behind her are Masonic pillars – the gateway to the spiritual realm.

At this point, Gaga (as Mayhem) performs Abracadabra, a song with a deep occult meaning. In an interview, Gaga even stated that the song "contained a spell inside." This symbolic song marks the beginning of a magical ceremony. Or is it a Black Mass where Christianity as a way to praise Satan?

Case in point, Gaga's next song is Judas, in which she sings:

In the most Biblical sense, I am beyond repentance
Fame hooker, prostitute, wench vomits her mind

(…)

I wanna love you
But something's pulling me away from you
Jesus is my virtue
And Judas is the demon I cling to

Dressed with a black veil and holding a red quill, the Mistress signs a mysterious parchment. Considering the occult and satanic context of everything until now, we can safely assume that she's signing a deal with the devil.

After a few songs performed by the Mistress, this theatrical play introduces a new character.

Lady Gaga makes her entrance dressed in white.

At this point, the two characters perform Poker Face, Lady Gaga's first major hit, emphasizing that this white-clad character is a pure, innocent newcomer.

Gaga in white and the Mistress in black battle it out on a giant chessboard.

Everything about the scene above points directly to the most crucial concept in occultism: Duality.

In Freemasonry, all rituals and transformative ceremonies occur on a dualistic floor. This is the inspiration for Gaga's performance.

The battle between Gaga and Mayhem ends with a clear winner.

Mayhem murders Gaga. She drops on the chessboard, which turned red, the color of blood sacrifice.

At this point, the entire cast chants "off with her head" – a phrase usually associated with the Queen of Hearts in Alice in Wonderland. Appropriately enough, this fairy tale is one of the occult elite's favorite MK programming scripts.

In other words, we are witnessing the "beheading" of Lady Gaga before her reprogramming as a new entity. On a spiritual level, she will undergo a symbolic death and rebirth.

Gaga's body is carried away as if she were some Jesus-type figure.

In secret societies, initiations often follow the same script: The candidate is subjected to hardships, undergoes a symbolic death, and returns to life as a new, "illuminated" person. That's pretty much the narrative of Gaga's show … with some weird twists.

While Gaga's body is taken away, a dancer does a one-eye sign to confirm that you're witnessing some occult elite madness.

As the act ends, the music becomes dark, intense, and dissonant, as if indicating that we're witnessing a supernatural event.

The next act takes us to the next phase of Gaga's transformation.

We find Gaga buried in some sand, but she's not dead … or is she?

Surrounded by death, Gaga performs Perfect Celebrity, a song about the dark side of the entertainment industry. Some of the song's lyrics are quite telling:

I'm made of plastic like a human doll
You push and pull me, I don't hurt at all
I talk in circles cuz my brain it aches
You say I love you
I disintegrate

I've become a notorious being
Find my clone she's asleep on the ceiling now
Can't get me down
You love to hate me
I'm the perfect celebrity

(…)

I look so hungry but I look so good
Tap on my vein suck on my diamond blood
Choke on the fame and hope it gets you high
Sit in the front row watch the princess die

Everything about this song alludes to mind-controlled -and even cloned celebrities, who end up being sacrificed ("watch the princess die").

After being a perfect celebrity, Gaga is "resurrected."

As Gaga performs Paparazzi, she wears the robotic outfit seen in the song's highly symbolic video. Inspired by the character of Maria from the movie Metropolis, the outfit implies that she was "custom-built" by the elite to influence the masses.

A couple of songs later, Gaga ditches the clutches and the robot outfit: She's "internalized" the system.

On several occasions, Gaga is surrounded by red-clad girls, indicating that she's under the control of an evil force.

At this point, Gaga performs a song appropriately titled The Beast which ends with the words:

I wanna feel the beast
I wanna feel the beast
I wanna feel the beast inside
I wanna feel the beast inside

You know that, in the Bible, Satan is referred to as "the Beast", right?

Although she's apparently back from the dead, Gaga is not necessarily alive. To emphasize this fact, Gaga performs a song appropriately called Zombieboy.

Gaga and her dancers engage rather lustfully with skeletons.

This entire part of the show is about death. More specifically, desecrating death.

Gaga's dancers spend an uncomfortable number of seconds humping skeletons as we start to wonder where is society heading.

The next song is appropriately called Die With a Smile and it is performed on a symbolic instrument.

Gaga plays on a keyboard adorned with human skulls and spines. The stand holding her partition is a headless skeleton with cracked ribs.

Yes, this instrument is something a complete psychopath would create. Or people in the occult elite who engage in cannibalism and use skeletons as mementos of their insanity. That said, let's look at a picture of Lady Gaga's good friend, Marina Abramovic – the occult elite's favorite witch.

Marina Abramovic cleans a real human skeleton for "art" in 1995.

Gaga and Abramovic partake in mock cannibalism at an event dubbed "Devil's Heaven." Yup, that's the kind of fun activities the occult elite participate in their free time.

After a few songs focusing on the theme of death, a new Gaga emerges.

Under the dark influence of Mayhem, the white-clad Gaga is now dressed in black, signifying that she's completely turned to the dark side.

Gaga performs in the middle of a giant eyeball – the perfect way of conveying that she's under the complete control of the occult elite.

In the final act, Gaga loses what's left of her humanity and achieves immortality.

Red-clad individuals wearing plague masks bring out Gaga and start operating on her.

It is at this point that we hear:

Monsters never die!

She's not human anymore, she's an immortal "monster." What kind of adrenochrome-infused procedure did she undergo?

The immortal monster reemerges looking like an "angel" but with a red cross that seems to have been carved into her body.

Gaga's show ends with Bad Romance – a song about her complicated relationship with the dark side. Like Abracadabra, the song's lyrics contain a magical spell, concluding this massive megaritual.

The 100,000 attendees fully absorbed the ritual and immortalized it through their phones.

In Conclusion

Lady Gaga's Coachella performance turned her musical career into a ritual drama, where the singer enacted a symbolic death and rebirth under the powerful influence of a demonic figure.

With song titles such as Bloody Mary, Abracadabra, Judas, and The Beast, we already get a sense of the show's spiritual direction. However, the elaborate decor, wardrobe, and choreography took the symbolism to another level and turned this Coachella performance into a megaritual witnessed by thousands of unsuspecting partygoers.

Some might say that these fans were under Lady Gaga's spell. Literally.

Donate to VC VC E-Book

2. The Dark Meaning Behind Ariana Grande’s Short Film “Brighter Days Ahead”

In many ways, Ariana Grande is following in the footsteps of Britney Spears and Miley Cyrus. Like these two pop stars and many others, Grande started in the industry at a young age, and in a notoriously toxic system: Nickelodeon. In a recent interview, Grande stated that she is "still processing" her experience at Nickelodeon while strongly alluding to some traumatic events she cannot fully disclose:

"I think the environment needs to be made safer if kids are going to be acting and I think there should be therapists. I think parents should allowed to be wherever they want to be and I think not only on kids' sets."

In the past years, numerous individuals who worked at Nickelodeon (most notably Dan Schneider) were accused of a wide range of disgusting acts, such as sexualizing young stars on set or all-out sexual abuse at the hands of dialogue coach Brian Peck. The recently deceased Michelle Trachtenberg, who also started her career on Nickelodeon, hinted at abuse while she was a teenager.

To put it bluntly, Grande – like other child stars – was surrounded by a bunch of pedophiles. Then, she "graduated" and became a sexualized pop star, who remains tightly controlled by the industry, even as a full-grown adult. And not unlike other former child stars, everything surrounding her act is replete with imagery relating to trauma-based mind control.

For instance, the video No Tears Left to Cry is one of the most blatant videos about Monarch mind control ever released.

In this highly symbolic scene in No Tears Left to Cry, a faceless Ariana Grande puts on a mask, representing an alter persona. The entire video is Monarch 101.

While these former child stars appear healthy and thriving for several years, cracks often start to show around the age of 30. Past and present traumas become difficult to hide while substance abuse – a way of coping with the system – begins taking its toll. Eventually, celebrities such as Britney Spears and Amanda Bynes completely break down.

Ever since Ariana embarked on a bizarre association with Wicked costar Cynthia Erivo (who gives off strong witch vibes), everything about her seems "off".

This TikTok video sums up the bizarre (and unnecessary) weight loss of Wicked stars. Grande's recent skeletal had fans genuinely concerned.

At the 2025 Oscars red carpet, Ariana stated that she could not remember her career plans because of the memory erasure procedure she had undergone at the Hollywood clinic. This answer raised eyebrows; many could not tell if she was serious. Was it her way of plugging her upcoming video, Brighter Days Ahead, which is precisely about a memory-erasure clinic? Or was she literal, and, like other pop stars, her "art" reflects her actual life?

In past years, Grande revealed that she suffered memory loss on several occasions.

The industry loves to "celebrate" its control over pop stars by turning their plight into "art." Ariana's recent offerings are pure Monarch mind control disguised as "emotional stories."

We Can't Be Friends

In 2024, Grande released the video We Can't Be Friends which introduced her fans to Brighter Days Inc. – a clinic that specialises in memory erasure.

Ariana sits in a lab as her brain is being analyzed and memories are erased. Throughout the video, Ariana has a circular "decoration" surrounding one eye, creating a constant one-eye sign. The message: This is all inspired by the occult elite's trauma-based mind control.

Ariana signs "Peaches" on the waiver form.

The name Peaches is said to be inspired by the character Clementine from the 2004 movie Eternal Sunshine of the Spotless Mind, which is the main inspiration behind Grande's recent videos.

In Eternal Sunshine of the Spotless Mind, a couple get their memories erased at a clinic.

As we'll soon see, there's a reason why Grande uses a pseudonym in these videos: Peaches is the name of her alter-persona.

We Can't Be Friends ends with Ariana Grande having no recollection of her boyfriend while the background behind her keeps changing.

In short, her perception of reality is wholly controlled by outside sources. This story set the table for the next video – a 26 26-minute short film that is replete with MK symbolism.

Brighter Days Ahead

Brighter Days Ahead was directed by Christian Breslauer, an industry favorite who worked on projects such as Doja Cat's super demonic videos Demons.

Brighter Days Ahead takes place 70 years after the events of the video above, and Brighter Days Inc. now offers a new service: Customers can relive cherished memories one last time.

Peaches is now a non-verbal old lady, and the butterfly-shaped hairclip might be a subtle hint at Monarch programming.

Peaches is back at Brighter Days Inc. to relive four core memories one last time before they're deleted forever. Why should they be deleted? Not sure. I guess they really like to delete memories.

In a setting reminiscent of X-Men, Peaches clicks on a device that displays her memories on a giant screen.

Peaches' first memory mainly involves her family. This segment is basically a montage of actual home videos of Ariana Grande's parents, making it highly personal. This confirms that Peaches is not a fictional character created for this video. This is about Ariana Grande, and Peaches is an alter-persona.

The memory above features Ariana's father, Edward Butera, who was estranged for several years. A 2013 Seventeen article stated:

"Grande has had a major feud with her father, graphic designer Edward Butera, for the past year, and it has been one of her biggest struggles.

"Falling out of touch with my dad [was the toughest thing I've ever dealt with]," she told Seventeen magazine in the September issue. "It's private, but it happened last year. It took me so long to be okay with it."

As we'll see, Butera plays a significant role in that short film, and many found it "emotional." However, when one understands the context of the video, his role is actually highly disturbing: He's her MK handler.

Peaches' second memory is all about her being a star singer.

While the first two memories are firmly grounded in Ariana Grande's real life, the two others are completely out there. They have a dream-like quality where the concepts of space, time, and logic are not respected. That's because these memories did not occur in real life; we're seeing her twisted perception of reality as an MK slave. In other words, we're seeing Ariana turning into Peach through trauma-based mind control. And, of course, the symbolism of these memories – and even the song lyrics playing in the background – allude directly to mind control.

Peaches wakes up in her family home which is completely destroyed.

This is happening in her head. The setting represents her core persona being destroyed by her handler through trauma.

A destroyed teddy bear represents the loss of innocence of the abused MK slave.

In actual Monarch programming, MK slaves are sometimes given teddy bears so they can seek comfort and get attached to them. Then, this bond is used by sadistic handlers to further the trauma. Several paintings by ex-Monarch Kim Noble describe the horrific ways these teddy bears are used.

During this memory, Ariana sings Twilight Zone, and the first verse perfectly describes the plight of a dissociated MK slave.

Did I dream the whole thing?
Was I just a nightmare?
Different dimensions
Stuck in the twilight zone
Is this a black-and-white scene?
If so, then I'm in the gray one

When Ariana goes outside, she finds complete chaos and destruction.

Despite her surroundings, Ariana walks calmly as soft music plays in the background, adding to the dissociative feel of the scene. She sings Supernatural – a "love song" that is more about a handler controlling a slave and, on a spiritual (and supernatural) level, demonic possession. The chorus says it all:

It's like supernatural
This love's possessin' me, but I don't mind at all
It's like supernatural
It's takin' over me, don't wanna fight the fall

Then, we discover the source of the destruction around Ariana: A massive UFO. And it decides to abduct her.

Ariana is lifted in the air by the UFO (which is how her distorted mind perceives her handler). She's in the "arch of hysteria" position, which is historically associated with demonic possession. The full moon in the background adds to the occult context of the scene.

In mind control, dissociation is described as a "feeling of weightlessness, as if floating on air". This scene symbolizes Ariana being subject to trauma so intense that she's dissociating.

This scene is so significant that it is used on the promotional poster. Ariana's "Brighter Days" actually refers to the "relief" of dissociation while experiencing trauma. Dark.

The final memory relived by Ariana is experienced through her father's perspective.

The scene begins in an old-timey pub where Ariana's father drinks a beer. Under a cloth is Ariana's beating heart. 

Then, he finds Ariana's brain in a pile of garbage. MK stuff.

Meanwhile, we hear Ariana singing:

I left my heart at a pub in Hampstead
And I misplaced my mind in a good way

Everything about this scene describes the plight of an MK slave. Then, she sings:

I don't remember too much of the last year
But I knew who I was when I got here
'Cause I'm still the same but only entirely different
And my lover's just some lines in some songs, mm

Yes, Ariana literally sings about dissociation and amnesia (possibly from MK treatments such as electroshock). The words 'Cause I'm still the same but only entirely different refer to the creation of an alter-persona.

On several occasions, Ariana has been open about her struggles with dissociation. In her song "Get Well Soon," which is about the trauma resulting from the terrorist attack at her 2017 Manchester show, she mentions how she felt "disconnected" and "floating"  for months. 

Holding Ariana's heart and brain, the "doctor" returns to his laboratory, Brighter Days Inc.

We understand that Ariana's father is the founder of Brighter Days which has all kinds of disturbing implications, notably that he's her MK handler.

Not unlike Dr. Frankenstein, the doctor gathers body parts to rebuild Ariana or, more precisely, the alter-persona Peaches.

The doctor "builds" Peaches by stitching up multiple body parts. This is getting weird and creepy.

For a few seconds, the doctor's eyewear creates an obvious one-eye sign. The message: None of this is sweet; it is all about Monarch mind control.

Seeing that his abomination is not coming to life, the doctor becomes very angry. However, he comes up with a great idea: He'll play some piano.

As the doctor plays piano, Ariana gets electrocuted. This is a not-so-subtle reference to electroshock therapy – a staple in Monarch mind control.

The "treatment" worked. Ariana is alive. More precisely, the alter-persona Peaches was successfully programmed by the sadistic MK handler.

The short film ends with Peaches all stitched up, singing alongside the doctor who created the clinic that will end up erasing her memories.

Is this a happy ending?

In Conclusion

Ariana Grande's fans and media sources all interpret Brighter Days Ahead in a specific way: After being "torn apart" by the press, Ariana is pieced back together by her loving father, and everyone is teary-eyed. However, this interpretation purposely ignores all of the video's symbolism and events in Ariana Grande's life.

The short movie depicts Ariana's father as the founder of a mind control clinic that erases memories. After being subjected to trauma and dissociation, Ariana is pieced together and brought to life through electroshock therapy. This creates Peaches, an alter persona that will routinely revisit Bright Days Inc. to get her memories erased. Meanwhile, Ariana sings lyrics that describe the horrific steps of mind control, from amnesia to dissociation, while not forgetting outright demonic possession.

Considering how industry slaves often break down in their thirties, I am not convinced that Ariana Grande has … brighter days ahead.

Donate to VC VC E-Book

3. Symbolic Pics of the Month 03/25

Last month's SPOTM ended with an enigmatic social media post by Madonna, aka the High Priestess of the music industry.

Madonna posted, "Kill or be killed … the industry taught me that." As stated in the last SPOTM, this caption referred directly to industry sacrifices.

That post promoted a photoshoot with industry favorite Steven Klein. As we'll see, the symbolism aggressively points to Madonna celebrating a blood sacrifice.

In the first pictures, Madonna sits in a car holding a gun implying that she murdered someone. And, yes, 66-year-old Madonna seems to find all of this sexually arousing.

Then she desecrates an actual cemetery by doing weird sexual things next to tombstones.

Madonna lies by the tombstone of, probably, the person she killed. Her outfit, the candles, and the flowers are red – the color of blood sacrifice.

The photoshoot ends with Madonna chilling with a trans-looking nun while wearing vampire teeth. The message: They're blood-drinking satanists.

You've probably reached your Madonna awfulness quota for the day, but there's unfortunately more to cover. Madonna recently hosted "the Oscars' Most Exclusive After-Party," and the photoshoot that emerged from it had an unmistakable message: Success in the industry requires submission to the occult elite.

The photoshoot is all about celebrities being "showered" with eyes, which happen to be the favorite symbol of the occult elite. In this picture, Madonna holds Julia Garner like some Illuminati godmother.

Demi Moore recently starred in the movie Substance, which was about an adrenochrome-like substance, as seen in this VC article. The movie was also a humiliation ritual for Demi, for which she was rewarded with a whole bunch of all-seeing eyes.

Adrien Brody shows off his Oscar while an eye hides one of his eyes, creating an obvious one-eye sign. This picture sums up the Oscars (and the entertainment business as a whole).

Although not nominated for anything, Ben Stiller was at the Oscars and the after-party, most likely because he's the executive producer and main director of Severance – a series about a high-tech form of mind control (with touches of Satanism). Expect an article about Severance soon, because it is highly symbolic.

In several pictures, the celebrities have the Illuminati eyes right over their eyes, symbolically implying that they're blinded by their elite overlords.

In 2022, I published an article titled There's Something Terribly Wrong with the Sons of Celebrities which started with these words:

Why are there so many little boys walking around in dresses in Hollywood? Why are these children so intensely promoted on social and mass media? And what the hell is going on with Liev Schreiber?

Three years later, there is still an inordinate number of trans celebrity children who "came out" at a ridiculously young age. And they're still bizarrely promoted by mass media. And Liev Schreiber's son is still one of them.

Kai Schreiber recently made a highly publicised runway debut. "Jewish and feminist" publication Hey Alma was delighted about it. Meanwhile, Kai looked miserable.

Kai is also constantly paraded around on red carpets while constantly looking miserable. Why does he need to be in front of cameras? One word: Agenda.

Robert De Niro's son, Aaron Kendrick, recently "debuted" a new look, which is basically him dressed as a woman. The media was very pleased.

Elon Musk's trans was recently featured in a Teen Vogue photoshoot. This specific picture is filled with Beta Kitten imagery.

Jennifer Lopez's daughter has been looking rather masculine lately. And because media outlets are deathly afraid of "misgendering" her, they ALL refer to her as a "child." Try searching it: Every single recent article about her uses the same Orwellian "child" term.

Giulia Sarkozy is the 13-year-old daughter of ex-French President Nicolas Sarkozy. She's not trans, but the media still finds a way to be extremely weird about her. This Madame Figaro post says, "We're discovering a teenager who is more woman than ever." Under the picture, the same weirdos wrote, "She's surprising us with her model look." Meanwhile, she's just standing around looking at a random kid. What is wrong with these people?

In a recent Instagram post, Lil Nas X posted his "monthly humiliation ritual" to get his songs selling again. In it, he cringingly sang and danced while dressed as Dora the Explorer. His doing these degrading stunts (when he's not insulting Christianity) is effectively the only reason he has a career.

As seen in past VC articles, numerous details about Ariana Grande's life and career point directly to Monarch mind control. Things are only getting more noticeable.

In a recent interview, Ariana blatantly stated that her memory was erased at a Hollywood clinic. Oddly enough, one of her recent music videos is precisely about that.

Ever since the release of Wicked, many have been concerned about Ariana's weight loss and general well-being. There's definitely something off about her lately. According to researchers, MK slaves often breakdown at around the age of 30. Ariana is 31.

Meanwhile, Ariana's Wicked costar Cynthia Erivo is making blatant one-eye signs in ELLE magazine. The occult elite is definitely wicked.

In past years, Enty Lawyer from Crazy Days and Nights often posted enigmatic "Blind Items" that turned out to be true. Who do you think this recent Blind Item refers to?

Special thanks to everyone who sent in pics!

Donate to VC VC E-Book

4. Stairway to Stardom: The Cringiest (and Creepiest) Show on Public-Access TV (VC Video)

Watching Stairway to Stardom is a rollercoaster of emotions. From laughter to utter disgust to genuine concern for the children involved, this show embodies – in its own low-budget way – the strangeness of the entertainment industry.

Donate to VC VC E-Book

5. Michelle Trachtenberg: A Mysterious Life Surrounded by the Occult Elite

One can argue that Michelle Trachtenberg wasn't the biggest movie star. However, her roles in cult classics such as Buffy the Vampire Slayer made her unforgettable to an entire generation. Her untimely death at the age of 39 shocked many, as, in the heads of many, she was still Georgina from Gossip Girl.

After her prime in the 2000s, Tratchtenberg lived a private existence, and information about her personal life rarely surfaced. At the time of her death, she was believed to be in a relationship with her 63-year-old agent Jay Cohen. However, for most of her life, she remained an enigmatic figure.

She never married nor had any children, and her dating life was largely unknown to the public.
– Wikipedia

While Tratchtenberg rarely made headlines, she was always active on social media. However, her cryptic posts often led to more questions than they answered.

On the right is an IG post from January 2025. Her emaciated appearance, thinning hair, and yellow eyes all hint at failing health.

While Trachtenberg was posting increasingly concerning pictures, she simultaneously denied experiencing health issues.

Trachtenberg did not appreciate being told that she looked sick.

On February 26th, Trachtenberg was found dead in her apartment in New York City. The police statement said:

On Wednesday, February 26, 2025, at approximately 0801 hours, police responded to a 911 call of an aided individual at 1 Columbus Place, within the confines of the Midtown North Precinct.

Upon arrival, officers observed a 39-year-old female unconscious and unresponsive. EMS responded to the location and pronounced the victim deceased.

Criminality is not suspected. The Medical Examiner will determine the cause of death. The investigation remains ongoing.

The New York City Office of Chief Medical Examiner reported that both the cause and manner of Trachtenberg's death are "undetermined." This conclusion followed her family's objection to an autopsy due to religious reasons. ​

In short, the actual cause of death will never be known. However, some speculate that her declining health might be due to the liver transplant she had prior this year. And others speculate that this procedure became necessary due to excessive alcohol consumption.

Yes, there are many speculations regarding Michelle Trachtenberg because she was extremely private.

However, Trachtenberg's social media activity provided a rare glimpse at her life, struggles, and history. One thing is for sure: She knew a lot about the entertainment industry's dark side.

Raised by the Industry

She began working at a very young age.

Trachtenberg is the definition of a child star. She started acting and modelling at age three and later entered the (now infamous) Nickelodeon system.

Tratchtenberg starred in the 1996 movie Harriet the Spy at age 10.

As revealed in recent years, creeps were lurking around Nickelodeon in those days—notably, Dan Schneider. A few years later, she had to deal with another Hollywood creep: Joss Whedon.

That's one disturbing headline.

At age 15, Trachtenberg starred in the hit series Buffy the Vampire Slayer. The show was created by Joss Whedon, who, in 2020, got accused of various "misconducts" by multiple people. However, in a cryptic yet chilling comment on Instagram, Trachtenberg heavily implied that what happened with her was much worse than "misconduct".

In response to a post made by Buffy star Sarah Michelle Gellar, Trachtenberg alleged horrific things regarding Whedon.

Trachtenberg wrote:

I am brave enough now as a 35 year old woman….To repost this. Because. This must. Be known. As a teenager. With his not appropriate behavior….very. Not. Appropriate. So now. People know. What Joss. Did. The last. Comment I will make on this. Was. There was a rule. Saying. He's not allowed in a room alone with Michelle again.

Trachtenberg never provided more details on what happened. However, her words heavily hint at something that cannot be mentioned in Hollywood: Pedophilia.

In the wake of the mass media-fueled #MeToo movement, several people were accused of several things. However, pedophilia was never mentioned. That's because it is one of Hollywood's darkest secrets that cannot – under any circumstances – be discussed. By watching her words, Trachtenberg knew such an accusation could lead to horrific circumstances.

After being sexualized her entire youth, this Maxim cover proudly announces to those who lusted over her that Trachtenberg is now "all grown up".

In short, Trachtenberg followed a similar path to Britney Spears, Amanda Bynes, Miley Cyrus, and Ariana Grande. She went from child star to a sexualized teenager. Then, as they grow older and strange people lurk around them, cracks start to show.

A Revealing Instagram Account

A look at Trachtenberg's Instagram account makes one thing obvious: She was always in contact with the darkest parts of the occult elite. At the time of her death, she had been active on Instagram for about a decade and, throughout the years, she shared numerous pictures that provided insight into her past and present endeavours.

Among the pictures, numerous seemingly random images contain symbolism directly relating to Monarch mind control. These images seemed to increase in frequency as she got older and more reclusive.

An image of a girl with the Illuminati all-seeing eye on her forehead: A reference to occult elite mind control.

A few weeks before her death, Michelle posed next to an all-seeing eye and the caption, "Eye have my eye on you." 

A cartoon mouse (Mickey Mouse programming) with a fractured skull (fractured persona of an MK slave) + other signs of trauma (injured ear).

Monarch butterflies around a woman's head = Monarch programming. This painting was made by Ashley Longshore, an artist who loves MK and satanic imagery.

"The cage is in your mind". While this post appears to be about liberating oneself, it is the kind of thing MK handlers tell MK slaves.

A stitched up woman ismembers herself: Trauma of the MKslave.

Trachtenberg poses next to a painting of a man making the one-eye sign with the caption: "This is where the magic happens." Pure occult elite symbolism.

Another painting of Monarch butterflies. The caption also directly relates to MKULTRA: "Shed the cocoon that held you back and become the beautiful butterfly that you are. Transformation."

Trachtenberg also dedicated a post to the movie Labyrinth, which happens to be full of MK imagery to the point that it is used as a programming script in Monarch mind control.

The DVD cover of the movie Black Christmas features her with a blatant one-eye sign.

Sources say that Trachtenberg was very unlucky and "accident prone". Was she actually abused? She posted this picture of her badly injured foot while stating that she still had to go to work.

Trachtenberg posted several pictures with personalities, and an alarming number of them have been outed as predators at one point or another.

Trachtenberg poses with Seth Green, who looks somewhat crazed and is wearing a shirt that says, "Let's start a cult."  Behind them is an all-seeing eye.

As highlighted in some of the comments on the above screenshot, Seth Green has been identified as a notorious Hollywood pedophile by insiders such as the now-deceased Isaac Kappy.

A tweet by former Hollywood actor Isaac Kappy about Seth Green, whom he knew personally.

A few days before his bizarre death in 2019, Kappy posted a bizarre video where he claimed something awful had happened to him relating to the Hollywood elite. When asked about Seth Green, he replied:

"Did I lie about Seth Green? No, Seth Green is a pedophile."

With that being said, here's another post by Trachtenberg.

Another picture with a possibly not-sober Seth Green.

Another one with Seth Green. Nearly all comments in this screenshot are on point.

Trachtenberg posted many other unfortunate pictures.

Trachtenberg poses with Diddy. Ouch.

Is there another problematic character she could be posing with? Sadly, yes.

A very young Trachtenberg poses with Bill Clinton while he was President. I won't go into the Clintons' entire shady history, but I'll point out that Bill boarded Jeffrey Epstein's "Lolita Express" plane over twenty times.

While some might say it is only a picture, it wasn't. Trachtenberg was recruited as a child by the Clinton administration to promote the Coalition for a Drug-Free America, and she remained highly involved with the Clintons her entire life.

Trachtenberg was significantly involved in Hilary Clinton's 2016 campaign.

Trachtenberg poses at a Hillary event with Michael Kives, the agent of mega-stars such as Katy Perry, Arnold Schwarzenegger, Jesse Eisenberg, and Bruce Willis. 

Kives went on to found K5 Global, an influential media and financial investment-advisory firm.

Michael Kives is a Canadian investor and former talent agent; he is known for his extensive network and influential connections. He has been described as a super connector. He introduces clients to "a who's who of business and social leaders, from Leonardo DiCaprio to the governor of the Saudi Arabia Public Investment Fund."

Kives was a major fund-raiser for Hillary Clinton in the 2016 campaign, bundling more than $5 million. Kives married Lydia Gray in 2018. Guests at the wedding included the Clintons, who gave a speech together.
– Wikipedia

There are many posts relating to the Clintons on Trachtenberg's IG, such as this one. One of the comments in the screenshot above says "#pizzagateisreal."

The picture above was posted right around the time of the Pizzagate scandal, which directly involved people in Hillary's entourage. If you've never heard of it, Pizzagate is about pedophilia in Washginton's elite, and this VC article about it exposed it to the world.

Parallel to her longstanding association with the Clintons, Trachtenberg also had a longstanding association with Disney—more precisely, Disney's elite and secretive Club 33.

Just a cute picture? Or the start of occult elite programming?

Trachtenberg posted multiple pictures at Club 33.

In Freemasonry, the 33rd degree is the highest—and honorary—level of initiation. This is when Masons learn about the secret society's deepest secrets.

Since Walt Disney was a Freemason, naming his elite club "33" is not coincidental.

A light fixture at Club 33. Pop quiz: How do you say "light bearer" in Latin?  Answer: Lucifer.

Club 33 is priced to cater only to the elite. The initiation fee is around $75,000, and dues are around $25,000/year. Is it only a restaurant?

In one of her many pictures in Club 33, Trachtenberg writes that it is "fabulous and secret."

What's so secret about it? Sadly, she's not around to reveal any secrets anymore.

In Conclusion

Through Michelle Trachtenberg's life and IG account, one encounters an astonishing number of topics and symbols described on The Vigilant Citizen for years. Trachtenberg knew about the industry's dark side, from entering show business as a child to dealing with creepy Hollywood types to brushing with the global elite while associating with every MK symbol on social media.

As a minor, she was a victim of Hollywood perverts, and, as an adult, she ended up rubbing elbows with some of the industry's most notorious predators. This pattern is typical and often ends in the worst way possible.

Considering that Trachtenberg always denied health problems and her family refused an autopsy, we'll never know if she died of natural causes. However, she had a problem similar to that of Jeffrey Epstein and Diddy: She knew too much. Even worse, she sometimes expressed the desire to talk about it (i.e., her comment about Joss Whedon).

In other words, the elite is probably not sad to see her pass away and remain forever silent. Is this why she was not acknowledged at the 2025 Oscars while Gene Hackman (who was found dead around the same time) got a tribute?

Donate to VC VC E-Book

6. The Many Things That Are Wrong With That Trump-Gaza AI Video

On February 26th, President Trump posted a bizarre, AI-generated video showing the Gaza Strip turned into a luxurious touristic destination. In this Dubai-like setting, well-to-do people lay on the beach, money is literally flying around, and a gigantic golden statue of Trump towers at a roundabout.

Although it is not believed to have been made by the White House (it circulated a few days before Trump's posts), the video contains some of the President's humor, as some believe it was made to "troll the Liberals."

However, on closer look, this video also appears to be trolling Trump's own. Here are three demographics who helped Trump win in the past elections: 1) Evangelical Christians 2) Those who subscribe to his America First policies 3) Arab Americans who voted against the Democrats' wokeness and ambivalence towards Israel.

That Trump-Gaza video almost went out of its way to annoy all three of them. Here are some of the top comments from Trump's IG account.

Many conservatives hated that video.

It's almost as if this video was made by anti-Trump people who tricked the Trump administration into reposting it without thoroughly reviewing it. Or they knew precisely what they were doing. In any case, it is a perplexing piece of media. One thing is for sure: destroying Gaza and rebuilding it for big money was planned way before Trump took office.

It Was the Plan All Along

In November 2023, I posted an article titled "The October 7th Attacks on Israel Were Allowed to Happen. Here's Why," in which I laid out numerous facts that current events keep confirming.

First, Israel knew very well that the Hamas' October 7th attacks were going to happen – and they were allowed to happen. Why? Because it gave Israel the justification needed to finally engage in a long-awaited military operation to take complete control of Gaza. Why? Because that land is prime real estate. As laid out in the article, Gaza has massive money-making potential. For starters, the land and its seafront hold enormous oil and gas reserves. We're talking about trillions of dollars.

Here's a map of oil and gas reserves in the Levant. Notice the cluster of dots around the Gaza Strip.

Second, Gaza is strategically placed on the Mediterranean. Some believe it could be the site of the decades-old Ben Gurion Canal Project – an alternative to Egypt's Suez Canal. Once again, big money + big geopolitical advantages.

Finally, as expressed by Trump on numerous occasions, Gaza sits on prime beachfront land that could be exploited for big tourist dollars.

Israel's taking over of Gaza was planned before Trump was in power and would have happened no matter who was in power in the U.S. The only difference between the past and current President is that Trump is exceptionally open and enthusiastic about the project. As a former real estate developer, he may see the Gaza rebuilding as the project of a lifetime.

One thing is for certain: Israel made sure that Palestinians could not return to their Gaza homes after the war.

The entire Gaza Strip was turned to rubble, making it impossible for Palestinians to return home. Merely cleaning up the destruction will take years.

Israel did not merely target Hamas; it leveled Gaza entirely. They made sure that a complete rebuild was the only option possible. Behind closed doors, Israeli officials whispered about exploiting that land for tourism and resources. Then, Trump just came out and said it.

Then, he took it to another level by stating that the United States would be fully involved in the project. This statement surprised many as it opposed Trump's America First policy, which aims to keep the United States' involvement in foreign affairs to a minimum. While some might say it is an investment, it is primarily a humanitarian quagmire.

Then came this AI video that took things to another strange level: A Gaza riviera where golden statues of Trump are everywhere.

AI Slop? Or AI Slap?

The video begins by showing Gaza's current state: rubble and destruction.

The first noticeable thing about this video is that it is fully AI-generated. Considering that most people hate watching AI slop, the footage immediately irritates the viewers. Then, a terrible AI-generated song assaults our ears with lyrics saying:

"Trump-Gaza is finally here!"

On numerous occasions, the video makes it a point to place Trump's name before Gaza. It's odd and not necessary.

A series of shots show people emerging from a tunnel, and Gaza is shown being rebuilt. The theme is clear: "from darkness to light."

Children emerge from the metaphorical tunnel to see Gaza's new skyline and tourist-friendly beach.

While these scenes seem positive, the video takes a bizarre turn.

There are bearded belly dancers on the beach. Why?

Lots of people voted for Trump (including numerous Arab Americans) because they opposed the radical trans agenda. So why are there trans dancers on the Trump-Gaza beach? Those are the details that make me wonder if the video was created by people who actually wanted to troll Trump's base.

Some believe those dancers are ex-Hamas soldiers, and that's a way of humiliating them. I don't know; seeing them dancing dressed as women would bring me 0% satisfaction and 100% annoyance. I honestly don't know why this scene was added, as nobody really wants to see this.

With that being said, most of the video has a bizarre cult of personality dimension that manages to come close to idolatry.

A kid holds a golden Trump balloon. I guess it is every kid's dream to own a big, floating head of a 78-year-old man.

Another shot shows a giant golden statue of Trump … in the Holy Land. 

This is where the video irked many religious people: This scene is reminiscent of the Bible's Golden Calf story.

The golden calf is an idol that the Israelites worshipped in the Bible story from Exodus 32. The story is about the Israelites' act of apostasy, or rejection of their faith in God. How the golden calf came to be:

1. Moses went up Mount Sinai to receive the Ten Commandments.

2. The Israelites waited for Moses to return, but he was delayed.

3. The Israelites asked Aaron to make them a god.

4. Aaron melted down the Israelites' gold jewelry and made a golden calf.

5. Aaron told the Israelites to worship the calf instead of God.

The idolatry angle is pushed further in other scenes.

Trump Gaza (is this a play on words with Trump Plaza?) sells golden statues of the President.

Along with the God-displeasing Golden Calf imagery, we see Trump engaging in activities that Melania probably wouldn't approve of.

Trump dances with a belly dancer at a bar. Why was this scene even added? At least she's not bearded.

The video made it a point to associate this new Gaza with wealth, opulence, and even decadence.

Trump's name is everywhere in Gaza. Was that necessary? 

There are also multiple shots of Elon Musk throwing money … and eating hummus.

If I were an advisor in the Trump administration, I'd have this recommendation: Get Elon out of the spotlight and reign him in. Bring him back behind the scenes, and let those elected by the people be on camera like, maybe, Vice President JD Vance?

The video ends with a scene nobody ever asked to see.

Trump and Netanyahu lay bare-chested by the pool at the Trump Gaza Hotel.

I realize this was meant to be funny. But Benjamin Netanyahu is the opposite of comedy, and that bromance thing is not a good look.

In Conclusion

This bizarre AI-video is, at best, in bad taste and, at worst, a terrible PR mistake. While the Trump administration is probably OK with trolling Liberals and insulting Palestinians, it should think twice about annoying its base. As seen above, most comments on social media (including Trump's Truth Social) come from conservatives who disapprove of the message and the overall "energy" of this video.

The video not only involves America in rebuilding a nation but also bizarelly presents Gaza as a Trump-worshipping land with golden statues everywhere. And, in a place considered by Christians, Jews, and Muslims as Holy, Gaza is portrayed as a place of decadence where money falls from the sky and transexual bellydancers prance around on the beach.

In short, the video manages to annoy those who want the United States to focus on America first, religious people who take the Bible seriously, and people who hate AI slop. If this video was meant to troll people, who is it truly trolling?

Donate to VC VC E-Book

7. Symbolic Pics of the Month 02/25

In the past year, Sabrina Carpenter released some weird, blasphemous videos laced with MKULTRA imagery and was rewarded with Grammys and lots of media attention. But now, the time has come for her to undergo the unavoidable Marilyn Monroe treatment.

Most young pop stars who make sexiness part of their act must "channel" Marilyn Monroe at some point in their careers. It is Sabrina Carpenter's turn. It's not just one picture—her entire Vogue photoshoot is about her channeling Monroe.

As explained in this article, Marilyn Monroe is the original Sex Kitten prototype in the entertainment industry. Her "descendants" all need to pay respects to her as a strange initiation ritual.

In Monarch Programming, Sex Kitten slaves (and their industry representatives) are identified with feline prints. Appropriately enough, Sabrina is surrounded by feline prints with a caption that might have a double meaning: "Ready for my close-up!"

Speaking of industry slaves, Britney Spears has been in the "belly of the beast" for decades. And the least one can say is that it took a toll on her. As explained in this VC YouTube video, Britney is one of the most obvious MK victims in the industry. Her bizarre Instagram account keeps hinting at her being constantly controlled and even trafficked.

Britney's Instagram account is full of strange videos of her dancing—often disheveled and out of it—complete with enigmatic captions. Some believe those videos are made to traffick her. The feline print of this outfit points aggressively to Sex Kitten programming.

Other seemingly random posts only make sense in the context of Sex Kitten symbolism. In this image, the cheetah, the dualistic checkered floor, and the words "GET NAKED" all point to Sex Kitten Programming.

Other posts on Britney's IG are compilations of strange images that appear to be alluding to dark things happening in her life.

In one IG post, Britney (or whoever handles her account) talks about travelling and includes a picture of a beach. However, things get increasingly strange when one scrolls through the other pictures. For instance, there's this image of Victorian men engaging in a seance (summoning spirits).

In the same post, and very inexplicably, there's a red Star of David. It happens to be the logo of Israel's national emergency medical service. What is she (or are they) trying to say?

Men can also be subjected to Sex Kitten weirdness. Numerous young celebrities need to partake in some emasculating "projects" to launch their careers.

In an Interview magazine photoshoot, Romeo Beckham (the son of David and Victoria Beckham) posed in some strange settings. Here, he's on a child's bed, and he looks like he's about to get abused by someone. It's just bad vibes.

In another picture, Romeo is lying on a mattress in what looks like a grimey bathroom. And his hand seems injured. Is this a photoshoot or a submission ritual?

Three years ago, I wrote an article about Romeo's brother, Cruz Beckham. He was featured in a disturbing photoshoot, especially because he was 16 years old.

Sexualizing a minor + one-eye sign + butterfly tattoo = Pure occult elite madness. The Beckhams are desperate for industry attention.

Speaking of the one-eye sign, it was all over the place in the past weeks. Here's a small fraction of them.

As seen in this recent article, Kendrick Lamar's Not Like Us swept the Grammys and was the focal point of the Super Bowl Halftime show. The song's producer, Mustard, who was present at both events, has now struck a deal with Heinz for a mustard thing. Very clever. However, this opportunity for big business comes at a cost: Mustard has to show submission to the occult elite and do the one-eye sign using his own name.

Country/hip-hop hybrid star Shaboozey was also at the Grammys. However, he recently had to do the one-eye sign in Hypebeast magazine for this media attention.

Doechii was also prominently promoted during the Grammys because the industry decided to push her. Furthermore, the cover of this issue of Cut magazine is telling us: "Doechii takes over." But that comes at a cost: This photoshoot features a subtle one-eye sign using makeup.

Charli XCX also performed at the Grammys. In a W magazine photoshoot, she did an industry pawn triple salute: In one pic, she's dressed as the devil (a nod to industry satanism). In the other she's dressed in feline print (a nod to Sex Kitten system) and in the third she's does a one-eye sign to confirm this is all occult elite madness.

Lisa wasn't at the Grammys but remains one of the biggest K-Pop stars. A crow's head creates a super creative one-eye sign on this V magazine cover.

Michael B. Jordan is a big movie star who has been in the industry since he was a teenager (he played Wallace in the mythical series The Wire). It was only a matter of time before he had to make a big, fat, unmistakable one-eye sign on a magazine cover.

For some reason, Jordan plays with a fidget spinner. Maybe because it allows him to make a subtle devil's horn hand sign?

Die Antwoord posted this image on IG to annouce their comeback and there's a lot going on in there. Other than the aggressive one-eye sign, there's a creepy demon-looking thing, felines with strange eyes, and a bunch of rats. The white rabbit on Yolandi's outfit might hint at this being about trauma-based mind control.

This is not recent, but it is still highly relevant. In 2021, Trevor Moore posted about MKULTRA and mega-rituals meant to traumatize the masses. He died a few weeks later in odd circumstances. You better believe that mega-rituals are still happening today.

Speaking of traumatizing, Joe Jonas randomly posted a TikTok in full drag. Why? He is complying with the humiliating gender-burring agenda to keep his career going.

Meghan Fox posted a symbolic yet ominous pregnancy pic where she is naked and covered in black goo – a substance occultly associated with a dark, evil occult presence. What is she trying to say?

Madonna posted this enigmatic message on Facebook: "Kill or be killed … The industry taught me that." Does she mean that either you're the one doing the sacrificing or you're the one being sacrificed? That sounds like something the Grand Priestess of the Music industry would say.

Special thanks to everyone who sent in pics!

Donate to VC VC E-Book

8. “The song has a spell in it”: The Occult Meaning of Lady Gaga’s “Abracadabra”

According to some, Lady Gaga's Abracadabra saved her pop career. After releasing a string of projects that did not particularly excite her fan base, Abracadabra worked its magic and quickly rose to the top of the charts. To many, the song is a throwback to Gaga's "golden age" – the early 2010 – when she released smash hits such as Bad Romance, Alejandro, and Born This Way.

There's another element Abracadabra shares with the videos named above: It is full of occult references. In fact, the song is made to sound like an incantation, while the video is a full-on occult ritual. I'm not making this up to sound interesting; Gaga herself stated that the song has a "spell in it."

ELLE: We love the bit where the music cuts out and the dancers are almost attacking you with the same lyrics that you've been singing…

GAGA: The song has a spell in it. And I imagine that our negative backtalk or when people are hard on you in your life, the world is hard on you, that's almost like a spell. You can get seduced and you can start to believe it.
– ELLE, Lady Gaga Tells Us Everything You Want To Know About 'Abracadabra' After That Spectacular Grammys Reveal

If you've been reading this site, you know there's nothing new about this. Most of Gaga's career catered to the occult elite's beliefs and agendas while constantly hinting at its darkest aspects. I'm not making this up to sound interesting; Gaga's relationship with the elite's favorite witch, Marina Abramovic, is extremely telling.

Gaga and Abramovic at Glamour's Women of the Year Award 2013.

Gaga with Abramovic during Fashion Week 2016.

Gaga and Abramovic partake in mock cannibalism at a place called Devil's Haven in the Hamptons. Can't make this up.

Gaga and Abramovic do not merely hang out. She was a student of her Abramovic Method – a bizarre, witchcrafty "program" I cannot fully describe here.

This headline sums it up.

In short, Gaga is close with one of the elite's favorite occultists, and she actively participates in related activities. Like any true occultist, Gaga downplays and sugarcoats the implications of her beliefs in interviews. However, as this site repeatedly highlighted, symbols rule the world. And her symbolism is the equivalent of her yelling, "I'm a witch!" right in our collective ears.

Everything about Gaga's Abracadabra—from the song's lyrics to the music video—is permeated with deep occult symbolism, and it starts with the song title.

Abracadabra

Written in the second century AD, Liber Medicinalis ("The Medical Book") recommended using ABRACADABRA as an amulet against fever.

When most people think of ABRACADABRA, they picture a stage magician who makes bunnies appear from top hats during children's birthday parties. However, the word has ancient, powerful, and kabbalistic roots. Theorized to originate from the Hebrew phrase "I will create as I speak," ABRACADABRA is also believed to be closely related to the mystic Abraxas found on Gnostic amulets.

Throughout history, the word was associated with many magical practices, from warding off illnesses to summoning demons. In his classic work Dogma and Ritual, occultist Eliphas Levi explains the Kabbalistic meaning of the word.

The magic triangle of pagan theosophists was the celebrated ABRACADABRA, to which they attributed extraordinary virtues and represented as follows:

ABRACADABRA
ABRACADABR
ABRACADAB
ABRACADA
ABRACAD
ABRACA
ABRAC
ABRA
ABR
AB
A

The isolated A represents the unity of the first principle, otherwise, the intellectual or active agent. A united to B represents the fertilization of the duad by the monad. R is the sign of the triad, because it represents hieroglyphically the emission which results from the union of the two principles. The number 11, which is that of the letters of the word, combines the unity of the initiate with the denary of Pythagoras, and the number 66, the added total of all the letters, form kabalistically the number 12, which is the square of the triad and consequently the mystic quadrature of the circle.

We may remark, in passing, that the author of the Apocalypse, that key of the Christian Kabalah, composed the number of the beast, that is to say, of idolatry, by adding a 6 to the double senary of ABRACADABRA, which gives 18 kabalistically, the number attributed in the Tarot to the hieroglyphic sign of night and of the profane a mysterious and obscure number, the kabalistic key of which is 9, the number of initiation. On this subject the sacred Kabalist says expressly: "He that hath understanding" that is, the key of kabalistic numbers – "let him count the number of the beast, for it is the number of a man, and his number is six hundred three score and six."
– Eliphas Levi, Ritual and Dogma

One takeaway from Levi's dense explanation of ABRACADABRA is that it is related to the number of man – six hundred three score and six. That's 666. Some call it the number of the beast.

Appropriately enough, Lady Gaga's song Abracadabra directly refers to the Devil in the context of occult transformation.

Musical Spell

When Gaga says the song "has a spell in it," she is not using a metaphor. She is being literal. The song's chorus is:

Abracadabra, amor-oo-na-na
Abracadabra, morta-oo-ga-ga
Abracadabra, abra-oo-na-na
In her tongue she said, "Death or love tonight"

The magical words "amor" and "morta" are Latin for "love" and "death." They are reused in the last line while alluding to a woman "speaking in tongues" – a practice that is associated with demonic possession.

As Gaga sings these words, the music video symbolically portrays a transformative ritual under the watchful eyes of a "Lady in Red" – with hints of demonic possession.

The video begins with a Lady in Red (played by Gaga) overlooking an army of minions looking to impress her.

Wearing a very pointy hat, the Lady in Red says: "The category is … Dance or Die."

Underneath her are dancers, including Lady Gaga, all dressed in white.

From this context, we gather that the Lady in Red presides over these people and is about to judge their "performance." However, this is more than a dance act; it is an occult ritual.

This is further highlighted by the sigil-like thing that we see immediately after.

Reminiscent of sigils and amulets, this image combines the words ABRACADABRA with Lady Gaga to announce the start of the ritual. The inverted letters allude to a demonic element.

In occult symbolism, red is the color of sacrifice and initiation. The Lady in Red is the agent of change, the force that is activated when the magic ritual is complete.

The Lady in Red watches the dancefloor from above, where a dualistic battle occurs between opposing forces: Light versus darkness, good versus evil, white against black.

At the beginning of the video, Gaga is dressed in white – the color of light and purity. The cross on Gaga's white outfit emphasizes this fact.

While these dancers are dressed in white, their choreography alludes to gradual demonic possession.

For a few short seconds, we see Gaga quickly crawling backward. The possessed look on her face haunts me in my sleep.

Gaga's odd positioning with a dancer creates a shape strikingly similar to Sigil of Lucifer. 

Appropriately enough, the song's first verse refers to the devil.

Pay the toll to the angels
Drawin' circles in the clouds
Keep your mind on the distance
When the devil turns around

In this enigmatic verse, Gaga paints a dualistic picture (angels versus devil) as she embarks on a "magical" path. The video visually depicts this duality by opposing light with darkness.

Opposing the white-clad dancers are black-clad dancers who exude an opposite "energy."

This group emulates the movements of an old person and integrates canes into its dance routine. Opposed to the spiritual immortality of light, darkness is afflicted with the physical limitations of the material world, where the unrelenting progress of time leads to aging and death. In esoteric symbolism, this concept is associated with Saturn (the god of Death and old age) and Satan, the ruler of the material world.

In Abracadabra, the dancefloor is the ritual surface on which opposing forces collide to form magic. The pre-chorus says:

With a haunting dance, now you're both in a trance
It's time to cast your spell on the night

The concept of duality could not be more evident as the dark and light groups are juxtaposed in successive shots as they alternatively chant "ABRACADABRA."

The concept of a dancefloor being a ritual site has been around the music industry for decades.

The cover of Michael Jackson's Blood on the Dancefloor contains the same ritualistic symbolism as Abracadabra. Jackson stands on a Masonic dualistic floor wearing a bright red outfit. The title refers to initiation and blood sacrifice during the ritual.

After alternating light and darkness, the music stops, and frenzied dancers yell the song's magical words at Gaga.

They all look possessed.

Some observers might ask, "Why is she wearing a cross in this occult and satanic context?" Well, as in everything else in the video, that cross has an occult meaning.

Gaga wears a custom cross that is made of her face. This is not about Jesus. It is about the ultimate goal of occultism: To obtain godhood through one's own means.

While, in interviews, Gaga says that the song is about "dealing with challenges" and other platitudes, the lyrics point strongly towards a specific spiritual direction. Here are some of the lyrics:

Hold me in your heart tonight
In the magic of the dark moonlight

This is about black magic.

Feel the beat under your feet, the floor's on firе

The floor on fire is a reference to hell, the place where sinners are sent to after death. Speaking of witch (not a typo), Gaga sings these words in the final part of the song.

Phantom of the dance floor, come to me
Sing for me a sinful melody

In short, this song is about dealing with the dark side. Is it possible that the Lady in Red that Gaga is attempting to please is actually Satan?

After the performance, Gaga awaits the Lady in Red's reaction. She somberly bows her head down, a gesture open for interpretation.

In the video's final shot, Gaga looks up to the Lady in Red (possibly Satan).

As above, so below.

In Conclusion

From the song's title to the contents of the lyrics, while not forgetting the blatant symbolism of its video, Abracadabra has a deep, magical meaning. As Gaga chants an incantation disguised as a chorus, the video depicts an occult ritual disguised as choreography. This is all done through symbolism, where dancers dressed in black and white represent the dualistic battle between light and darkness and good and evil. From this union of opposite forces emerges a third entity: Magic – the force occultists believe turns humans into gods – represented by the color red.

While Gaga was profusely praised for her "creativity," this video offers absolutely nothing new. It reuses the same symbolism and color codes that have been explained on this site numerous times.

There is a reason why this specific symbolism is all over popular culture: It is the religion of the occult elite. But they do not want the masses to understand it – they merely wish for us to be dazed, confused, and bewitched by their witchcraft.

More importantly, they do not want to conduct their rituals behind closed doors anymore; they want to perform them on a worldwide scale. Ultimately, it is about them trying to please their worldly ruler – who gave them wealth and power on Earth – the same way Gaga tries to please the Lady in Red.

Donate to VC VC E-Book

9. The Most Symbolic Moments of the 2025 Grammys and Super Bowl

Every year, the beginning of February is marked by two big media events that are often filled with symbolic moments: The Grammys and the Super Bowl. Although one event celebrates the music industry while the other is a football championship game, both frequently focus on the same stars, as if confirming that only a small circle of "chosen ones" can get significant media attention. For instance, this year, both events were marked by the presence of  Taylor Swift, Kendrick Lamar, Jay-Z, and others.

My first article about a music awards show was The 2009 VMAs: The Occult Mega-Ritual, and it remains relevant to this day as it highlights the "blueprint" of most modern award shows. In the article, I noted that these events are built for theatrics, where a limited number of actors appear on camera and on stage to participate in some symbolic and ritualistic moments.

And some things never change. The two main actors in the aforementioned 2009 VMA Awards were Beyonce and Taylor Swift. In the 2025 Grammy Awards, these two "royal" figures of the music industry were again the main protagonists as they shared the stage again in a televised ritual drama.

Furthermore, like in 2009, Jay-Z and Kanye West garnered attention, although they did not say or rapped a single word. However, the circumstances of their silent presence told a lot about the dark side of the music industry.

As is often the case, these "narratives" spilled over to the Super Bowl, turning this sporting event into a continuation of occult elite weirdness. Here are the top moments of these two events.

Kanye and his Sex Kitten Slave

The most talked-about moment of the 2025 Grammys did not even happen during the actual ceremony. It happened on the red carpet when Kanye West and his wife, Bianca Sensori, gave a perplexing but symbolic "performance."

Kanye and Bianca arrived at the pre-show dressed in black and ready to engage in theatrics.

Then, Censori got undressed and basically got fully naked for the world to see. As usual, she looked rather dissociated during the whole thing.

These bizarre appearances by Kanye and Bianca have been happening for months, and they always play out the same: The couple arrives at a highly mediatized event, and Bianca is made to wear the most revealing outfit imaginable while Kanye stays fully dressed and creepily emotionless.

This display is not merely about "controversy." It is a continuation of Kanye's sad spiral into occult elite degeneracy.

In 2016, Kanye was forcibly hospitalized and "under doctor's care" for months. It was later revealed that Kanye was heavily sedated during his "hospitalization" and even suffered memory loss – a byproduct of undergoing electroshock therapy. At this point, a horrific truth became apparent: He underwent a form of mind control programming. Kanye himself stated that he was in the "Sunken Place," a reference to the dissociative state of the mind-controlled protagonists in the movie Get Out.

Needless to say, Kanye emerged from this ordeal as a changed man – even physically, as he emerged from hospitalization with bleached hair (a telltale sign of MK slaves).

With that being said, here's a sad truth about MK slaves: They sometimes become MK handlers. And this is what seems to be happening with Kanye. He turned into Bianca Censori's handler – who is being "trained" and broken down to become a Sex Kitten. Every "controversial" outing is about humiliating and traumatizing her, deleting her dignity and her inhibitions. In other words, Kanye is doing out in the open what MK handlers do behind closed doors.

The couple's appearance at the Grammys signaled one horrific thing: The music industry cosigns this madness. Speaking of which.

The Grammy's Agendas

As usual, the Grammys promoted some up-and-coming artists, provided them with much-needed publicity, and blessed them with the all-important spotlight. However, as usual, this comes at a price: These artists must show submission to the elite—often in a somewhat humiliating manner.

Doechii – who is quickly becoming an industry favorite – began her performance dressed as a schoolgirl.

About halfway through her performance, the rapper stripped down to her underwear.

Doechii did not wear a "sexy outfit"; it was just a straight-up bra and panties, almost like a slave at an auction. The whole thing felt like a humiliation ritual to confirm her initiation into the music industry.

Another artist being propelled into the industry spotlight is Benson Boone. During his Grammy performance, he ripped off his tuxedo to reveal a sparkly turquoise outfit that was sure to please his industry handlers.

At the end of his performance, Boone weirdly grabbed his crotch – a gesture that was a bit too deliberate to be accidental. It definitely added to the "male sex slave" vibe of this whole performance.

Although they did not produce anything significant in recent history, Jayden and Willow Smith were among the Grammy's featured "characters."

Jayden wore a whole castle on his head while Willow put on a revealing outfit.

Jayden's outfit is all about MKULTRA: His head is in a castle – symbolizing the complex, maze-like, and multi-chambered mind of the MK slave. Meanwhile, 24-year-old Willow is ripe to go the sexualization route to keep her career going.

Even lesser-known artists engaged in agenda-pushing.

The winner of the "Best Song for Social Change" award was partly written by trans composer Ariel Loh, who used these few seconds of media attention to hold a sign saying "protect trans kids."

By "protect trans kids," they actually mean injecting them with hormones and puberty blockers while also having them undergo dangerous surgeries. It is the opposite of "protecting" them. Out of all the opportunities for "social change," this is what the people at the Grammys obsessively choose to focus on.

With that being said, the Grammys are mainly obsessed with a few "chosen" royal figures.

The Ongoing Taylor Swift/ Beyonce Ritual

Despite winning exactly zero awards and not performing at the 2025 Grammys, Taylor Swift was the main center of attention of the show. Every few minutes, the camera zoomed on her over-exagerated reactions, and, as usual, she was brought on stage to partake in key moments.

There's a reason for this: She is a "queen" of the music industry. There's also a black queen on this music industry chessboard: Beyonce.

In 2009, after being humiliated by Kanye, Taylor Swift was called on stage by Beyonce. Both were wearing red – the color of initiation.

The moment above launched Taylor Swift's career into the stratosphere—Fast-forward to 2025.

Taylor Swift (dressed in red) hands Beyonce the Country Album of the Year award for Cowboy Carter. Things have come full circle between the industry queens.

Later in the show, Beyonce won the overall Album of the Year award for Cowboy Carter—an album that was overhyped all year as the media loved to push the racial division button every time it was mentioned. When Beyonce came back on stage, we saw Taylor Swift again doing something rather perplexing.

Taylor Swift celebrate Beyonce's victory with her husband, Jay-Z.

In normal circumstances, this interaction would be relatively innocuous. However, the entire world seems to have forgotten one small fact: Jay-Z was accused, only a few weeks ago, of raping a 13-year-old girl.

This was in December. Did everyone purposely forget?

Although Jay-Z is innocent until proven guilty, there's a strong chance that he committing a horrific crime against a child. We are not merely talking about rumors or hearsay; we're talking about a whole lawsuit with credible witnesses and serious paperwork.

With that in mind, isn't it weird that Jay-Z is still parading around the industry and treated like royalty? Can't he stay lowkey until, at the very least, the charges of him being a pedophile rapist are cleared? It is almost as if the industry is putting in our faces that Jay-Z is above the law.

Meanwhile, Beyonce was on stage with their daughter Blue Ivy who is one year younger than the teen Jay-Z allegedly raped. She is constantly brought to the spotlight as if being groomed for stardom.

In short, the Grammys put on some theatrics featuring the kings and queens of the music industry. One week later, the same actors also played significant roles at the Super Bowl.

Like last year, Taylor Swift was in the stands to cheer for her significant other, Travis Kelce. And, like last year, she was sitting with Ice Spice.

In last year's Super Bowl, Ice Spice wore a big, satanic inverted cross. She wore a regular cross this year, but this did not prevent the crowd from booing these two.

Meanwhile, Jay-Z was a guest of honor at the Super Bowl, mainly because he's been in charge of picking the talent to perform at the Halftime Show since 2019.

Jay-Z did the Roc Sign (Illuminati stuff) at the Super Bowl while his daughter was styled to look like a mini Beyonce.

This year, Jay-Z picked Kendrick Lamar to perform at the Halftime Show, mainly because of the massive success of his song "Not Like Us," a diss track aimed at Drake where he openly accuses him of being a pedophile.

Here's an ironic fact that I need to highlight again: Jay-Z was recently accused of being a pedophile. Isn't this whole situation ironic?

Nevertheless, Kendrick Lamar was allowed to rock the Super Bowl Halftime Show, as people anticipated a fun and dazzling performance appropriate for a sporting event. Unfortunately, according to many, his set was a dreary, divisive, racially charged affair. Even worse, it committed the ultimate Super Bowl sin: It was deemed "boring". But that doesn't mean it wasn't symbolic.

The Halftime Show

For the Halftime Show, Jay-Z wanted Kendrick Lamar, and we definitely got a whole lot of Kendrick Lamar. In fact, it was the most Kendrick Lamar thing ever. Not unlike his albums, the performance featured him rapping almost incessantly while building a narrative about social and political issues in America through a succession of songs.

The Halftime Show began with something resembling a Tictactoe game, with shapes similar to those found on a PlayStation controller.

Samuel L. Jackson, dressed as Uncle Sam, announced the "Great American Game."

Kendrick's performance revolved around a central theme: Black Americans must "game" the system (which is rigged against them) to navigate their way to success and acceptance. Throughout the show, Uncle Sam urges Kendrick not to be too "ghetto" and to give the people what they want.

At this point, the people wanted the song Not Like Us, which was teased a few times during the show as the proverbial "carrot" while he went through his lesser-known songs.

When he finally performed his smash hit, the entire crowd chanted along as he rapped the murderous line that openly described Drake as a pedophile.

Why you trolling like a b!tch? Ain't you tired?
Tryna strike a chord and it's probably A-Minor

Hearing 65,000 fans chanting a line about pedophilia was rather strange – especially during a family-friendly event such as the Super Bowl. However, oddly enough, another detail captured more attention: Kendrick's jeans.

Kendrick wore jeans that many found difficult to process.

Let me state a fact that the media made a point to ignore: Kendrick wore women's jeans. He wore flared jeans, which were extremely popular in women's fashion during the 2000s. They were deemed sexy because they accentuated women's curves. While men's bootcut jeans have existed since the 1970s, the fit has always been different.

Of course, people on social media noticed this fact right away.

Kendrick's performance immediately spurred memes about him being a "bad b*tch" or something in this general vicinity.

As usual, mainstream media immediately gaslit the entire world to make us think this was a significant cultural moment.

Two mainstream media headlines fawning over Kendrick's subtle crossdressing.

And yes, Kendrick wore women's jeans.

Articles about Kendrick wearing women's jeans.

These feminine jeans were symbolic of their own. On several occasions, Kendrick and Uncle Sam said, "Give them what they want" to succeed. By "them", they actually meant the elite that controls them. And what "they" wanted was for Kendrick to show submission by wearing women's clothing in exchange for the spotlight.

He did just that, all under the supervision of alleged child rapist Jay-Z.

In Conclusion

The Grammys and the Super Bowl are meant to be competitions in which trophies are awarded to the most deserving competitors. However, the occult elite's infiltration of these events turned them into ritual dramas where the actual "winners" are handpicked and chosen by those in power.

The game is rigged, and those who win must ensure we understand that they lost their souls in the process. In other words, through symbols, the elite used these events to communicate an important message: They're not like us.

Donate to VC VC E-Book

10. Ellie Goulding and Anyma’s “Hypnotized” Turns Monarch Mind Control Into a Futuristic Experience

Anyma is a popular Italian-American DJ and electronic music producer. While I could write paragraphs about his career, let me post a picture to sum everything up for you.

He's doing a one-eye sign to confirm his status as an industry pawn.

Since 2024, Anyma has been in a relationship with an industry pawn hovering around the elite for years: Grimes, aka Elon Musk's ex. While I could write paragraphs about her, let me post a picture to sum everything up for you.

Grimes is a one-eyed android with a fractured skull in one of her projects. Like most of her other works, this is all about Monarch programming.

This happy couple loves the "soulless android" aesthetic.

Anyma created a show dubbed "the hottest ticket in Las Vegas – and perhaps in the entire nightlife and concert circuit": the End of Genesys residency at the Sphere Las Vegas.

The Sphere is the largest spherical structure in the world. Its exterior and interior surfaces can be used to display anything. One of the first things the Sphere ever displayed was a giant eyeball.

If you think that a giant, Big Brother, Illuminati-like eyeball watching your every move is a bit creepy, you're not the only one.

People didn't like the eyeball.

Inside The Sphere, Anyma has a "mesmerizing" EDM experience that features several artists. One of them is English star Ellie Goulding. While I could write paragraphs about her, let me post a picture to sum everything up for you.

Ellie Goulding does a blatant one-eye sign to confirm she's an industry pawn.

Goulding actually deserves a few paragraphs because she's a massive star who is the definition of an "industry pawn." Indeed, after achieving mainstream success, Goulding's influence and popularity were used for "activism," which, as an industry pawn, equates "pushing the elite's agendas."

For her support to the LGBTQ+ community, Goulding has been honored with the 'Ally Award' (2022) by the Attitude Awards, the 'Celebrity Ally' (2019) by British LGBT Awards, and as well earning a nomination in the same category at the 2022 ceremony.

For her constant activism on climate-change awareness, Goulding has received numerous recognitions, some of her honours include being awarded with the 'Global Leadership Award' (2017) for her environmental and social justice activism, and being named 'Humanitarian of the Year' (2022) for her work raising the profile of fossil fuel-funded conflicts, including in Ukraine, and her support for refugees from conflict zones and the frontline of the climate crisis, both awards were given by the United Nations Foundation.

Yup. She was given awards from elite-owned organizations such as the United Nations for pushing elite-sponsored agendas such as LGBT and climate change propaganda. She is now a global ambassador of the United Nations Foundation. That means the elite really likes her.

Of course, being an elite pawn has its dark sides.

In the past years, Goulding has been experiencing severe mental health issues due to intense media scrutiny. She also opened up about becoming a "paranoid wreck" after being constantly stalked "over, and over" by an older man, as well having to deal with a male paparazzi with "a long lens camera wrapped on a towel". She stated that she "never asked for this level of intrusion."

Several Monarch mind control victims reported being subjected to gangstalking and constant surveillance, leading to a heightened state of paranoia. Appropriately enough, Ellie Goulding's video with Anyma is all about Monarch mind control.

I mean, just look at the song's title.

Hypnotized

Here's the title of an article from EDM Magazine describing the video: "Anyma and Ellie Goulding's "Hypnotized" Doesn't Just Describe Hypnosis—It Administers It."

While the music and the visuals have a hypnotic feel, there is more to this video than meets the eye. Through symbolism, Hypnotized describes the troubling and horrific process of breaking down an MK slave through trauma and programming a new alter persona.

The video begins with creepy dark hands molesting Ellie's face and leaving "black goo." This screenshot also features one of many one-eye signs in the video.

The goal of Monarch mind control is to cause slaves to dissociate by making them suffer through unbearable trauma. The programming is done by insane people called "handlers." In popular culture, MK handlers are often represented by disembodied hands because they're, you know, HANDlers, and they work in darkness.

Therefore, the hands aggressively running around Ellie's face represent MK handlers violating Ellie and causing trauma.

Then, multiple hands appear behind Ellie, each with an eyeball inside them.

As seen in countless previous articles, the All-Seeing eye is the occult elite's favorite symbol. These hands represent the elite-appointed handlers.

The eyed hands surround Ellie's face, covering her mouth and face. This image conveys the victim's feeling of suffocation and powerlessness.

The dark and light-colored hands uncomfortably hold Ellie's face, visually representing a vital aspect of MKULTRA: Duality.

In many ways, mind control is an occult process. And, at its core, occultism focuses on uniting opposing forces to achieve a desired outcome. In the case of mind control, the desired outcome is pure torment.

A painting by actual Monarch survivor Kim Noble highlights the importance of duality in MK programming.

The rest of the video visually depicts the result of the handler's abuse.

Ellie's face gets divided into multiple pieces, symbolically representing the fracturing of an MK slave's persona.

Ellie's head splits open, and creepy hands emerge from it. The handlers are literally in Ellie's head.

Then, the desired result of Monarch mind control occurs.

Ellie "gives birth" to a new alter-persona through her head.

Meanwhile, the song lyrics describe the plight of an MK slave.

The more I fight it, the deeper I go
I'm spiraling down, I lose all control
The more I hide it, the weaker I grow
This perfect illusion, don't wanna let go

The first line refers to an essential part of mind control: Resistance. MK slaves are expected to attempt to break away from their handler's control. This is a desired part of the programming as the inevitable failure leads to further breaking down. Therefore, the more she fights it, the deeper she goes. The last line refers to a "perfect illusion" – the dissociative mind state of the MK slave where the handler controls everything she perceives.

The chorus blatantly describes the powerlessness of an MK slave versus her handler.

I feel hypnotized, circles in my eyes
I'm losing my mind (Ooh)
I feel hypnotized, blinded by your light
Holding on for life (Ooh)
The more I fight it, the deeper I go
I'm spiralling down and I lose all control
I feel hypnotized, I'm losing my mind

As we hear these lyrics, we see visuals depicting Ellie's transformation into an MK slave with alter personas.

Ellie's alter persona lurks inside her head, waiting to be triggered at any moment by her handler.

Glued together by black goo (representing the handler's toxic and occult control of the slave), several mouths rotate around Ellie's head and take turns speaking for her. A different Ellie speaks, depending on the alter that is being triggered.

Once the process is done, Ellie's face is glued back together, and she appears somewhat normal to the outside world. However, a deep scar on her forehead reminds us that her mind is still fractured.

The video ends with an image summarizing the song's message.

Several eyes and mouths are glued to Ellie's face. She's not in control of her senses anymore.

In the screenshot above, her mouth is replaced by an "artificial" mouth that is under her handler's control. The same goes for one of her eyes as the reality she perceives is also altered. This fake eye appropriately creates an all-important one-eye sign to remind you that this sick process was brought to you by the occult elite. Because the same people who control MK slaves control the media we consume.

In Conclusion

Anyma and Ellie Gouding's Hypnotized was initially created to be projected inside the Las Vegas Sphere, profoundly immersing the audience – without them even realizing it – in the sick world of MKULTRA. Standing inside a gigantic sphere that sometimes looks like an eyeball, people stand there, surrounded with images depicting the programming of MK slaves, while hearing lyrics describing their helplessness and loss of control.

Therefore, for a few minutes, the audience finds itself in a "hypnotizing" experience where everything they see and hear (all 360 degrees) is artificially generated – not unlike a dissociated MK slave under the hypnotizing control of a handler.

Nowadays, this is what we call "entertainment."

Donate to VC VC E-Book