The Vigilant Citizen

1. An In-Depth Look at the Messages and Symbolism in Squid Game 2

Warning: Dystopian spoilers ahead!

In the first season of Squid Game, hundreds of poor people were recruited by a shady organization to participate in children's games. The reward: The winners get lots of money. The catch: The losers get violently killed.

As my article about the first season explained, behind the series' twisted games and shocking violence were embedded messages about society. While some mass media critics claimed that the series was "anti-capitalist," it went way beyond that.

In the season's final episodes, viewers discovered that the games were created to entertain wealthy yet perverted people. And, through subtle yet unmistakable symbolism, Squid Game pointed to the real-life counterparts of these elite guests.

In this highly symbolic scene, the three finalists of the game are made to dine in a setting that is replete with Masonic symbolism (more on this later).

The logo of the series sums up its message. The rectangle represents the masses. The circle at the bottom represents those who are poor and heavily in debt. The triangle represents the elite ruling over the masses. The upper circle represents the all-powerful occult elite that controls the world. Squid Game is about the top playing with the bottom.

In short, the first season was about the occult elite controlling the masses through manipulative tactics. The people at the bottom are portrayed as cattle that can be sacrificed ritualistically for the pleasure of those who rule them.

Despite these dark messages, Squid Game became Netflix's biggest series. A significant reason for this success is the intentional marketing targeted at children and the constant flow of viral content on platforms such as TikTok. Through underhanded ways, the makers of Squid Game attracted children and teenagers to then expose them to extreme violence, intense dehumanization, and, even sadder, to a dystopian system where non-conformity to the elite's rules results in death.

Targetting Children

In my article about the first season, I also highlighted that Squid Game appealed to children in numerous ways. After luring these young eyes, the series exposes them to extreme violence and toxic, demoralizing messages.

The second season is guilty of the same tactics.

Netflix promotes a mobile game based on Squid Games. This is clearly made to appeal to children and incite them to watch the series.

Some (somewhat unnecessary) scenes appear custom-made to attract and keep children's attention with colors, costumes, and music.

The soldiers still look like Playstation buttons. Combined with the name Squid Game, everything is in place to catch young gamers' attention.

Most scenes take place in colorful settings reminiscent of children's playgrounds. The screenshot above is seen at the beginning of every episode as it integrates the Netflix logo. It's their way of saying: "Yes, we are part of this maze of indoctrination."

Some might say that there's nothing new about children watching violent content. However, the violence in Squid Game is particularly insidious. We're not watching a hero shooting bad guys to save his daughter; we're watching unarmed, defenseless, innocent people being executed by faceless soldiers for failing to comply. In other words, the violence is oppressive, systematic, and dystopian.

The show's "action" mainly involves the elite's soldiers shooting down poor people for losing an infantilizing game.

While these scenes were shocking and deeply disturbing in the first season, they're fully expected in the second. And this is where the second season takes a perverse turn: Viewers actually look forward to the gunning-down scenes because they're the "fun part." When this is not happening, the contestants sit around and moan about owing millions of Korean wons. To young people, that's the boring part.

The second season of Squid Game also starts and ends with suicide.

In the first episode of the season, the game's recruiter kills himself in front of the protagonist, Seong Gi-hun.

In the season's final episode, one of the contestants kills himself because the rebellion failed.

So the second season started and ended with similar suicides: By a gunshot under the chin. While the first suicide was a result of the hero standing up to the elite, the second one had a demoralizing message: If you rebel against the elite, you'll fail.

The lesson: It is better to shut up and conform. And, to deal with this violent and oppressive setting, taking pills is a viable option.

Drugs to Cope

One player – a rapper named Thanos – regularly consumes pills hidden inside his cross pendant. The makers of the show appear to have made a conscious effort to make the pills attractive to young people by making them colorful and candy-like.

Most contestants are terrified and traumatized because they are made to play games that always end in a bloodbath.

In one game, players must stand on a turning platform as they stare at the blood of those who lost in the previous round. Bizarre fact: The creepy children's song Round and Round that plays while the platform turns has become a viral hit – another way of attracting young people to the show.

When the platform stops turning, a number is announced. The players must form a group of that exact number and run inside one of the rooms. Those who fail get massacred by the soldiers.

Soon enough, the players are willing to betray and turn on each other to save themselves.

This game illustrates one way the elite controls the masses. People are made to turn "round and round" in society until a "crisis" is generated by the elite, causing a lack of resources (represented by the limited number of rooms into which players run). All unity is lost at this point, and people turn to animals. Then, the elite engages in its favorite activity: Order out of chaos.

While this context is terrifying, Thanos is enjoying himself. Why? Because he's high on pills.

Thanos and his friend are calm and relaxed because they're numbed by pills.

In Squid Game, there is absolutely no downside to this mysterious drug. It allows Thanos to be in the perfect state of mind to succeed in the games: He's focused, relaxed, detached, and sociopathic enough to perform and win.

Once again, this can be translated to real life. People are encouraged to consume pills (i.e., Xanax, Adderall, opioids, etc.) to cope with and perform in society like Thanos consumes pills to navigate the harsh and absurd realities of the games. Through Thanos, Squid Game sends yet another toxic message to young viewers: "Synthetic drugs are awesome – they allow you to be a winner." I'm sure pharmaceutical companies approved of this message.

Through another character, Squid Game's second season pushed another agenda.

The Transgender Agenda

The second season dedicates much time to transgender character Hyun-Ju.

Because Squid Game is the most-watched series in history, you better believe the elite used it to push its obsessive gender-blurring agenda. To do so, the series makers cast Park Sung-hoon – a non-transgender actor – to play the role of a transgender character.

Some LGBT activists criticized the selection of a "cis-gender" actor and requested an actual transgender person to play the role. However, the director of the series replied that there aren't any transgender actors in socially conservative South Korea.

This confirms that adding a transgender character to the show was not made to "reflect society." It was forcibly and artificially added for indoctrination purposes. In an interview, the director stated:

"And so by creating a character like Hyun-ju, through her choices, her actions, and the way she carries herself in the game, I hope that that could raise awareness of these issues that we face today."

The director really wanted the viewers to love this character. So he made Hyun-ju perfect in every way – to the point that it is irritating. Hyun-ju is, all at the same time, smart, sweet, brave, caring, heroic, considerate, and a natural-born leader.

Oh, and Hyun-ju is also an ex-sergeant in the Special Forces who trains the other players to use a machine gun. Of course.

Other than being a supercool superhero with no flaws and all of the qualities imaginable, Hyun-ju's character is used to teach the world about the transgender agenda and, more importantly, never to criticize it.

In one scene, an old woman asks her son:

– Yong-sik, is that a man or a woman?
– People can do that now. Someone is originally a man but they transition into a woman after a while.
– I don't get why a man would want that.
– Shh. Quiet.
– It's one or the other, that's how things are.
– You can't say that, mom. Quiet.

You can't say that. Shh. Quiet. The young viewers of the show are being trained.

In another scene, an old woman comforts a pregnant girl in the women's bathroom. Then, we see Hyun-ju lurking in the background.

There is no reason for Hyun-ju to be in that specific scene. It was about normalizing a biological man in the women's bathroom – an obsession of the elite.

To make sure we all understand that this show is about the occult elite, their symbolism is peppered throughout.

Occult Elite's Signature

Using visually striking symbolism associated with secret societies, Squid Game makes one thing clear: Those behind the sick contest are not random "rich people"; they're occult-minded elitists.

At the beginning of the season, Seong Gi-hun finds his way back into the limousine that transports the game's contestants. There, he discusses with the head of the games through a speaker shaped like a piggy bank.

The piggie sits on a checkerboard pattern. As seen above, this detail is not random.

In Masonic lodges, the checkerboard pattern floor is the surface on which transformative rituals occur. In Squid Game, the deaths of contestants are portrayed as ritual sacrifices.

The checkerboard pattern visually represents one of the most essential concepts in occultism: Duality. The black and white pattern represents the opposition between light and darkness, male and female, and good and evil. It is through the union of contrasting forces that "magic" takes place.

The elite likes to believe that it must balance its sick, evil actions with good deeds. That is why the game's massacres are justified by the fact that they're helping people leave poverty.

The walls of the contestant's "internment camp" are highly symbolic.

Most of the season's dialogues occur in a room adorned with the all-important dualistic pattern. At the bottom of the wall are crosses – a recurrent symbol in the series. At the top are inverted crosses – the main symbol of Satanism – which adds to the dualistic theme. Does this wall represent the Satanic elite ruling over the masses?

Thanos hides pills in a cross-shaped pendant. The cross is adorned with a serpent (associated with Satan) bringing us back to the all-important concept of duality.

Like in the first season, the bodies of contestants who lost are placed in creepy coffins decorated with a bow. The sacrifices are a gift to the elite.

Like the masses in the real world, the contestants are surrounded – without even realizing it – by the symbolism of those who control them. And, like in real life, the elite manipulates the masses through numerous methods.

The Illusion of Democracy

The second season dedicates lots of time to contestants voting. It is difficult not to see parallels with real life.

After each game, the players can vote on whether to stay and make more money or stop and go home.

Like in real life, the voting process serves many purposes. First, it ensures that those participating in the games do so by their own free will – a fundamental concept in the occult elite (notably to avoid karmic retribution). There's also a more practical reason: To cause division.

The players are physically divided according to their "allegiance" on several occasions.

Instead of uniting and taking down the people who are massacring them, the players are divided according to their "ideology" and pitted against each other. We can easily see a parallel with real life where the masses are profoundly divided according to their political affiliation (i.e., Liberals vs Conservatives).

After voting, players must wear an "O" badge if they voted to stay or an "X" badge if they voted to leave. From then on, players are defined by this choice.

In the screenshot above, Player 456 (the protagonist, Seong Gi-hun) sits with Player 001. Like in the first season, Player 001 is actually The Front Man of the game, posing as a regular contestant. In other words, he works for the elite.

For some reason, despite taking part in the previous games, Seong Gi-hun trusts him and is influenced by his comments. However, Player 001 has one goal: To create maximum chaos.

At one point, Player 001 has the deciding vote. If he votes "O," the games continue. If he votes "X," it's a tie; another vote must be taken the next day. He votes for the tie. Why? Because he knows that, during that night, the opposing sides will attempt to kill each other to win the vote.

During that evening, the organizers strategically included a fork in the players' dinner (although it wasn't necessary). They're giving the players the means to attack each other.

Almost immediately after, the players from opposing sides stab each other with forks.

While chaos is happening in the bathroom, soldiers sit idly by. The elite likes to see the masses divided due to political beliefs.

At one point, Seong Gi-hun convinces some players to avoid confrontation with other players and directly attack the games' organizers. However, his plan involves allowing some players to die in the process. Hearing Seong Gi-hun's plan, Player 001 (who is part of the elite) says:

– So you're saying "sacrifice a few for the good of the rest."
– It'll be worth the sacrifice if it means we can actually put an end to the games for good.

Player 001 seems pleased with this answer, as this entire thing is based on sacrificing people.

In the final segment of the season, Seong Gi-hun leads an uprising doomed to fail because it was infiltrated by the elite from the get-go.

After participating in the uprising, Player 001 lures Seong Gi-hun into a trap, which leads him to surrender.

Player 001 then trades his player outfit for his Front Man costume and reappears to Seong Gi-hun.

In the first episode, The Front Man asks Seong Gi-hun if he wants to be a hero. In the final episode, he ridicules him for wanting to be a hero.

Squid Game's moral of the story: Don't try to go against the elite. Stay demoralized, take your pills, and keep watching Netflix.

In Conclusion

While Squid Game is a South Korean production, its message is from the global elite and intended for a worldwide audience. The second season ranked #1 in over 92 countries, and with such a massive audience, those behind the show made sure to push agendas.

First, they've attracted young viewers through insidious viral marketing – because they're the most susceptible to indoctrination. Once their attention is captured, these viewers are exposed to a dystopian system where a shady elite controls all aspects of life, and non-conformism leads to "elimination." Viewers are also taught that taking pills is a good way of coping with this system and that transexual men are perfect beings with no flaws and who definitely belong in women's bathrooms.

That said, the core of Squid Game is about one of the elite's most crucial plans: Revelation of the method. Through the show's games and symbolism, Squid Game reveals how the elite control the masses. It divides people, it rigs elections, and it infiltrates uprisings.

Do you still want to take part in the games?

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The post An In-Depth Look at the Messages and Symbolism in Squid Game 2 first appeared on The Vigilant Citizen.

2. Biden Awarding George Soros the Medal of Freedom is Proof That the “Conspiracy Theories” Are True

When I first read that Joe Biden awarded George Soros the Medal of Freedom, I had to double-check to ensure it wasn't satire. I could honestly see this type of headline on a site such as Babylon Bee. But it was real. And it was absurd, especially when one understands why this award was created in the first place.

The Medal of Freedom is the highest civilian award in the United States. It is meant to recognize people who have made "an especially meritorious contribution to (1) the security or national interests of the United States, or (2) world peace, or (3) cultural or other significant public or private endeavors."

Using his billions of dollars and his tentacular Open Society Foundations, Soros has been meddling in the affairs of countries around the world, including the United States. And, at every step, he directly opposed the United States' security and national interests. Every penny invested by his foundation serves one purpose: to destroy nations from within to facilitate the implementation of a world government.

George Soros is a fixture at the World Economic Forum – a parasitic, illegitimate, and non-democratic organization that seeks to impose its globalist will on independent nations.

The impact of Soros on the world cannot be underestimated. Over the past three decades, Open Society Foundations spent 23 billion dollars to fund sold-out and highly compromised political candidates, along with destructive projects that further his globalist agenda.

Most of Soros' actions are discrete, insidious, and hidden under the guise of buzzwords such as "equity." However, the impact of his policies is painfully apparent, especially in major cities. Some might even argue that he's consciously and methodically tearing apart the fabric of societies through highly calculated actions.

Directly Opposed to Security and National Interests

George Soros' influence on national policies can be observed on several levels. However, it all starts with the most critical part of his agenda: Excessive and uncontrolled immigration.

Every country has a legal immigration process where the quantity and quality of applicants are carefully controlled. This ensures the host country keeps the social and economic backbone necessary to welcome these new citizens while maintaining general cohesion, security, and prosperity. Ultimately, it is about harmoniously integrating these immigrants into the host country's society and economy.

However, George Soros wants the exact opposite. Through underhanded ways, he has been forcing countries to open their borders, allowing an excessive flow of immigrants into countries that cannot harmoniously handle them. He also encourages illegal immigration, creating a class of undocumented, second-class citizens.

Soros' goal is simple: To flood countries with a quantity of immigrants that goes beyond their capacity to absorb them. Most nations around the Western world were subjected to these policies with disastrous repercussions.

By forcing governments to adopt immigration policies that go against their national security and national interests, Soros and his globalist friends seek to achieve numerous goals:

1- To dilute each nation's culture and identity to facilitate the adoption of a global ("woke") culture.

2- To strain nations' economies by increasing spending and forcing them to contract debts with globalist entities.

3- To induce tensions, divisions, and dilemmas in populations.

4- Create a climate of chaos and insecurity in cities, facilitating the implementation of oppressive measures.

There are numerous other effects of uncontrolled immigration on societies – all of which have been carefully studied by globalists. These adverse effects are not only known but deemed desirable. The biggest obstacle to a global government is a strong, healthy, and prosperous country that doesn't rely on international organizations.

With that being said, here's a picture.

Alexander Soros accepts the Medal of Freedom from Joe Biden on behalf of his father, George Soros.

It is no secret that Soros has been heavily funding political candidates worldwide, including Joe Biden in 2021. Once in office, Soros' impact was immediately felt. For an otherwise inexplicable reason, the first order of business of the Biden administration was to reopen the borders to illegal immigration.

Illegal border crossings reached vertiginous highs during Biden's administration. It was George Soros' will.

Soros' influence is as far-reaching as it is destructive. Not only does he seek to create chaos through uncontrolled immigration, but he also ensures that governments are ill-equipped to deal with the consequences of such policies.

Indeed, other than getting involved in Presidential elections, he also meddles in smaller, less publicized elections relating to the judicial system. While these elections are barely mentioned in the news, their outcome allows Soros to micro-manage American cities.

A headline from 2022 about Soros-backed prosecutors winning elections.

Soros' funding of sold-out prosecutors is part of a massive and diabolical plan: To overhaul the criminal justice system and make it ineffective against crime. Soros funded prosecutors in Chicago, Philadelphia, and Los Angeles. All of these cities took a decided turn for the worse. That's because Soros purposely funds DA, who are notoriously soft on crime. Relevant fact: Most of these prosecutors are also extremely lenient on pedophiles and child predators. Why is that?

Although Soros' organizations claim to promote "diversity," those who are the most impacted by his policies are minorities – notably Black people in urban areas.

And guess who funded Black Lives Matter, Defund the Police, and Antifa? George Soros. He is an agent of chaos and destruction. He goes directly against the best interests of the American population.

Knowing these facts, how can the masses still accept his destructive policies? Well, Soros also heavily invests in another area: The media.

While America was distracted by the Presidential elections, George Soros discretely secured a deal to purchase over 200 radio stations across the U.S. The goal is to turn them into propaganda outlets that'll churn biased "news" and "editorials."

Through a ridiculous number of shell organizations, Soros shapes and molds the contents of mass media worldwide. This includes news, entertainment, and social media.

Of course, since propaganda is most effective at a young age, Soros is also highly involved in education. In the past years, schools in the Western world have been teaching children to hate their own country, reject its history, and despise its traditional culture (it's racist). If this indoctrination is successful, these children inevitably end up embracing the elite's global culture (the only alternative).

In short, awarding the Medal of Freedom to Soros for promoting "the security or national interests of the United States" is basically gaslightinging the public.

Other Ridiculous Medals

Joe Biden awarded Hillary Clinton the Medal of Freedom. Of course, he did.

To make sure we all understand that this year's Medal of Freedom awards are a joke, Biden gave Hillary Clinton a medal.

Throughout the years, Clinton participated in every significant conspirational organization, including the Bilderberg Meetings, the World Economic Forum, the Council on Foreign Relations, and the Trilateral Commission. In other words, she was always involved with the unelected shadow government that seeks to control the United States through international, non-democratic organizations. As such, she is the perfect complement to the award given to George Soros.

But it gets worse. In her decades of hovering around global power, Hillary's name was associated with some of the darkest, most disturbing "areas of expertise" of the occult elite. Some examples: Pizzagate, the link between the Clinton Foundation and human trafficking in Haiti,  Epstein Island, and "Arkancide" aka the bizarre deaths surrounding the Clintons.

After giving a Medal of Freedom to George Soros and Hillary Clinton, what other obvious globalist stooge could he give it to?

Bono?

Yup, Bono.

Bono praises Satan after getting a medal.

The media likes to call Bono a "humanitarian." In actuality, he's the front man of various globalist organizations that prey on the poorest people on Earth. One such organization is DATA.

The advocacy non-government organisation (NGO) DATA (Debt, AIDS, Trade, Africa) was established in 2002 by Bono and Bobby Shriver, along with activists from Drop the Debt. The organisation was funded by the Bill & Melinda Gates Foundation, George Soros, and Edward W. Scott.
– Wikipedia

Yes, you've read correctly. George Soros funded Bono's DATA. Biden (more precisely, his handlers) are sending a message to the American people with these "medals."

For his role as a globalist stooge, Bono is constantly showered with awards. In 2007, he was knighted and made a one-eye sign with the medal to confirm why he got the prize.

In Conclusion

The medals awarded by the Biden administration are all about bowing down to globalist forces. They also acknowledge the multiple facets of their control.

First, at the top, there's George Soros, who uses billions yearly to fund compromised people and projects. For that, he got a medal. Then, Hillary Clinton represents the ultimate compromised politician who takes direct orders from Soros and friends. For that, she got a medal too. Finally, Bono is the ultimate entertainer propagandist. He is used to put a friendly face on harsh and destructive globalist policies and to make them palpable to the masses. For that, he got a medal too.

While these medals mean absolutely nothing to most, they are a reminder that foreign destructive entities deeply compromise governments worldwide. They're so comfortably in charge that they even force Presidents to give them "Medals of Freedom."

In short, these medals are the elite telling us: "The conspiracy theories are true, and we do not care."

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The post Biden Awarding George Soros the Medal of Freedom is Proof That the "Conspiracy Theories" Are True first appeared on The Vigilant Citizen.

3. Return of the Pendulum: My 2024 Holiday Message

The Vigilant Citizen has been online for over 16 years. That's a period long enough to witness a proverbial pendulum move toward outright insanity, and this year, finally, it appears to be moving back.

Since 2008, this site has highlighted mass media's toxicity, deception, and hidden agendas. It has emphasized indoctrination in entertainment, disinformation in the news, and evil in power.

When I started writing about those things, they were not immediately apparent, and many did not see it. However, as the years passed, things worsened and became increasingly evident. Indeed, as world events unfolded and vital information surfaced, numerous "conspiracy theories" became obvious realities.

As people witnessed the ever-increasing depravity in mass media, they realized that those in power were not on our side: They're actually working to create a culture that is sick, depraved, and outright satanic.

Not only that, they've been engaging in psychological warfare against our children. Through underhanded ways, they've been trying to form a generation that is sad, anxious, and deeply confused about the basic building blocks of life. For instance, using mass media and the education system, they've managed to make people question their own gender. If they could achieve such a feat, they could accomplish anything.

The pendulum's momentum was so strong that people feared speaking out against the insanity. Stating some undeniable truths led to attacks, accusations, or outright cancellations. A few years ago, The Vigilant Citizen was demonized and delisted by Google because I dared to write that "men cannot get pregnant." According to this elite-owned mega-corporation, it was an "unreliable claim" that must be punished. Interesting fact: It was the most reliable claim in human history.

At this point, it became evident to many: A globalist elite is attempting to turn the world into a soulless, cultureless, and faithless dystopia. The New World Order was becoming a reality. For a while, the pendulum had unstoppable momentum.

However, in 2024, something happened: The pendulum appears to have reached an extreme. And a cultural shift might be happening.

This year, the elite's attempts at pushing its agenda often hit a wall. This phenomenon can even be measured in numbers. In 2024, most movies with woke agendas flopped; Companies that pushed indoctrination were boycotted; Some politicians who were globalist tools got voted out, and news outlets that turned into propaganda outlets lost all credibility and viewership.

Does that mean that the elite will give up? Of course not. Let's remember that one time in 2024 when the world "united" to celebrate an event.

The opening ceremony of the Paris Olympics was a crude and brazen celebration of the degenerate culture the elite is trying to instaurate.

While this kind of display used to be received with praise or, at best, indifference, things played out differently this year. The backlash was immediate and decisive. People knew it when they saw it, and they rejected it. Furthermore, attempts by mass media to normalize these things and gaslight those who speak out against them failed miserably.

Vigilance: More than Ever

Before screaming victory, we must remind ourselves that they still hold power and resources. As we speak, they are plotting to find new deceptive ways to push their agendas. They're analyzing the current context and are devising new strategies to make their toxic messages resonate. As stated in the Bible, Satan disguises himself as an angel of light. And that's exactly what they'll try to do.

As we enter 2025, we must remain, more than ever, highly vigilant. Let's never forget that the true fight is not between races, genders, religions or political affiliations but between good and evil. This was a fact in the past and will remain a fact in the future. Some say that's the only reason why we're on Earth. If your side is winning, but that win came through the use of evil, did you actually win? No, you've lost. Not only that, you've completely lost sight of why you're on Earth in the first place.

With that being said, after years of seeing the proverbial pendulum moving toward insanity, seeing it moving back has been a source of relief. This movement must keep going because there's still a lot of work to be done.

This year again, it has been an honor to share my thoughts and insights on this site, and I am infinitely grateful to all of you who supported it. In 2025, The Vigilant Citizen will continue its mission to open eyes, stimulate minds, and awaken souls. Because, before moving the world's pendulum, we must first work on the pendulum that's in our hearts.

Merry Christmas, happy New Year, and see you in 2025!

Sincerely,

VC

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The post Return of the Pendulum: My 2024 Holiday Message first appeared on The Vigilant Citizen.

4. The Hidden Meaning of “Smile 2”: It’s About Monarch Mind Control

Warning: Monstrous spoilers ahead!
Also: Two gruesome (but necessary) screenshots from the movie.

After successfully horrifying viewers with the 2022 movie Smile, writer and director Parker Finn sought to expand the franchise with a sequel that took place in a different context, and that focused on a different character: A troubled pop star.

According to interviews, the main protagonist of Smile 2 was inspired by early 2010s pop stars Lady Gaga and Britney Spears. If you've been reading The Vigilant Citizen, you know that everything about these two singers, especially in that specific era, revolved around one obscure yet disturbing concept: Monarch programming (read about it here).

In many ways, Smile 2 is similar to these pop stars' music videos analyzed on this site: Monarch programming is not explicitly mentioned but heavily implied through symbolism. With basic knowledge of MK symbolism, Smile 2's non-sensical scenes start to form a coherent narrative, and the story takes on an even darker meaning.

In this promotional poster, a fracture runs through the protagonist's face, representing the splitting of her personality through mind control. Furthermore, that fracture creates a one-eye sign. As we'll see, the movie displays this sign in highly significant moments.

Monarch programming is rampant at the highest levels of the music industry, and it involves dark practices such as demonology. For this reason, including this concept in Smile 2 made sense. However, one needs to have "eyes to see" to understand the true meaning of this movie.

Here's a look at it.

Mind-Controlled Pop Star

In the movie's first scenes, we are introduced to the protagonist, Skye Riley, a Grammy-winning pop star who is making a comeback after some traumatic events. Through an interview on the Drew Barrymore show, we learn some facts about Riley that might be trivial to the average viewer but hint heavily at Monarch mind control for those in the know.

Drew Barrymore immediately mentions Riley's new short and blonde hairstyle.

As seen in several previous articles, victims of Monarch mind control often emerge from programming with short, bleached hair.

Kanye West with bleached hair shortly after his forced hospitalization in 2016. He never was the same ever since.

Like Kanye, Riley was hospitalized for an extended period, after which she emerged transformed. At one point, Drew Barrymore asks her:

"You were in the hospital. What was the time been like between then and now?"

The movie then abruptly cuts to a disturbing flashback.

Riley screams as she pulls her hair from her scalp. That explains why she has a different hairstyle.

Like actual MK slaves, Riley's programming happened following a traumatic event: The death of her boyfriend in a car crash.

Like real-life industry slaves, Riley engaged in substance abuse while making headlines for displaying erratic behavior.

Like real-life MK pop stars, Riley is sadistically forced to sing about her own slavery. Indeed, while at face value, her work seems to be about substance abuse and bad decisions, its actually about mind control.

While rehearsing a choreography, Riley is picked up and spun around, representing the confusion of dissociated MK slaves.

Like MKed pop stars, Riley's lyrics allude directly to mind control. In the scene above, Riley sings:

Doctor, I need a new brain
Lost in a spiral
Keep making old mistakes again
Gimme a new brain
Stuck in a cycle
If I don't stop, I'll end up dead

This verse is about Riley asking her handler ("doctor") to create a new alter-persona ("new brain") through MK programming ("lost in a spiral").

Later, as Riley works on another song, we see some clear MK symbolism.

Riley's notebook has an all-seeing eye (the main symbol of the occult elite controlling her) and a spiral (representing her mind control).

As she sings what's in the notebook, another evident all-seeing eye stares at her. She's under the occult elite's control.

Of course, the lyrics of that song are blatantly about mind control.

I got a thick skin
But I'm hollow
Made up of broken parts
Got a body
But it's borrowed
With a shadow for a heart

Everything about this verse relates to an MK slave dissociating from her core persona and being reprogrammed with a new alter. Like numerous real-life MK slaves (notably Britney Spears), Riley is controlled by her own mother.

Riley's mother tells her she's a "completely different person" from a year ago. Is it because of her programming?

Riley's mother is more interested in her daughter's career than her health and well-being. She is more likely Riley's primary handler.

Throughout the movie, Riley is often told to drink bottled water from a specific brand. While this seems like a healthy habit, that water might be tainted to keep her under control.

None of the MK aspects described above are spelled out in the movie. However, Smile 2 gets rather blatant about Monarch mind control as it progresses.

In one scene, Riley spends a lot of time staring at her outfit that features a big Monarch butterfly. That design is not random: It represents Monarch programming. Riley realizes there's something off about it and tells her mother that she doesn't want to wear it. Her mother replies that it is "one of her best looks." That specific outfit will make a big comeback later.

As if things weren't bad enough for Riley, she gets possessed by a demon. And that's part of her programming.

Possessed

In the Smile franchise, an evil entity possesses people, causes them to go crazy, and forces them to kill themselves in front of a witness. Then, the witness becomes the demon's new host, and the cycle continues.

This happens to Riley while visiting her drug dealer, who was possessed by the entity.

Right before Riley's dealer emerges from that doorway and kills himself, we see a white rabbit next to the doorway for several seconds.

As explained in numerous past articles, the white rabbit symbol is significant in MK symbolism. Originating from Alice in Wonderland – a symbolic tale used as a programming script by actual MK handlers – the white rabbit leads Alice "through the looking glass," the same way MK handlers lead their slaves towards dissociation.

This creepy, smiling dude kills himself in front of Riley. Who better than a star's purveyor of narcotics to also transmit a whole demon?

As stated above, demonic possession is a vital element of Monarch programming. Handlers assign demons to their slaves to traumatize them and to enforce programming.

For a brief moment, we see a symbolic tattoo: A devil whispering in Riley's ear. While it can symbolically represent her being rebellious and making bad decisions, it is also very literal: A demon tells her what to do.

Here's how demonology is used in actual MK programming.

The Programmers abuse an alter and get the Shadow alters. Then they hypnotically attach a memory cue (which is a code consisting of the alter's name, the date of the memory, and perhaps something else to complete the code) to the main alter so that they can access the memory anytime they want. Then they hypnotically & demonically build a on-way mirror between this main alter and the shadow alters they have just created. Next, they ritually/magickly implant demons to guard the mirror(s) and to guard each memory held by the shadow alters. This separates an alter from knowing itself and its own abuse.

The main alter has dissociated the pain, etc. to its shadow alters of itself. The Programmers then use the memory as blackmail to keep the main alter in line. The main alter has dissociated the pain, but will recover the memory if either one of three possibilities happen: a. the Programmer or handler says the memory code 3x, or b. if an event happens that triggers the main alter to remember, c. the main alter tries to remember the abuse and the programming, and in doing so they will be stepping outside of the circle assigned to them and will "break the circle & break the mirrors."
– Fritz Springmeier, The Illuminati Formula to Create an Undetectable Mind Controlled Slave

While this might sound technical, this process explains some of the seemingly non-sensical parts of the movie. Indeed, after being possessed, Riley experiences a series of traumatic events, only to realize they haven't actually happened. After dissociating, Riley "wakes up" hours later, not understanding what happened.

To the outside world, Riley is going crazy as her erratic behavior is associated with drugs. However, everything she experiences is very real in her internal world controlled by her handlers.

In a semi-humorous scene, a bunch of Riley's (demonic) fans appear in her apartment. They reenact some of the spinning choreography mentioned earlier to smash her head on a table and tear out a chunk of hair from her head.

Right after this ordeal, Riley wakes up in a private clinic while being watched by her mother. This shot shows a fridge full of possibly tainted bottled water. Is this clinic a programming site?

While Riley's encounter with the smiling fans did not happen in real life, her injuries are real. Her mother says:

"The doctor said you were sleep-deprived and extremely dehydrated."

That's precisely, word for word, what was said when Kanye was forcibly hospitalized in 2016.

One of the numerous headlines about Kanye's hospitalization. It specifically mentions "sleep deprivation and dehydration."

After telling her mother, "That's not what happened," things take a nasty yet symbolic turn.

After talking in a demonic voice, Riley's mother breaks a mirror.

As explained in previous articles, nearly every MK-related narrative in mass media contains a mirror-breaking scene. It usually happens when the protagonist attempts to break programming. However, the mirror-breaking is actually part of the programming.

Using a mirror shard, Riley's mother stabs herself in the eye, creating a disgusting one-eye sign. The message: She's under occult elite control.

Then her mother dies, with one eye missing. Riley realizes that she was holding the mirror shard all along and she killed her mother. So she runs away.

Later, a man tells Riley that he can rid her of the demonic spirit by artificially getting her heart to stop beating for a few minutes.

The man takes Riley to a grimy operation room in a former Pizza Hut.

At face value, the man is helping Riley, and the movie never implies otherwise. However, when one understands the movie's hidden MK context, he actually takes her to a black MK site.

At the site, the man disappears, and Riley fights her alter-persona.

In this scene, Riley is being programmed. The fight against her alter persona is how her dissociated state perceives the trauma.

To confirm everything you've just read, Riley abruptly "teleports" from this bloody fight to a highly symbolic scene.

Riley finds herself performing at a concert while wearing the monarch outfit she did not want to wear, confirming that she doesn't control anything in her life.

During her performance, Riley emerges from a cocoon-like device, representing the birth of a new alter-persona from Monarch programming.

While she was thought to be dead (with a missing eye), Riley's mother is at the show. The horrific events experienced by Riley are her handlers (notably her mother) traumatizing her to further programming.

Like every movie sponsored by the occult elite, things end horribly for the protagonist. In their twisted narratives, evil always has to prevail. Smile 2 is no exception.

After being "penetrated" by a horrific demon, Riley kills herself in front of her fans, who scream in horror.

Of course, she died symbolically.

This is the very last shot of the movie. Riley makes a final one-eye sign while wearing her Monarch outfit.

If we follow the movie's logic, all of Riley's fans are infected with the demon because they were all witnesses of her suicide. The end.

In Conclusion

While Smile 2 is terrifying in its own right, it gets infinitely creepier when one understands the mind-control subtext of it all. Even worse, the movie appears to mirror the plight of actual mind-controlled stars such as Britney Spears while somehow mocking them. There's a reason for that: Hollywood loves to brag about engaging in horrific practices such as Monarch programming.

Riley's short blond hair, her constant dissociation, and her demonic possession are not fiction: It is the modus operandi of the occult elite. To ensure that we understand that none of this is random, they made sure to have Riley wear a big Monarch butterfly on her chest. However, most people will not understand this because they are blind to the programming. But that doesn't matter; they are still exposed to it.

But what's the point of doing this? Why does the elite keep wanting to expose the masses to its most evil secrets, such as mind control and demonic possession?

Well, this is all explained in the movie's ending. Riley infected her fans by killing herself in front of them. This figuratively represents what the occult elite seeks to accomplish: To infect the brains of the masses with toxic and evil energies through the pop stars they control and, ultimately, sacrifice.

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The post The Hidden Meaning of "Smile 2": It's About Monarch Mind Control first appeared on The Vigilant Citizen.

5. It Was Bound to Happen: Jay-Z Accused of Abusing a 13-Year-Old Girl

After months of intense rumors, as if it was inevitable, Jay-Z got accused of rape. Two months ago, in my article The Controlled Demolition of Diddy I noted:

Some industry observers believe that Jay-Z might soon be the target of a similar "controlled demolition."

In March, 50 Cent, the rapper who had been accusing Diddy of wrongdoings for years, posted this on social media.

When Diddy was first accused of abuse in March, 50 Cent immediately insinuated that Jay-Z had gone missing. 50 knows some industry secrets.

Well, it happened.

On December 8th, Jay-Z (real name Sean Carter) was hit with a lawsuit alleging that he and Sean "Diddy" Combs drugged and raped a 13-year-old girl in 2000. The anonymous accuser claims that the assault took place at a house party after the MTV Music Video Awards in New York and that an unnamed female celebrity was in the room at the time.

Jay-Z at a Diddy party on the night of the alleged assault.

The lawsuit was initially filed in October and was refiled to list Carter as a defendant specifically.

The accuser in Sunday's legal filing, who is identified only as "Jane Doe", said that in 2000, when she was 13, a friend dropped her off at the VMAs at Radio City Music Hall in Manhattan.

She approached limousine drivers outside the venue to try to gain access to the show, according to the legal action.

One driver told her that he was employed by Mr Combs and that she "fit what Diddy was looking for", says the lawsuit.

Later that evening the chauffeur drove her to a party at a white house, according to the legal action.

Jane Doe says when she arrived at the party she was asked to sign a document, which she believes was a non-disclosure agreement, says the lawsuit.

The legal action says she recognised "many celebrities" at the party and observed widespread drug use, including cocaine.

A waitress offered her a drink that made her feel "woozy", so she went into a room to lie down, according to the lawsuit.

Soon afterwards, the legal action says, Mr Combs and Mr Carter entered the room with a female celebrity, described as Celebrity B. "Plaintiff immediately recognized all three celebrities," says the lawsuit.

The legal action says Mr Combs approached her "with a crazed look in his eyes", grabbed her and said: "You are ready to party!"

Mr Carter held her down and raped her, before Mr Combs did the same, all while Celebrity B watched, according to the lawsuit.

Jane Doe fought back during the assault and when Mr Combs backed away in surprise she escaped, the legal action says.

The lawsuit, which seeks unspecified damages, says the plaintiff still suffers from post-traumatic stress disorder and depression as a result of the alleged rapes.
– BBC, Jay-Z accused with Diddy in lawsuit of raping girl, 13, in 2000

Jay-Z's Response

While Jay-Z is known for barely engaging on social media, he responded in record time to the lawsuit with a letter posted on various platforms. The bizarrely worded letter, in which Jay-Z claims he's a "young man" (he's 55 years old), is peppered with words in all caps and numerous exclamation points, giving it a distinct "non-professional" feel.

pic.twitter.com/jl8sgOllCM

— Roc Nation (@RocNation) December 9, 2024

In the letter, Jay-Z accuses attorney Tony Buzbee (who is also behind the Diddy lawsuits) of blackmail. He ends the letter by stating that "only your network of conspiracy theorists, fake physics, will believe the idiotic claims."

While the letter states that the allegations are "heinous in nature," Jay-Z doesn't outright deny them, as is usually the case in these types of responses.

Three weeks prior, Buzbee claimed on social media that a "powerful John Doe" filed a lawsuit to prevent him from revealing names in public lawsuits. It now appears that the "powerful John Doe" was Jay-Z.

While this war of words will likely be settled in court, one thing seems apparent: Jay-Z has fallen out of the graces of the elite.

Another Controlled Demolition?

Jay-Z at a Diddy party, 2004.

With the downfalls of Harvey Weinstein, Jeffrey Epstein, Diddy, and possibly Jay-Z, there appears to be a "cleaning up" trend happening around the elite. Indeed, some people seem to have gotten too big, too rich, and too influential. More importantly, they've made too many connections and knew too much. While we all know that pedophilia is rampant in Hollywood and elite circles, those accusations are reserved for those who fall out of the graces of the elite, while others remain protected.

For many years, Jay-Z seemed to be "untouchable" and even boasted about it. One of the first articles I ever published was about Rihanna's Umbrella – a song about being protected by the elite (under its "umbrella"). The song begins with a Jay-Z verse about him being "higher than weather, " meaning the elite protects him.

No clouds in my stones
Let it rain, I hydroplane in the bank
Comin' down like Dow Jones
When the clouds come, we gone
We Roc-A-Fella
We fly higher than weather

However, those who "fly" too close to the sun often get burnt.

Johnny Cash's eerie video "God's Gonna Cut You Down" keeps prophesying that fact. In this 2006 remake of a traditional folk song, Cash warns evildoers that they cannot avoid God's eventual judgment. As he recites the song's ominous lyrics, we see numerous celebrities who have been involved in the industry's dark side, such as Travis Barker, Kanye West, Justin Timberlake, Bono, Anthony Kiedis, Johnny Depp, and, of course, Jay-Z.

In Johnny Cash's God's Gonna Cut You Down, Jay-Z insistingly does the Roc sign mixed with a one-eye sign.

As if to confirm the occult intentions of this hand sign, the following frame in the video features the actual logo of the Skull and Bones (an elite secret society) with the name Rocawear in the background (Jay-Z's clothing brand).

As we see Jay-Z hiding one eye, we hear these sobering words:

Well you may throw your rock and hide your hand
Workin' in the dark against your fellow man
But as sure as God made black and white
What's down in the dark will be brought to the light

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God'll cut you down
Sooner or later God'll cut you down

Is Jay-Z getting cut down? Is it God who is doing it, or is it Satan's pawns who are trying to stay in the dark? One thing is for sure: the situation is getting bizarre.

After being accused of raping a 13-year-old, Jay-Z went to the premiere of Mufasa with Beyonce and his 12-year-old daughter Blue Ivy. 

This appearance raised eyebrows, as many found Blue Ivy's gown inappropriate for a 12-year-old.

After such horrid accusations, the last thing Jay-Z would want is also to be accused of "showing off" his daughter. But it happened.

In Conclusion

While the accusations against Jay-Z remain to be proven, they do signal a critical fact: The elite might have turned against the rapper. For years, Jay-Z was at the core of "Illuminati rapper" theories, as documented by this site since 2008.

However, as I often need to emphasize, these artists are not "in" the occult elite; they are used by it. While they might enjoy the fame and riches of being in the elite's good graces, they remain outsiders. And if their wealth, influence, connections, and information become a nuisance, the elite will cut them down.

In my 2010 article about Jay-Z's symbolic video On to the Next One, I wrote:

What will happen when the elites are done using Jay-Z as a vessel for their sinister symbols? Will they say "ON TO THE NEXT ONE?"

It seems like it happened.

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The post It Was Bound to Happen: Jay-Z Accused of Abusing a 13-Year-Old Girl first appeared on The Vigilant Citizen.

6. Symbolic Pics of the Month 12/24

At the beginning of the year, Katt Williams set the tone for 2024 with an explosive interview that went highly viral. In long rants about the entertainment industry, Williams mentioned several names – including Diddy – while stating that 2024 would be a year of reckoning. A few months later, Diddy's entire world collapsed. However, as explained in this article, Diddy's takedown was a "controlled demolition" that ended up protecting the influential people around him who also engaged in sordid activities.

As this year ends, GQ magazine released an article oddly titled Katt Williams: The Man Who Opened the Portal. The photos accompanying the article appear to tell their own story.

Above the mystical-sounding title, Katt is wearing a hooded robe similar to those in occult rituals and ceremonies. While GQ photoshoots often feature "sponsored" clothing, a small note at the bottom of this picture mentions that the clothing is the "subject's own." In other words, this is not a fashion shoot – it is a symbolic shoot.

Here, Katt poses in another ceremonial robe that resembles those worn during the rituals of secret societies such as the Freemasons, Rosicrucians, and Knights Templars. Furthermore, he appears to be showing a variation of the Masonic "hidden hand" sign.

Knights Templars often wear robes and headgear adorned with equal-armed crosses and other symbols.

This outfit resembles Masonic attire worn during ceremonies. Every outfit in this photoshoot points to Williams' status as a high-level initiate in an undisclosed brotherhood. Is this why he was allowed to "open a portal?"

Timothée Chalamet's movie career has genuinely taken off in the past years. You know what that means: He has to submit to the elite through symbolic pictures. And that's precisely what he did in a recent Rolling Stone photoshoot.

On the magazine's cover, Chalamet makes a blatant one-eye sign and a face that says, "Ugh, it's my turn to do this."

Chalamet makes another one-eye sign using Bob Dylan's face. That's part of the deal. To get big roles and play Bob Dylan in his biopic, he has to participate in this symbolic circus.

Chalamet wears a mask similar to those worn in the elite's masquerade balls (that often devolve into orgies). On the mask is written "SUCK CESS." Is it alluding to what a celebrity needs to do to obtain … success?

As usual, the Kardashians and Jenners are doing their best to remain relevant and SUCKcessful. To do so, they must partake in bizarre photoshoots to please their handlers.

In a strange photoshoot, Kim Kardashian posed with a Tesla robot. Her garters and skin-colored bottom gave the shoot a bizarre sexual dimension.

She's sitting on the robot's lap. Industry slaves must sit on anything's lap if they have to.

As we gaze in bewilderment as Kim Kardashian holds a robot's hand in a romantic matter, we realize that "they" are pushing transhumanism, aka the fusion of robots and humans. Because they think we're idiots, they're using sex to make this absurdity seem cool to us peasants.

Meanwhile, Kylie Jenner is also taking part in photoshoots that are perplexing people. In an ad campaign with Amelia Gray, Jenner took some symbolic pics that spurred articles such as "Fans don't understand Kylie Jenner's 'bizarre' campaign with Amelia Gray, which hints at beastiality and forbidden fruit."

Jenner poses with Gray, who is wearing a leopard mask. As seen in countless previous articles, this clearly references Sex Kitten programming.

Jenner gets intimate with the leopard, giving beastiality vibes. But this goes deeper than that. This is about sex slaves who are programmed to have no inhibitions, which can lead to beastiality if need be.

Gray and Jenner suggestively take a bite of the proverbial apple – a reference to the fruit offered by Lucifer to Eve in the Garden of Eden. That's because Sex Kitten programming contains a Satanic element to it.

In the Bible, the "lake of fire" is a place of after-death punishment for the wicked. Consequently, Gray and Jenner are casually chilling in a spa of fire.

Speaking of industry slaves, Lindsay Lohan is one of the most obvious cases of mind control in the entertainment industry. From her bizarre accents to her being "passed around" in elite circles, Lohan displays all of the symptoms of a Monarch slave. And, as usual, this is all confirmed through symbolism.

On the cover of Flaunt, the elite is "flaunting" Lohan's long-standing status as an MK slave by picturing her with a butterfly on her face. It also creates a one-eye sign, confirming the occult elite nature of the photoshoot.

With one hand, Lohan "presents" a butterfly, indicating that it is not a random bug but a symbol. Her other hand is on her crotch. The combination of the two hands = Monarch sex slave.

Lohan is naked, inside a box (like an object), with butterflies all around her. This is about Monarch programming.

As seen in previous articles, Meghan Fox and Machine Gun Kelly have been engaging in bizarre occult weirdness, including taking part in actual blood rituals. The weirdness will now, unfortunately, include a baby.

Fox recently announced she was pregnant with this maternity picture. She is naked and covered with black goo – a substance that is occultly associated with evil and supernatural forces.

Jaguar released an ad that was ridiculed worldwide. While some wondered if it was a parody of "wokeness," the ad was serious. Yes, the dumb phrases such as "copy nothing," the baffling use of androgynous and transgender models as props, and the lack of an actual car were serious. Many wonder what caused this mythical British brand to destroy its entire aura. Well, it's their turn to show submission to the elite. In the past years, one brand after another had to suffer through a humiliating "ad campaign" that is actually globalist propaganda. It is the cost to stay in business.

In previous articles, I analyzed the seemingly prophetic symbolism of The Economist's enigmatic end-of-year magazine covers. These covers are significant because the magazine is owned by Bliderberg-attending elite individuals who actually participate in shaping their agenda. As expected, The World Ahead 2025 contains its share of cryptic symbolism.

As usual, The Economist's cover contains cryptic symbols and predictions. The entire image is made to look like a face, with one eye containing the nuclear symbol while the other looks like the all-seeing eye on the dollar bill. At the top of the face is Saturn – a planet occultly associated with Satan and the ravages of time. Other images include a cracked ballot box (democracy compromised?), a half-filled syringe (vaccines?,) and the prominent figures involved in the Ukraine war. In short, this cover includes all of the elite's obsessions. Bonus: The text above the image mentions geoengineering – a concept that used to be a "crazy conspiracy theory" not too long ago. 

Special thanks to everyone who sent in pics!

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The post Symbolic Pics of the Month 12/24 first appeared on The Vigilant Citizen.

7. Adrenochrome and Ritual Humiliation: The True Meaning of the Movie “The Substance”

Warning: Disgusting spoilers ahead!

Hailed as a "feminist masterpiece," The Substance gained notoriety for scenes so gory that they reportedly caused people to walk out of theatres. That's some pretty good publicity for a body horror movie. The hype continued as The Substance also won Best Screenplay at Cannes while enjoying a constant flow of rave reviews from media critics.

But then more people watched the movie, and many found it grating, nonsensical, and in total opposition to its supposed feminist message. So, who's right about The Substance?

Well, there's one thing we need to know about mass media critics: They praise movies based on agendas, not on inherent quality. And they love toxic, debased stories that are justified due to "feminism." For instance, the 2023 movie Poor Things recently won numerous accolades (including Oscars) because of its supposed feminist message. In actuality, it is about a child in a woman's body having sex with older men.

Oddly enough, the actress Margaret Qualley stars in both Poor Things and The Substance, and, in both cases, she plays the role of an ungodly mutation of a human being.

In The Substance, Margaret Qualley plays Sue, a younger and hotter version of Elizabeth Sparkle (played by Demi Moore), an aging Hollywood star. Sue came into existence because Sparkle injected herself with an illicit, black-market product that promised a "younger, more beautiful, more perfect" version of herself.

This premise led many to wonder: Is this movie about adrenochrome, that mysterious substance rumored to be consumed in elite circles for youth and vitality?

An Old Obsession

This promotional poster shows a syringe containing the substance standing between the main protagonist's old and new self. The starry shape on the tip of the syringe alludes to the process' supernatural component.

The Substance revolves around an age-old theme: the search for eternal youth. Since the dawn of time, people have been trying to stop and reverse the ravages of time on the human body. However, this process always comes at a cost.

Stories of eternal youth often involve selling one's soul in a Faustian deal with the devil. On a spiritual level, one can argue that unnaturally reversing the aging process means going against God's will. The quest for youth gets darker when one understands that it nearly always involves extracting blood or other fluids from younger specimens to be injected into the older ones. Throughout history, sadistic practices involving blood, sacrifices, and cannibalism have always preyed on the potency of youth to regenerate an aging body.

The story of Elizabeth Bathory, a 17th-century Hungarian noblewoman dubbed "The Blood Countess," proves that the occult elite had been dabbling with this concept for centuries. Said to be obsessed with her looks and jealous of younger women, Bathory has infamously abducted hundreds of virgins, tortured them, and extracted their blood to bathe in it or to consume it outright. The process also involved bizarre satanic rituals.

A classic depiction of Elizabeth Bathory indulging in the blood of young women.

Interesting fact: The main character of The Substance is named Elizabeth.

To this day, there are talks about the occult elite preserving youth through horrific methods. For instance, a "substance" named adrenochrome is said to be consumed by the occult elite to preserve youth. Most potent when extracted from young children, adrenochrome is believed to be farmed in facilities where victims are detained, abused, and tortured. Chillingly enough, some claim that adrenochrome levels spike in children while in a state of fear and terror.

In 2023, a French personality named Gérard Fauré stated on national television that celebrities like Celine Dion regularly consume adrenochrome. When asked where the substance comes from, Fauré replied that more than one-third of missing children in France are never found. French media went into full meltdown mode in the days that followed.

The Substance was created by French movie maker Coralie Fargeat, who has been in the industry for decades. Is the "substance" in her movie inspired by these talks of adrenochrome? Is the elite telling us, through gore and "feminism," what actually happens behind closed doors?

Here's a look at the movie.

The Real Substance

Numerous critics stated that, despite its name, The Substance severely lacks substance, and its major plot points do not make sense. In interviews, Fargeat noted that most of the story is not conveyed through dialog but through symbolism. Indeed, through visual cues and references, the movie goes beyond feminism to describe an occult transformation.

The movie begins with a scene that visually explains how the substance works.

An egg yolk is injected with the substance.

The yolk divides itself and creates a newer version of itself. As we'll see, the protagonists are associated with food throughout the movie.

The movie then introduces viewers to actress Elizabeth Sparkle. The rise and fall of her career is explained through a timelapse of her star on the Hollywood Walk of Fame.

While people used to take pictures with Elizabeth Sparkle's star, she is now old and irrelevant. To symbolize this fact, her star is cracked, and this guy spills his lunch all over it.

Elizabeth Sparkle is an Oscar-winning actress whose movie career dried up as she aged. Not unlike Jane Fonda and other real-life actresses, Sparkle turned to aerobics videos to keep her career going.

On numerous occasions, Elizabeth and, later, her younger self walk through this red hallway. The promotional posters represent the state of their careers.

On her 50th birthday, Sparkle's boss decided it was time to fire her because she was too old. He needed someone "hot and young" to replace her.

The producer of Sparkle's show is named Harvey—a not-so-subtle reference to disgraced Hollywood producer Harvey Weinstein. While firing her, Harvey disgustingly eats a bunch of shrimp because he's the bad guy.

Strange fact: Harvey is played by Dennis Quaid. He's the brother of Randy Quaid, who infamously fled Hollywood, claiming that a shadowy group of "star whackers" was assassinating celebrities in Hollywood. Meanwhile, his brother Dennis plays the role of a sleazy producer in a movie about an adrenochrome-like substance.

While the movie could have tackled the universal theme of aging in several interesting ways, it chose to take the lamest shortcut, one that prevents any meaningful reflection.

It's because of old white men. They're why there are hot people on TV and in movies. Shame.

From then on, Elizabeth is not a vain, privileged woman willing to do anything to stay in the spotlight. She is a victim of old white men, and nothing she does is her fault. Her quest for eternal youth and hotness is now about empowerment. That's a great way of rationalizing the usage of adrenochrome.

Let's say we agree with this feminist premise. Then, what about the biggest male movie stars? What do Leonardo DiCaprio, Brad Pitt, George Clooney, and Johnny Depp have in common? The obvious answer: Women think they're very hot. Is it possible that humans prefer watching attractive, photogenic people on screens? Is it truly an old white man thing or a universal human thing?

In any case, The Substance decided to go with this faulty premise, and the media thought it was genius. However, as we'll see, the actual "substance" of the movie resides elsewhere—deeply ingrained in symbolism, as it ultimately doesn't even bother to make its feminist premise make sense.

So, after being fired, Elizabeth goes home feeling worthless.

While driving, Elizabeth sees workers removing her billboard, turning it into a one-eye sign. There are a few others in the movie, a subtle way of highlighting the ritualistic dimension of the movie.

Later, Elizabeth learns about the substance—a black market product that could solve her problems—so she goes out and gets it.

The substance is so illicit that Elizabeth needs to go to a hidden and highly secure location to obtain it. What's in that substance? Children's blood? Would they need to hide it if it was made from aloes?

The package includes the mysterious substance and food for the "matrix" and "the other self." As we'll see, the substance doesn't merely reverse the aging process; it creates an entirely different self.

When Elizabeth injects herself with the substance, we see a series of quick images with symbolic meaning.

After the injection, we briefly see Elizabeth with two eyeballs, hinting at the creation of a second consciousness.

The occult elite loves this imagery as it was used in the past with other celebrities.

This is a screenshot from Britney Spears' 2011 video "Hold it Against Me."As explained in this article, it is one of the most blatant videos about creating an alter-persona.

Through symbolism, we understand that the substance does not merely make one younger: It is an occult process that "gives birth" to a separate alter-persona.

This image quickly flashes during Elizabeth's transformation. It depicts a phoenix rising from its ashes – an important symbol in occultism.

In a rather gory scene, Elizabeth "gives birth" (through her back) to the new her: Sue. While Elizabeth is 50, Sue is about half her age.

Sue (played by Margaret Qualley) is a younger version of Elizabeth, and everyone loves her better for it.

The substance works with a perplexing caveat: Sue can only exist while Elizabeth is in a dormant state and vice versa. This means that Sue exists independently from Elizabeth. So, what's the point of doing all of this?

Sue replaces Elizabeth on her aerobics show, making it younger and sexier … to an absurd degree.

The plot doesn't appear to be fully thought out from a logical standpoint. However, from an occult elite standpoint, it serves a bizarre trend in the movie industry.

Humiliation Ritual

In many ways, The Substance is reminiscent of the aforementioned Poor Things, a movie with repulsive scenes and a message contradictory to its  "feminist" viewpoint. In my article about Poor Things, I explained that it was less about communicating an "empowering" message and more about having Emma Stone act out a series of highly sexual and often degrading scenes. In the article, I wrote:

"The movie's insistence on depicting sex scenes involving the actress takes on a ritualistic dimension where she's being initiated through humiliation."

The Substance accomplishes the same bizarre function with actresses Demi Moore and Margaret Qualley. Like in Poor Things, both main actresses perform in extreme and degrading scenes that often involve extended nudity.

Most of Qualley's scenes involve close-up shots of her butt or chest, as she's continually compared to a piece of meat.

Strange fact: Margaret Qualley wore prosthetics to enhance her breasts during shooting. That's very ironic. The makers of this "feminist masterpiece" looked at Qualley and said: "We need bigger boobs."

According to interviews, the process of hyper-sexualizing Qualley's character was a mortifying experience for the actress.

"Margaret Qualley described learning the choreography for The Substance as a "nightmare," and was overwhelmed by performing with professional dancers who had already memorized the moves which she was new to. Although trained as a ballet dancer, she explained that "that specific kind of sexuality doesn't lend itself to [me]" and that she'd "never [do it] again."

Qualley began the rehearsal with Fargeat present but left the set to go to the bathroom and cry. Fargeat decided to leave the rehearsal as well, and later, Qualley received a private one on one lesson, allowing her to practice in her hotel room and build confidence as she felt deeply ashamed by the whole series of events. Nonetheless, on the day of the shoot, she "just got wasted first thing in the morning" because she was anxious about performing in front of everyone; a combination of cannabis and tequila gave her the courage she needed."

So, the director of The Substance had Maraget Qualley perform in scenes so sexual that they caused her to cry because they went against her very nature. To overcome this fear, she had to be heavily intoxicated. Hollywood loves to create roles that require the humiliation and the debasement of actresses for all to witness.

Meanwhile, Demi Moore is humiliated in the opposite matter. Throughout the movie, her aging body and facial features are constantly highlighted and brutally contrasted with her younger version, to the point that it feels like a ritual humiliation.

While viewers are forced to look at Sue's perfect butt and boobs, they are also forced to focus on Elizabeth's wrinkles and sagginess. While the camera is flattering (if not lustful) towards Sue, it is brutal towards Elizabeth. This process must have been rather humbling to Demi Moore.

Elizabeth's character has no backstory, and the entire movie contains minimal dialog, emphasizing the sentiment that this is actually about Demi Moore and how she's past her prime.

Disgusted with herself, Elizabeth threw a trophy at her large framed picture. The result: Another one-eye sign. The message: This movie is about occult elite weirdness.

While the movie aims to highlight the differences between Sue and Elizabeth, it also appears to humiliate Demi Moore personally.

A box says "Old junk Elizabeth" – a not-so-subliminal way of saying that Elizabeth IS old junk,

When Elizabeth gets flowers after being fired, the note says "you were amazing". The past tense means that she belongs in the past.

Conversely, later in the movie, Sue receives flowers that say, "They are going to love you." The future tense means she still has a bright future ahead of her.

Through the sexualization of Sue and the humiliation of Elizabeth, The Substance ends up treating both actresses as lumps of flesh who are defined by their exterior appearance. Appropriately enough, the movie constantly compares them to food.

The Food Theme

When Elizabeth "gives birth" to Sue, their naked bodies are briefly juxtaposed to two frying eggs.

The concept of food is constantly present throughout The Substance. Not unlike the characters themselves, food is always presented in a crude and gross manner, as the movie intentionally wants to turn what is usually appetizing into something disgusting. Furthermore, the movie constantly compares the characters to food, which gives the story a "cannibalistic" feel.

As she watches Sue on television, an aging Elizabeth obsessively cooks meals with gory names.

In one shot, Elizabeth intensely grabs a turkey leg.

In the next shot, Sue's tighs are presented in a "meat-like" fashion. She's dehumanized.

The cooking instructions appear to be aimed at Sue.

At one point, the man who introduced Elizabeth to the substance asks her:

"Has she started yet? Eating away at you?"

To remain "awake" for longer periods of time, Sue "eats away at Elizabeth" by forcing her to stay dormant longer. This causes the aging actress to age even faster as she is malnourished.

Sue "drains" Elizabeth until she turns into an old, bald, and hunchbacked lady. Yes, that's Demi Moore on the right – more humiliation.

In The Substance, the characters are merely lumps of flesh from which lifeforce can be extracted. That's what cannibalism, adrenochrome, and blood rituals are about. Speaking of which, the movie's climax is one big blood ritual.

I will spare you the gory details of the ending, but it has something to do with Sue/Elizabeth turning into a disgusting human abomination that spills blood on everyone. Apparently, there's a feminist message in there. Or maybe it's an excuse to subject viewers to a lot of blood.

The movie culminates with gallons of blood being splattered all over the audience of a theatre. The occult elite loves to show people drenched in blood as they like to do this behind closed doors.

Although unnecessary, those who made the movie found it essential to drench a child with blood.

The movie ends with a symbolic scene summarizing The Substance's message.

Reduced to a lump of goo, Elizabeth finds her way to her Hollywood star, where she ultimately dissolves and disappears.

What should we take away from all of this? Aging Hollywood actresses are the most oppressed demographic in the world. They get slightly less attention when they become old, and that's the worst thing that could happen in the world.

In Conclusion

In The Substance, a young actress is sexualized, fetishized, and gazed upon to an absurd degree. Meanwhile, another actress has to exhibit the features of her aging body to a brutal, unforgiving camera. While the movie is meant to be satirical, it ultimately perpetuates the very thing it is supposed to be denouncing.

That's because, in the end, the "feminist" message of The Substance is merely a facade meant to lead short-sighted critics down a dead-end path. The true message of The Substance can be found in the dark mindset of the elite that rules Hollywood. Through gore and nudity, The Substance tells a story of It is about vanity, self-absorption, exploitation, ritualistic humiliation, and the consumption of human substances to achieve youth. Moreover, although I did not dwell on those scenes, The Substance features long, drawn-out scenes of bloody, unhinged depravity that make one realize that those who made this are deeply deranged.

In short, this movie is another case of normalizing evil through "feminism." That is why mass media loved it. They want us to soak in toxicity the same way the audience got soaked in blood during The Substance's climatic scene.

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The post Adrenochrome and Ritual Humiliation: The True Meaning of the Movie "The Substance" first appeared on The Vigilant Citizen.

8. Was the Jake Paul vs Mike Tyson Fight a Humiliation Ritual?

Since it was announced in 2023, the Jake Paul versus Mike Tyson fight sounded ridiculous. It was an officially sanctioned boxing match between a YouTuber and a 58-year-old boxer who was in his prime during the 20th century. Despite this fact, over 65 million people tuned in to this live event, which was available for free on Netflix.

And I was one of them. Like most viewers, although I rolled my eyes at the event, there was no way I would miss it. There was something so unique and bizarre about it that there had to be something more to it. While most observers agreed that the fight would be rigged and even scripted, people tuned in to see how it would play out. And, let's be frank, many just wanted to see Jake Paul get knocked out by Mike Tyson.

But that's not what happened at all.

Instead, viewers witnessed Mike Tyson's thorough humiliation and, on a broader scale, the demolition of his legacy. It wasn't a fight; it was ritual drama carried out in front of millions. Everyone who watched that fight felt like they'd witnessed something intrinsically wrong. And that was the point.

The entire event was scripted to have Mike Tyson (who looked somewhat out of it and even dissociated) go through ordeals that would shatter his aura of strength and invincibility. In the span of a couple hours, Iron Mike – also known as "the Baddest Man of the Planet" – turned into a weak, elderly, and emasculated man who had to show his naked butt to 62 million viewers for no particular reason.

Sure, he got paid $20 million. But it wasn't to fight. It was to participate in a mega-ritual.

Scripted to Humiliate

Before the fight, Mike was placed in weird situations where he was sexualized in a somewhat homoerotic fashion.

During the weigh-in, Jake Paul wore pants, while Tyson wore zesty-looking Versace slips.

While being weighed, Tyson oddly grabbed his junk.

The fight took place on November 15th, which happened to coincide with the Beaver Supermoon – a night believed by occultists to be charged with potent magical energy that can be harnessed for rituals.

A weird energy was palpable throughout the live event streamed by Netflix worldwide. Everything about it felt odd as if it took place in an alternate universe where Netflix had the monopoly of "entertainment" and streamed dystopian rituals to the public.

In a way, Mike Tyson was being sacrificed under the watchful eyes of the masses. It began with the show's most viral moment—one that was quickly reposted by Netflix's official account.

Mike Tyson's pre-fight interview got real cheeky. #PaulTyson pic.twitter.com/xPR3L0R9C0

— Netflix (@netflix) November 16, 2024

Every single person who watched this interview wondered what had just happened. It made absolutely no sense. Unless, of course, one understands that it was about humiliating Mike Tyson while creating a short, viral moment that could be easily shared online.

But this "funny" moment was actually extremely sad. Mike Tyson was standing there, butt naked, already looking defeated, while being interviewed by his son Amir. After stating he would win (while knowing very well he would lose in a pitiful matter), he kisses his son, turns around, and reveals his bare butt to the entire world.

It was definitely a full moon that night.

In short, that segment was about sexually humiliating Tyson in front of his son – a father's nightmare. He was told to wear this garter-like thing, and the cameraman was told to focus on that 58-year-old butt once he turned around.

Iron Mike is being treated like a prostitute.

Meanwhile, Jake Paul was at the opposite end of the spectrum. While Tyson had to walk around butt naked, Paul was draped in the most expensive outfit in sporting history – worth around $1 million.

The back of Paul's jacket was highly symbolic. Inspired by the Skull and Bones (an elite secret society), the image has some bizarre details. The skull is masked, there's a fracture at the top of it, and there are scalpels underneath it. In short, this looks like a lobotomized mind-controlled slave.

The entrance of each fighter added to the theatrics.

Jake Paul entered riding an expensive custom truck while wearing an expensive custom suit. It was all about him being crowned as sports entertainment king. The entrance song had Phil Collins asking, "Can you feel it coming in the air tonight?" I could feel it.

Afterward, a sad-looking, confused, and diminished Tyson made his entrance. He knows this is the saddest moment of his career.

When the fight started, something was immediately apparent: Mike Tyson was too old to do this. The crowd's excitement died after the first round when people realized that Tyson could barely move, let alone throw punches.

To make matters worse, Tyson constantly bit his glove throughout the fight. He looked like a frightened old man who wasn't mentally well.

The biting was so obvious and worrying that the commentators kept wondering what the issue was. After the fight, Tyson stated he had a "biting fixation." Whatever it was, it was sad to see.

The farce ended after eight rounds of "boxing," during which Jake Paul purposely avoided knocking out Tyson (it was probably part of the contract). People booed loudly.

Tyson had to stand there while Jake Paul (of all people) added a rare loss to his official record.

During the post-fight interview, Tyson was asked what was next for him.

Tyson pointed to Jake Paul's brother Logan and said he might take him on.

Then, Logan looks at him with great contempt and replies:

"Motherf*cker, I'd kill you Mike."

Faced with this final act of disrespect. The ritual is complete.

In Conclusion

While most people suspected that the Paul vs Tyson fight was rigged, they still tuned in for the show. How satisfying would it have been if Tyson had regained composure after being dominated for several rounds and knocked out Jake Paul with one of his trademark devasting blows? The crowd's reaction would have been wild, and everyone would have been satisfied.

But that wasn't in the plans. Jake Paul is, sadly enough, the future of boxing. He could not lose this fight. Quite to the contrary, Mike Tyson – the most vicious fighter of the last century – had to pass the torch to a new generation where the punches do not count as much as social media virality.

Even in his prime, Mike Tyson was never in the industry's good graces. He's one of those black celebrities who came out of prison thoroughly changed and probably traumatized by something awful. The industry needed him to participate in this circus, but there was a price to pay for it: his pride, dignity, and legacy. Let's hope he still has his soul.

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9. Kamala’s Campaign Was Objectively the Worst in Recent History

I want to preface this article by stating that it is not partisan. I'm Canadian, so I didn't have a horse in this race. In fact, a Trump presidency will most likely negatively affect Canada's economy due to the imposition of tariffs. And, if Trump goes ahead with mass deportations, illegal immigrants will most likely flock to Canada, and we all know that our WEF-controlled Prime Minister Justin Trudeau will do nothing about it.

That said, this site is about objectively analyzing media, and we have been flooded with a tsunami of it in the past weeks. And, no matter one's political leanings, one has to admit that the Kamala Harris campaign was one of the worst in recent history. It perfectly encapsulated the elite's advanced state of "out-of-touchness" as every attempt at appearing normal and relatable looked like outright satire. On some occasions, I actually asked myself: "Are they deliberately trying to lose?"

Kamala Harris' campaign relied on nearly unlimited funds, the unwavering support of mass media, and a constant stream of celebrity endorsements. Despite all of this, she lost spectacularly. How could this have possibly happened?

Well, many of us saw this coming a mile away. Although Kamala had all the necessary resources to win, she was like Dorothy at the beginning of The Wizard of Oz: She needed a brain, a heart, and courage to complete her quest. However, her campaign showed none of these things. She didn't have a brain to answer basic questions and devise a coherent program. She didn't have a heart to truly connect with citizens, as she let disconnected Hollywood pawns speak for her. Finally, she lacked the courage to take a firm stand on issues, as she constantly resorted to vague, non-sensical platitudes to weasel her way out of essential questions.

This led many to realize: If Kamala doesn't want to say anything, why am I even listening to her? So, millions of people completely tuned her out and dismissed her as a potential President. And, considering that only a few million Americans were still undecided at that point, that was the last thing she needed.

Despite Kamala being a catastrophic choice for the Democratic Party, donors (such as Bill Gates) threw hundreds of millions of dollars at her as an army of operatives and PR specialists shaped her image. Their goal: To make her appear cool, trendy, relatable, and, if we still have time, presidential.

Unfortunately for Kamala, those in charge of her PR were terrible at it. At every turn, they churned out some of the cringiest and tone-deaf attempts at political advertising in recent history.

Here's a look at some of the lowlights of her campaign.

Kamala is Brat

After Biden's disastrous debate—which proved that he was a geriatric zombie controlled by hidden forces—Kamala was forcibly shoved down the Democratic Party's throat. Then, she needed to be shoved down the entire country's throat. The early strategy was clear: to distance herself from Biden's senior energy and connect with Gen Z.

So her staffers looked at TikTok and noticed some buzz around British pop singer Charli XCX and her album Brat. In what they thought was a stroke of genius, the Kamala campaign co-opted the album's aesthetic and the "Brat summer" trend (while instantly sucking all of the coolness out of it.)

Here's a quick sum up of "brat."

The international phenomenon swept millions off their feet and plunged them head first into the "dirty girl" aesthetic that xcx's sixth studio album, brat cultivated. (..) Lime green, cigarettes, black eyeliner, nose-drugs, white shirts, and going braless have been capitalized on for three months and don't seem to be going away anytime soon.
– The Highland Echo

So, to kick off her campaign, Kamala associated herself with the marketing scheme of a pop album that revolved around girls being messy, doing cocaine, and partying all night. It worked for Charli XCX because her job is to make party music. But Kamala Harris was trying to become the literal President of the United States. It just doesn't make sense.

Also, in complete opposition to that vibe, she traveled the country with Liz Cheney, the daughter of the evilest warmonger in American history.

That said, the brat thing wasn't even close to her worst campaign stunt.

Sick of Celebrities

The Kamala campaign then started calling her opponents "weird." This was when her campaign had the most momentum as the "weird" thing gained some traction and even rattled Trump for a second. However, the Harris campaign knew they couldn't surf on a one-word insult until the elections. She had to start saying things to potential voters.

To generate some enthusiasm for her pointless speeches, Harris' campaign hired a long list of celebrities. While that's been an effective strategy for the Democratic Party in the past, Kamala's team should have sensed that people were not in the mood for it this year.

Meghan Dee Stallion throws up devil horn signs during her 4-song performance at the Kamala rally in Atlanta, Georgia.

During her cringe-inducing set, Stallion twerked and rapped lyrics such as "P—y like water" and "N–gas say I taste like sugar, but ain't s–t sweet." Did this stunt resonate with Americans? Well, Trump won Georgia.

In another head-scratching move, the Harris campaign used … Lizzo. Yes, the same Lizzo that was accused of sexual harassment, weight shaming, and creating a hostile work environment by her dancers.

She's toxic. And she was hired by Harris.

Lizzo posted this video on social media in support of Harris.

View this post on Instagram

A post shared by Lizzo (@lizzobeeating)

Yes, Lizzo said, "You hoes can't spell democracy" before boarding a private jet. Are they actively trying to lose voters? Then, in a speech, Lizzo declared that she wanted Harris to turn the entire United States into her native Detroit … which has been struggling with crime and poverty for decades. Did this stunt resonate with Americans? Well, Trump won Michigan.

During Trump's MSG rally, the comedian Kill Tony made a questionable joke about Puerto Rico being a "floating island of garbage." However, he also made a devastatingly accurate joke about Kamala's celebrity endorsements resembling Diddy's parties.

What does Kamala's campaign do to counter that? They bring out someone who was literally at Diddy's parties.

In an attempt to use the Puerto Rico joke to reign in Latino voters, Kamala brought out Jennifer Lopez.

Yes, Kamala associated herself with J-LO at the very same time that her ex Diddy was being accused of raping teenage boys. J-LO was around Diddy while this stuff was happening, and her being complicit is not out of the question.

J-LO at one of Diddy's parties. The girl in the middle is Aaliyah. She was controlled by industry predators from the age of 14 until her suspicious death in 2001.

It just wasn't the time to bring out J-LO to be performatively outraged about a joke. Did this stunt resonate with Americans? Well, Latinos voted for Trump in record numbers.

I'm a Man. Kind Of.

At one point, Harris' campaign came to a shocking realization: Lizzo flipping her wig and calling people hoes did not appeal to male voters. So, her staffers concluded that they needed to target men with an ad campaign. They came up with Man Enough, one of the worst-conceived and tone-deaf political advertisements ever released. If you have not watched this gem yet, prepare to witness history.

The campaign had a genius idea to reach the seemingly enigmatic demographic of "manly men: " Hire a former Jimmy Kimmel producer to direct gay actors from Los Angeles to act as "manly men."

Internet sleuths looked up this actor and discovered he was a gay actor from Los Angeles. The way he's sitting says it all.

At one point, this actor says, "I ain't afraid of bears." In gay culture, a bear is a man who is fat, hairy, or both. Was this ad satire?

Other key moments: An overweight dude awkwardly holding a bucket talks about "eating carburetors for breakfast," and a creepy bearded man who says he's OK with "women wanting to control their bodies." As if that wasn't enough comedy, the gay guy seen above comes back and says that he's giving Harris his "full-throated endorsement." Why did he say full-throated??

In short, this ad is precisely how people out of touch with reality and who've been trained to hate masculinity would portray "manly men." Are they even aware that "manly men" don't only exist on farms? Similarly to the entire Kamala campaign, the ad doesn't ring true and reeks of hypocrisy and condescension.

Later, the Harris campaign also realized that it lacked the support of younger men. The PR team devised another genius strategy.

Tim Walz plays a video game with a bottle of Mountain Dew. It must be the lamest photo-op in history. Fun fact: His controller is not turned on.

Of course, this stunt backfired spectacularly. I mean, just look at it. The optics are just bad. It's not vice-presidential; it reeks of desperation. And Walz looks like an old dude trying to lure young boys playing Fortnite.

The Harris campaign also realized that it was hemorrhaging the support of black men. To address this issue, they sent a very disappointed Barak Obama to lecture them, like a father about to take off his belt. Not only did he imply that black men owe a vote to his party, but he insinuated they are misogynistic for not supporting a woman.

This berating session was not well received by black men or anyone for that matter. Black people do not owe a vote to Barack for being half-black like they do not owe a vote to Kamala for being half-black. Like every other citizen, they can vote for whoever aligns with their views and interests.

The Harris campaign also realized that it was severely behind with white men. So, after days of intense research and millions of dollars spent on PR specialists, they devised a genius campaign: "White Men for Harris." Yup.

Nope.

Did these efforts to pander to men resonate with Americans? We all know the answer.

Lie to Your Husband

While trying to convince men to vote for Kamala, her campaign was also telling women to lie to their husbands. In an ad directed by Hollywood hack Julia Roberts, women were encouraged to be hypocrites to their (implicitly abusive) husbands while voting for Harris.

This ad is toxic and astonishingly out of touch with reality. Are they really trying to put Kamala Harris between a wife and her husband? Are they really encouraging women to betray the sanctity of marriage? For Kamala?

The low moral values on display in this ad are highly telling. And, yes, it backfired.

Manipulating Reddit

In my article about the Trump assassination attempt, I suggested that the shooter was probably radicalized by Reddit, one of the most visited sites by young men (by the way, authorities never revealed what was on that guy's phone – most likely to protect such sites).

To corroborate this fact, an investigation by The Federalist revealed that the Harris campaign was heavily manipulating Reddit. The eye-opening article explains how Harris operatives coordinated efforts to spam the site with pro-Harris posts. Then, the staffers would use fake accounts to upvote these posts and steer the comments towards the desired narrative.

The results of this investigation are extremely telling as they describe the modus operandi of internet shills on Reddit and all social media platforms.

A Kamala staffer sends the daily agendas its army of internet shills must push.

The psyop campaign used Discord servers and Google spreadsheets to track posts and user engagement.

A screenshot of a spreadsheet that tracks the date, the subreddit, and the agenda being shilled.

On Oct. 20th, 13 of the 100 newest posts were created by Harris-Walz campaign operatives.

It was also discovered that the staffers specifically targeted swing states subreddits. Did this strategy resonate with Americans? Well, every single swing state voted for Trump.

In Conclusion

From beginning to end, the Kamala Harris campaign was objectively the worst in recent history. Although it was palpable that people were sick of out-of-touch celebrities lecturing them and telling them what to think, the campaign trotted out one Hollywood degenerate after another. Although people were sick of identity politics and being categorized according to their race and gender, the Kamala campaign tried to get white men to wear shirts that said "white men" on them. Although people were sick of authoritarian control and censorship of social media, Kamala's campaign doubled down on it.

In short, this campaign tried to force Kamala down America's throat using the sheer force of elite-sponsored propaganda. But it was so obvious, heavy-handed and out-of-touch that it backfired spectacularly.

Some might ask: What about Trump? Well, Trump was Trump. Whether you like him or not, he put on his orange makeup, combed his hair, and talked his butt off for hours about issues that concerned all Americans, such as the economy and illegal immigration. And that resonated with Americans.

Does that mean that the globalist agenda will be put to a halt? Sadly, it is unlikely. Some tend to forget that the "woke" agenda was at its peak when Trump was in power. It is easier to sell ideas to the masses when presented in opposition to an oppressive force. In this sense, Trump can be useful to the elite. Expect some chaos as the elite's dormant subversive groups (e.g., Antifa) will most likely be activated in the coming months.

Their propaganda machine has failed miserably, but that doesn't mean they'll stop trying.

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The post Kamala's Campaign Was Objectively the Worst in Recent History first appeared on The Vigilant Citizen.

10. An “Urban Opera” in Toulouse Using Massive Machines is Denounced as a Satanic Ritual

In July, Paris hosted the opening ceremony of the Olympic games, which had less to do with sports and more with celebrating outright evil. A few months later, another French city decided to host a massive event that turned its streets into an outdoor Satanic temple. Titled "La Porte des Ténèbres" ("The Gates of Hell"), the festival featured massive machines moving around the city and interacting with each other. While the idea sounds cool, there's a catch: The machines represent demons, and the entire story is wholly Satanic.

The prologue of this "urban opera" highlights the ritualistic undertones of its story.

"Driven from the Garden of the Hesperides, Lilith, the scorpion woman, has found refuge in the depths of the Earth. Freed by Hades, king of the underworld, she wanders from city to city in search of damned souls to increase her followers and her power. (…) Assembling prodigious signs, she attempts to open a passageway to the beyond."

This poster promoting this urban opera is highly symbolic.

This poster deserves a closer look because it sums up the true meaning of this festival. At the top left, the Toulouse Cathedral and the rest of the city are burning. Underneath it, a red, horned beast highly reminiscent of Baal references human sacrifice to please dark forces. At the bottom right, an angelic figure stands above walking skeletons. It most likely represents Lucifer, also known as the Fallen Angel.

At the poster's center is the opera's main character, Lilith. This name is not random: Lilith is the primordial "she-demon" cited in the mythology of multiple civilizations.

Lilith, female demonic figure of Jewish folklore. Her name and personality are thought to be derived from the class of Mesopotamian demons called lilû (feminine: lilītu), and the name is usually translated as "night monster." A cult associated with Lilith survived among some Jews as late as the 7th century ce. The evil she threatened, especially against children and women in childbirth, was said to be counteracted by the wearing of an amulet bearing the names of certain angels.
– Encyclopædia Britannica

Underneath Lilith is a character named Asterion the Minotaur. The labyrinth behind the character is a direct reference to Cretian occult mysteries.

A depiction of the Minotaur roaming around the labyrinth of Crete.

Labyrinths were symbolic of the involvements and illusions of the lower world through which wanders the soul of man in its search for truth. In the labyrinth dwells the lower animal man with the head of the bull, who seeks to destroy the soul entangled in the maze of worldly ignorance. (…) The famous labyrinth of Crete, in which roamed the bull-headed Minotaur, was unquestionably a place of initiation into the Cretan Mysteries.
– Manly P. Hall, The Secret Teachings of All Ages

The Minotaur is also known for eating human flesh, a fact that plays nicely with the occult elite's obsession with cannibalism.

While the event was promoted as an "urban opera," the symbolism peppered throughout is everything but fictional. It is used in actual occult rituals, turning this event into a mega-ritual.

Mega-Ritual

While occult rituals usually happen behind closed doors, the elite loves to expose the masses to events drenched in satanic energy without them even realizing it. Some occult researchers call these events "mega-rituals," where the dark spiritual tendencies of those in power are the dominant force in the public space. La Porte des Ténèbres is a perfect example of this agenda.

A giant horned demon named Lilith walks around the streets of Toulouse.

While the organizers of the event deny that it is Satanic (the first rule of Satanists is to deny that they're Satanists), the symbolism says otherwise. For instance, Lilith's earrings are inverted crosses – the main symbol of Satanism as a corruption of Christianity. On her belly is another clear inverted cross as other occult symbols adorn her body. Also, she's literally called Lilith.

Other than her horrifying scorpion bottom half, Lilith is adorned with multiple symbols. One is an inverted version of the Trinity symbol, which represents the inversion of the Holy Trinity (Satanic).

The Minotaur also patrols the streets of Toulouse as he spits out clouds of smoke on bystanders.

The machines interact with each other as an esoteric ritual drama is carried out in plain sight.

There's also a giant spider, because why not? Continuously exposing the masses to the ugly, horrific, and disgusting is part of the elite's agenda of cultural breakdown.

On the promotional poster we've seen above, the spider had a creepy head above it, personalizing it. Also, the spider casted a pyramidal web on Lilith, hinting that she's under his control. Does the spider represent Satan himself? Is Satan patrolling the streets of Toulouse?

The show culminates in a hellish matter as Lilith approaches a firey circle representing the Gate of hell.

The following short video captures the dark vibes of the show's finale.

Backlash

The mayor of Toulouse personally vetted this event, costing 4.7 million Euros of taxpayer money. In other words, the local government carried out a ritual celebrating evil. Of course, some people protested against this publically funded event that directly attacked Christianity.

The archbishop of Toulouse, Guy de Kerimel, found the event so spiritually disturbing that he consecrated the city and diocese to the Sacred Heart of Jesus on October 16th, to protect the it from "dark threats." He stated:

"Dark clouds are gathering over our world. Darkness and gloom are becoming a trend everywhere, and even perniciously take root in our daily lives: In our reading, art, and music to the point of becoming normality."

In another interview, the Archbishop said about the event:

"Some people enjoy watching horror films, but you have to pay to see them. If we don't feel like watching all this, we'll just have to hole up at home for three days. The sheer size of the structures makes it hard to escape this sad spectacle.

The characters are troubling to Christians, because Lilith is a female demon evoked in the Bible, the Minotaur is a not very pleasant character who feasts on human flesh and no one likes spiders. People should find a way to unite around love rather than fear."

The event also angered the Protestant community of Toulouse. Representatives of the French Protestant Federation stated:

"We love Toulouse for its history, its culture and its dynamism. (…) Toulouse is life, joy and beauty! However, church representatives are shocked and alarmed by the choice of theme for this act, which presents Toulouse as the gateway to darkness."

In Conclusion

As seen in previous articles (including this recent one about an "opera" in Germany), there is a disturbing trend happening: Satanic rituals celebrating the victory of evil are occurring in public spaces disguised as "art" and "performances." Every time, symbols and references directly attacking Christianity are purposely included in the event. And, every time, people protest against the disrespectful blasphemy against their religion. However, it doesn't matter. Mass media ignores or dismisses these concerns while simultaneously blowing out of proportion anything else that is deemed offensive to those they choose to protect. Then, once this event is done, another one takes place somewhere else in the world.

While some might say this event is merely a fun festival that uses cool technology, we must consider things from a wider perspective. The symbolism used in this show is not fictional; it is actually used in occult and satanic circles. It is believed to carry actual power. And this power is multiplied when it is used in the context of a mega-ritual.

Imagine aliens hovering on our planet and observing a gigantic Lilith marching around a city. These aliens would deduce that us primitive humans are celebrating our gods in a ritual procession. Well, that's exactly what's happening, whether we like it or not.

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The post An "Urban Opera" in Toulouse Using Massive Machines is Denounced as a Satanic Ritual first appeared on The Vigilant Citizen.