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The Vigilant Citizen

Azealia Banks Dug Up Her Dead Cat Named Lucifer and Cooked It on Instagram


Sometimes I re-read the headlines I find myself writing and I'm stunned by their absurdity. On the other hand, one can never be fully surprised by anything when dealing with the dark side of the entertainment industry. Because a lot of people in that industry are into very sick stuff.

Azealia Banks is a rapper but she's mostly known for beefing with people on Twitter. She's also known for posting disturbing stuff on Instagram.

On January 12th, Banks posted a (now deleted) story on Instagram where she dug up her dead cat named Lucifer (of course) and boiled it in her kitchen to "bring her back to life".

An unknown person digs up the cat while Azealia laughs and raps "the cat is in the bag"!

She also posted pictures of her dead cat.

Then, Banks proceeded to boil the cat in a large pot. I won't be eating at her place anytime soon.

Banks captioned her IG post:

"Lucifer 2009 – 2020. My Dear kitty. Thank you for everything. A legend. An icon. Forever a serval serve."

A few hours later, Banks posted a picture of what looks like the cat's skull surrounded by other items used for witchcraft.

That picture was deleted as well.

Understandably enough, Azealia's fans were horrified by her posts and some urged her to get psychiatric help. However, none of this is new or out of character for her. She's been into witchcraft and general satanism for years.

Brujeria

My first article about Azealia Banks dates back to 2013 when she released her first video Yung Rapunzel. The entire thing was replete with occult symbolism and overt Illuminati stuff.

A screenshot from Yung Rapunxel featuring an all-seeing eye over a triangle while owls fly around her. She really wanted to be an Illuminati pawn.

A screenshot from her video Liquorice. It sums up everything.

In 2016, Banks posted on Instagram videos of her cleaning a closet inside her house after "three years of sacrificing chickens".

The caption was: "Real witches do real things".

Here's a quick recap of that disturbing episode.

In December 2016, Banks posted a series of videos on Instagram detailing her cleanup of a closet in her apartment where she claims to have been practicing witchcraft. She admitted to practicing "three years worth of brujeria". The video appears to show dried blood, feathers, and the carrion of dead chickens. She was criticized on Twitter by the artist Sia, who stated that "sacrificing animals for your gain is the wackest shit I've ever heard. Get ahead by being awesome, kind and working hard." Banks responded to Sia with a series of tweets stating "your ugly pasty dry white lady winter skin face is the ugliest face I've ever seen, that must be why you hide it all the time. Have some fucking respect for my fucking traditional African religion, you pompous white b*tch." The post was later deleted.
– Azealia Banks, Wikipedia

More recently, Banks has been posting some equally disturbing pictures.

On December 5th, Banks posted this picture where she appears to be covered in blood. Probably another sacrifice.

On December 30th, she posted about getting 666k followers. Because satanists gonna satan.

Two days later, she posted this pic where she holds a human skull. Did she dig that from her backyard as well?

In Conclusion

Azealia Banks is not a widely successful artist. Also, she probably has mental issues. Also, she might be looking for attention on social media. However, she basically does out in the open what a WHOLE LOT of industry people do behind closed doors. And they're not only sacrificing chickens.

Two years ago, a drummer who toured with Beyoncé accused her of "extreme witchcraft". The lawsuit even mentioned "magical spells" and the "murder of her pet kitten". Throughout the years, I've documented several accounts of people close to celebrities recalling them partaking in black magic and general satanism because that's the main religion in the entertainment industry. Usually, these accounts are promptly dismissed and the accusers are called crazy. However, there's no smoke without fire. And this fire burns eternally.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post Azealia Banks Dug Up Her Dead Cat Named Lucifer and Cooked It on Instagram appeared first on The Vigilant Citizen.

translate | Wed, 13 Jan 2021 19:41:32 +0000

The New Year’s Eve “Virtual Light Show” at the Seattle Space Needle Was Highly Symbolic


Back when life was somewhat normal, people in Seattle could greet the new year with some fireworks at the city's most famous landmark: The Space Needle. Several cities around the world celebrate the new year with similar traditions because fireworks are fun, loud festive. Also, they can be enjoyed outside while surrounded by a bunch of happy people.

Space Needle fireworks in 2019.

However, as you might know, 2020 was "different". It specialized in sucking the fun and excitement out of everything while introducing synthetic substitutes that just feel wrong. In this regard, Seattle's NYE "celebration" perfectly summed up 2020.

Because, instead of going outside, breathing fresh air, and enjoying a fun, genuine, and authentic experience, Seattleites were told to stay inside and stare at screens while it hypnotizes them with crappy CGI filled with weird symbolism. Welcome to 2021.

On the official website of the Space Needle, the event was described as follows:

The Space Needle ushered in 2021 with a sensational and innovative new show for T-Mobile New Year's at the Needle. This year's celebration featured striking visuals in a wondrous display of digital effects, engineered to bring viewers bigger thrills than ever before – all safely from the comfort of home.

Using sky-mapping technology and real video footage, the Space Needle was layered with immersive, digital artistic expressions to create an illusion of color and wonder. In reality, the tower was lit in T-Mobile's distinctive magenta color, but on the screen, viewers were dazzled by a virtual spectacular surrounding the Space Needle and the skies above.

There were no in-person festivities and no events at Seattle Center on New Year's Eve – the show could only be seen on your screen!

While the website makes one think that this light show is the best thing that ever happened in human history, comments on YouTube are much less enthusiastic.

In fact, about 99% of the comments on YouTube were overwhelmingly negative. There's talk about an alien invasion, Project Bluebeam, and the coming of the Antichrist. Others are not quite sure what's going on, but they have a gut feeling that it's just wrong.

One this is for sure: Instead of ushering in the new year with some much-needed fun and excitement, the show only managed to confuse and creep out people. Because there was a whole lot of bizarre imagery going on there. Here's a look at it.

Virtual Insanity

After the New Year's Eve countdown, if one looked at the actual Space Needle, there was absolutely nothing happening there. The show was entirely virtual and driven by CGI. In many ways, the show reminded me of the 2020 MTV Video Music Awards which was all about green screens, CGI, and fake audience noises. I described the 2020 VMAs as a "dystopian abomination". I'd use the same exact description for this light show.

The show began with fake crowd noises and a countdown to midnight that sounded weird and computer-generated.

It's midnight and 2021 is finally here! Do you celebrate by popping champagne and kissing your significant other? Of course not! You need to stare at your screen because the first seconds of this new year need to be filled with disturbing imagery.

After a few timid (virtual) fireworks, the show begins with a segment that appears to describe the birth of new life … a bizarre and unnatural life. That somewhat makes sense because the Space Needle, not unlike countless monuments across the world, is, in its essence, a phallic display. In esoteric symbolism, these monuments represent male energy and they're usually "completed" with a structure that represents female energy (often a dome or something womb-like).

Appropriately enough, the Needle appears to be emitting what I can only call "electronic sperm".

Welcome to 2021. Here's some electronic sperm to celebrate.

Then, these things morph into something else.

A DNA double-helix surrounds the needle.

That's probably the moment where people start losing their smiles while watching this. That DNA thing basically announces that this show is not about fireworks, it is an intricate display that contains symbolic imagery that begs to be broken down and analyzed. Yup, it's time to take off your "2021 party" hat and put on your "WTF are they trying to tell us this time" hat because it's one of THOSE things.

Of course, the DNA double-helix immediately reminded people of COVID vaccines with mRNA technology which are feared to alter DNA. The fact that this show actually takes place right next to the headquarters of the Bill & Melinda Gates Foundation probably doesn't help.

The distance between the Space Needle and the Bill & Melinda Gates Foundation HQ is exactly 0.3 miles.

So you're about forty seconds into 2021 and you're already thinking vaccines, DNA, and other non-festive stuff. And there are about 10 more minutes of this.

Then, the DNA strand morphs into rotating polygons that are reminiscent of sacred geometry. The rotation then settles to highlight a specific symbol.

At the center of various polygons, an important symbol emerges: The unicursal hexagram.

The symbol of the unicursal hexagram is extremely important in occult circles, especially in Aleister Crowley's Thelema – the basis of secret societies such as the Ordo Templi Orientis (O.T.O.)

A unicursal hexagram at the center of the cover of Aleister Crowley's book Magick.

This symbol implies that something "magickal" and ritualistic is happening during the creation of new life. Then, things get biological again.

A flash of light goes through the Space Needle and a cell appears above it. Then, it starts splitting into 2, 4, 8, and 16 cells.

So, after displaying the magickal symbol of the unicursal hexagram, the show depicts the process of mitosis where a single fertilized cell multiplies into many cells to create new life.

Then, the cells merge back into something that looks like a cocoon.

A monarch butterfly emerges from the cocoon and the first segment ends.

So what does this mean? Does this segment represent the birth of a genetically engineered baby who was subjected to occult rituals in the womb? A Monarch slave? On a wider scale, does this represent the birth of a new society based on the mad science of the occult elite?

Whatever it is, it appears to be synthetic, unnatural, and unholy … just like this entire show.

Second Segment

While the first part of the show followed a rather clear narrative involving the birth of new life, the rest of the show is more enigmatic. Part of it might actually be the result of a CGI artist trying to fill 8 more minutes of this and making sure it is all rendered before December 31st.

Nevertheless, these remaining minutes are punctuated with some startling imagery.

A lotus flower (associated with spiritual enlightenment) emerges from the Needle. Meanwhile, bizarre tentacles flap around the city.

Later, the Needle appears the be at the center of the solar system which is rotating using man-made mechanisms. Are we living in a simulation?

Immediately after, we see human figures spirling around their own axis, not unlike the solar system. Is this representation of the hermetic axiom "As Above, So Below"?

Grand Finale

At the beginning of the last segment, the Needle is overtaken by creepy ooze as ominous music plays in the background.

If sci-fi movies taught me anything, it's that something evil is going on.

Then, lots of fireworks pop off and the music gets loud. The ritualistic chanting appears to be announcing the coming of something (or someone) important.

Two faces appear in the sky. Who are they? A two-faced ruler of this new world?

Then, to make things creepier, two giant hands come out of the ground.

"We've got the world in the palm of our hands".

Then, the show ends.

While fireworks are usually followed by enthusiastic clapping and cheering, this thing was most likely followed by stunned silence … and some children crying.

In Conclusion

After a terrible year, people in Seattle would probably have enjoyed some festive fireworks. However, we appear to be in the midst of a coordinated demoralization campaign that seeks to suck the fun and authenticity out of every single thing possible. So, instead of something fun, people in Seattle were rather treated with a creepy show that appears to be communicating a rather oppressive message: "We want to control you on a molecular level. We also want to control you on a planetary level".

I sincerely hope that Seattle will go back to good-old-fashioned fireworks next year. Because I highly doubt anyone will want to celebrate the coming of 2022 with another creepy Zoom video conference with the Space Needle.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post The New Year's Eve "Virtual Light Show" at the Seattle Space Needle Was Highly Symbolic appeared first on The Vigilant Citizen.

translate | Tue, 12 Jan 2021 21:00:29 +0000

2020 Was a True “Annus Horribilis” … But 2021 Will Be Crucial


Every holiday season, I like to post an article summing up the events of the past twelve months while attempting to put things in perspective. However, this end-of-year feels like arriving home, exhausted, after a terrible day at work and your spouse is all like "How was your day?" and you're all like "I DON'T WANT TO TALK ABOUT IT" while throwing yourself headfirst on the couch.

But then, after having dinner and maybe a glass of wine, you realize that you do feel like talking about it. In fact, you're not shutting up about it. Because you feel the need to analyze everything that went wrong in order to know how to tackle the next day.

As we reach the end of a bonafide annus horribilis ("horrible year" in Latin), it is more important than ever to relax, take a deep breath, and assess what happened this year. Because a whole lot of crap happened. Then a truck came and dropped about two tons of crap on top of it. Then a bird flew by and crapped on it.

Like all horrible days, 2020 felt like it lasted forever. One of the first articles I published this year was about Kobe Bryant's death in a helicopter crash. That was back in January … but it feels like it happened about a decade ago. Little did we know that our entire world would come crashing down only a few weeks later.

Suffocation

2020 summed up in a picture.

2020 was a suffocating year, literally and figuratively. It all started with COVID panic which caused widespread fear of breathing the same air as other people. Then, it was all about shutting down the entire world because there weren't enough respirators in hospitals.

For about a month, COVID hysteria stopped miraculously as mass media wanted us to focus on the death of George Floyd who was killed by … asphyxiation. And some of his last words were "I can't breathe".

Then it was right back to COVID hysteria and an obsession with putting masks on everyone's faces, impending the breathing of the entire world.

The never-ending lockdowns also lead to the slow yet steady suffocation of small and medium businesses, putting millions of people out of work while elite-owned mega-corporations raked in billions.

Finally, at the time of writing these lines, Christmas is literally canceled in many parts of the world, and an ever-expanding police state is steadily suffocating what remains of freedom as we once knew it.

A Giant Leap Towards a World Government

Since I am not a scientist, I honestly don't know if COVID is grossly overblown or not, if lockdowns are truly necessary or not, if masks work or not, or if these vaccines are safe or not. What I do know is that society took a sharp and abrupt turn towards a totalitarian world government this year, in every single way possible.

First, the pandemic drastically altered the role and the functioning of local and national governments. Indeed, as soon as the virus left China, nearly every government body on Earth nominated a "health czar" who was in charge of COVID-related policies. These non-elected individuals openly based their policies on the guidelines set by the World Health Organization, an appendage of the United Nations (the main source of funding of the WHO since the U.S. withdrew its support: The Bill and Melinda Gates Foundation).

Therefore, a direct pipeline was created between the United Nations (a supra-national organization) and local health czars while bypassing duly elected governments. Through these non-elected, WHO-backed czars, a long list of unprecedented measures and restrictions were imposed on the world. And, whether it was intentional or not, these measures appear to be custom-made to weaken, impoverish and demoralize populations on a massive scale.

None of this would have been possible without the complete collaboration of mass media which engaged in a massive campaign of fear and terror while suppressing any opinion or information that was not in line with the elite's agenda.

Mass Media Supremacy

For over a decade, The Vigilant Citizen has been documenting the potent yet destructive effects of mass media on the masses. The "Read This First" article of this site ("How Mass Media Shapes and Molds Society") describes the philosophy of those who invented the science of Communications.

While, at first, mass media was mainly used to create a culture of consumerism, it turned into a whole other monster in the 21st century. As the propaganda arm of the global elite, mass media is now all about fear, hate, division, and unquestioned compliance. "Entertainment" has turned into a cesspool of toxic content that is literally damaging to the mind and the soul.

This year, any illusion of media sources being "fair and unbiased" completely vanished. Tech giants such a Twitter, Facebook, and YouTube engaged in shameless censorship while heavily promoting information that is highly questionable. But guess what they did NOT  censor this year? Cuties, a movie that glorified the sexualization of children. That abomination actually received praise from the same people that want to keep you locked inside your house.

While, in past years, mass media toxicity could be avoided and counter-balanced, the events of 2020 lead to its supremacy. Indeed, severe lockdowns and bans on gatherings effectively dissolved the main competition of mass media: Family, community, culture, tradition, folklore, and religion. Through these social entities, people develop an identity and a value system that acts as a wall against mass media propaganda.

But this year, drastic measures (enforced by police repression) broke up families, groups, and communities. Humans were reduced to a collection of individuals who were encouraged to stay apart, stay home, and consume mass media through screens.

Through oppressive measures and mass media propaganda, the elite took giant steps in achieving these goals:

  • Impoverish the general population while enriching mega-conglomerates
  • Destroy mental health while promoting pills as a quick fix
  • Turn citizens against each other, turning them into Nazi-era-style informants
  • Break down families and communities
  • Create confusion about the building blocks of life such as gender
  • Normalize abhorrent practices such as pedophilia and trauma-based mind control
  • Destroy all belief systems (except satanism)
  • Force the masses to rely on heavily censored and monitored technology for information, entertainment, and communication
  • Use race, gender, and political affiliations to drive a wedge in populations in order to manipulate them with ease
  • Demoralize the general population by replacing true sources of happiness and fulfillment with synthetic substitutes

In short, there's an all-out, multi-faceted war against humanity that is bent on turning it against everything that is good, pure, and in harmony with nature. By creating a generation of people with no firm values, convictions, and traditions, mass media propaganda can shape and mod attitudes and opinions with no interference.

With all of that being said, there's actually some good news. First, the annus horribilis that was 2020 is coming to an end. Second, the events of 2020 raised the vigilance of millions of people who suddenly realized that freedom is not granted and that a shady elite is truly looking to create a dystopian world order. Finally, one way or another, this God-forsaken virus will need to subside. And once that happens, the situation will be critical.

2021: A Crucial Year

In 2020, a bunch of freedom-killing and soul-crushing measures were imposed on the world. They were met with little resistance because many believe that these measures are justified due to the pandemic. However, all pandemics eventually go away. And when this one does, there will be absolutely no reason for any of these measures to remain. And it will be up to us to make sure that EVERY SINGLE measure that was imposed in 2020 to be gone forever.

The IRS was introduced in the United States as a temporary measure. Over a century later, it isn't going anywhere. Do you want lockdowns, curfews, mask mandates, and state surveillance to become permanent as well? Because some places are already preparing bills to legitimize oppression once the pandemic is gone.

Here are some of the things we need to see in 2021: The removal of all restrictions regarding gatherings; The unconditional reopening of all businesses and establishments; The complete removal of unelected "health czars" from the public space; The complete butting out of governments from personal affairs; The removal of all mask-related mandates; The complete removal of all restrictions on travel and freedom of movement; The shunning of the "shame-and-snitch" culture that spread this year.

If these awful things do not completely disappear in 2021, we'll be in a heap of trouble. For this reason, we'll all need to be  "vigilant citizens" and make sure that every single right and freedom that was taken gets fully restored. And then some.

More Vigilant Than Ever

In 2021, I will do my best to provide information and analysis that will help us navigate this crucial year. The site has met loads of challenges in the past months as underhanded censorship has reduced this site's visibility in search engines and social media. Furthermore, a great number of articles were demonetized by ad networks in what seems to be an attempt at suffocating this site by killing its sources of revenue.

Luckily, the generous support from Vigilant Citizens worldwide allowed this site to remain online and provided the resources necessary to keep conducting research and creating quality content. So, here's a gigantic THANK YOU to every single VC reader who sent in a one-time donation, became a patron on Patreon, or purchased the VC e-book. Your support allowed this relatively small yet fiercely independent site to keep going on its mission to open eyes and to promote genuine truth-seeking.

Although I do realize that the articles (and the world in general) were extremely bleak this year, now is not the time to get all down and depressed. 2021 will be a crucial year – one that might define history for years to come.

While 2020 was a true annus horribilis, I'd like to share with you another Latin expression: Annus mirabilis. That means "wonderful year" and that's exactly what I wish to every single one of you for 2021. You deserve it.

Merry Christmas, happy new year and see you next year!

Sincerely,

VC

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post 2020 Was a True "Annus Horribilis" … But 2021 Will Be Crucial appeared first on The Vigilant Citizen.

translate | Tue, 22 Dec 2020 21:44:11 +0000

The Occult Symbolism of the Vatican’s 2020 Nativity Scene


On December 11th, the Vatican unveiled its 2020 Nativity scene in St-Peter's Square. And, once the red drape covering the scene was removed, the crowd discovered a towering, brutalist, and totem-like Angel Gabriel staring back at them, along with an astronaut and a masked executioner (yes, those guys who kill people who are sentenced to death).

Let's say that the applause following the unveiling was "polite". Here are some pictures of the Nativity scene.

An ominous-looking angel looks down at the crowd while Jesus remains covered in red cloth for a while (not sure why). Behind the figures is a neon light that is probably meant to look like mountains on the horizon. However, at first glance, it looks like lightning striking the Nativity scene.

An astronaut and a masked executioner are also included in the Nativity scene.

In a press release, a Vatican City Governorate announced that the manger "aims to be a sign of hope and faith for the whole world especially in this difficult time due to the COVID-19 health emergency."

But this thing did not bring "hope and faith" at all. In fact, nearly all observers absolutely hated it.

It is almost as if the Vatican created – on purpose – something that is so ugly that it causes devout Christians to hate piece depicting the birth of Jesus. Satanists wouldn't have done better.

Weaponized Ugliness

Titled "Monumental Nativity", this Nativity scene was originally created between 1965 and 1975 by students and teachers from the FA Grue Art School in Castelli, Italy. The original work contained over 50 pieces, but only a few were selected for the Vatican's Nativity scene and they chose an executioner wearing a horned mask.

"Monumental Nativity" is said to be a tribute to the world-renowned ceramic works of the Abruzzo region while giving a post-modern twist to the classic Nativity scene.

Speaking with a local newspaper, Italian art historian Andrea Cionci asked if it was a "nightmare or a masterpiece".

"Forget the sweet face of the Madonna, the tender, luminous incarnation of the Child Jesus, the paternal sweetness of St. Joseph and the devout wonder of the shepherds. For the first time in the middle of Bernini's colonnade, the Vatican has erected a brutally postmodern work dating back to the sixties.

In the choice of this crib, all the themes of Francis' pontificate are recognized: Above all, heavy modernism and a drastic break with Tradition.

The figures resemble the masks of the ancient and ferocious Samnites, ancestors of the Abruzzese, who had a pantheistic, animist, fetishist, magical religion, a bit like the Andean fertility goddess Pachamama.

Castelli's "Nativity scene" is an outdated work and the product of a strongly ideological art school. The work offers an image of Castelli's ceramics that most certainly does not correspond to reality, given that this admirable art is famous for its formal elegance and exquisite, delicate decorative inspiration that are completely absent here.

The references to the Greek, Egyptian and Sumerian sculptures of the characters suggest the liberal historical-critical method of interpreting Scripture. Liberal biblical scholars have hypothesized various aspects of the Bible as adaptations of pagan cultures rather than the result of divine revelation."

Although "ugliness" is subjective, this Nativity scene nearly goes out of its way to be as unpleasant to the eye as possible which, in turn, is unpleasant to the soul. The least one can say is that this scene is anti-devotional. I mean, who would actually pray to this thing? You just can't. And that's kind of the goal of the twisted minds behind this thing.

Furthermore, beyond its overall ugliness, the Nativity scene also contains many symbols and historical references that convey a rather blatant message: This is actually an anti-Nativity scene.

Anti-Nativity

Usually, the center focus of Nativity scenes is baby Jesus. However, in this thing, Baby Jesus is basically a random toddler, just standing there, looking like a giant cork.

WORSHIP ME

The center focus of this piece is not Jesus but rather the angel Gabriel. He is surrounded by a massive aureola while Jesus is still standing there looking like a giant cork. Furthermore, the angel towers over everything atop a rib ribbed pillar. The overall shape of this pillar is highly reminiscent of an important symbol in Ancient Egypt: The Djed pillar.

On the right: A djed pillar dedicated to the goddess Hathor.

The djed is a common symbol in Ancient Egypt and is believed to represent the god Osiris, more specifically his spine. While this symbol probably bears an esoteric meaning relating to the chakras (which are said to be based on the spine), the djed is also phallic in nature and associated with fertility rites. In fact, the "raising of the djed" was an important ceremony in Ancient Egypt.

The raising of the djed ceremony is meant to represent Osiris' triumph over Set. During the ceremony, the pharaoh uses ropes to raise a pillar, with the assistance of priests. This coincided with the time of year when the agricultural year began and fields were sown. This was just one part of a 17-day holiday of festivals dedicated to Osiris. Overall, the raising the djed ceremony represented both the resurrection of Osiris, and the strength and stability of the monarch.
– Ancient Origins, The sacred symbol of the Djed pillar

Did the Vatican deceptively make its believers witness a "raising of the djed" ceremony? One thing is for sure, the Egyptian influence of this Nativity scene blends well with what's immediately behind it.

Right behind the Nativity scene is St. Peter's obelisk (which is originally from Egypt).

The general layout of the Vatican is Egyptian magic in plain sight. The phallic obelisk (representing Osiris and the male principle) faces the womb-like dome of the St. Peter's Basilica (representing Isis and the female principle). The same exact layout can be found in various power centers of the world, including Washington DC.

In Washington DC, an obelisk (the Washington monument) faces the dome of the U.S. Capitol.

In Egyptian magic, the union of male and female principles (Osiris and Isis) produces a "star child" (Horus). In esoteric terms, that star child is potent magical energy.

The hieroglyph representing Sirius – the most important star in occult symbolism (read my article about it here) is made of three elements of the Egyptian trinity: An obelisk, a dome, and a star.

So the Vatican has an obelisk and a dome. Where's the star that completes this trinity? It's there, but we have to look from above.

St. Peter's obelisk sits right in the middle of an eight-pointed star, also known as the star of Ishtar.

An eight-pointed star also tops the Christmas tree that stands next to this year's Nativity scene.

Speaking of outer-space stuff, the Vatican's Nativity scene also features an astronaut. Why? God knows.

The astronaut appears to be holding/giving birth to something. Also, there's an eight-pointed star on the helmet.

Considering the fact that this figure was created between 1965 and 1975, it might be a reference to the moon landing of 1969. But why, in 2020, did the Vatican select this thing to stand next to Jesus?

Even more baffling, why is there an executioner wearing a horned mask standing next to Jesus?

Even he's thinking to himself: "What am I doing here?".

In ancient times, executioners carried out the death sentences of legally condemned persons by chopping their heads off. In some cases, they wore grotesque masks with macabre and menacing traits to further terrify the prisoners while depersonalizing them as an individual. In short, that's a bizarre figure to place next to a newborn baby Jesus, especially considering the fact that Jesus himself was ultimately sentenced to death.

According to Religion News Service, the executioner is there to represent the Vatican's opposition to the death penalty. That's a pretty weak argument that barely makes any sense. I mean, I'm pretty sure that the Vatican is also against crystal meth. Should they also add a meth dealer to the Nativity scene as well?

In a scene that is literally called "Nativity", this horned figure represents death. It is the antithesis of a "Nativity". I don't think that Satanists would have done a better job desecrating a scene representing the birth of Jesus.

In Conclusion

In a way, this year's Nativity scene is a sad reflection of the year 2020. It is a collection of expressionless and socially-distanced figures who do not interact with each other while standing under the neon glow of phone and computer screens.

It also reflects how the occult elite reared its ugly head this year, poisoning every aspect of our lives with its toxic agenda. Through a display that is thoroughly anti-Christian, the elite sought to prove that its toxic ideology is also embedded in the Vatican.

While "Monumental Nativity" was created decades ago, it was selected for this year's 2020 Nativity scene for a specific reason: It contains specific symbols while conveying a specific energy. Like everything else that happened this year, this scene is about showcasing the control of the elite and the demoralization of the masses.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post The Occult Symbolism of the Vatican's 2020 Nativity Scene appeared first on The Vigilant Citizen.

translate | Tue, 15 Dec 2020 22:07:47 +0000

Symbolic Pics of the Month 12/20


Bad Bunny was recently featured in a photoshoot for Paper magazine and the whole thing was just pure elite agenda. Here, he is doing a one-eye sign while showing off his new press-on nails. Yup, if you want that spotlight, you have to push that gender blurring agenda.

Here, he uses a shiny thing to make another one-eye sign. Also, there's a snake surrounding his head, a great way of symbolizing how the elite controls him.

Here, he's doing a dumb face while wearing a "mask". However, this mask clearly does not protect against anything. So why is he even wearing it? A message to the elite: Stop trying to make masks fashionable. It's not happening.

A poster boy for the elite's agenda: A long-nailed, one-eyed, face-masked mess with zero space for personality and self-expression.

As usual, the one-eye sign was all over the place last month. This is the cover of Vogue Poland featuring model Anja Rubik. The fact that the words "Women of Power" are above the one-eye sign – (the ultimate sign of submission to the elite) is quite ironic.

Same magazine (Vogue), same sign (one-eye), different country (Greece).

This is the cover of Vogue Paris featuring Léa Seydoux who was also featured in last month's SPOTM. Of course, she's doing a blatant one-eye sign. Furthermore, Léa is also "channeling" Marilyn Monroe in an entire photoshoot. As explained in previous articles, every representative of the Beta Kitten system in pop culture must "channel" Marilyn Monroe at one point or another in their career. Why? Because Monroe is the ultimate prototype of the Beta Kitten slave.

James Charles, another poster boy of the gender-blurring agenda poses on the cover of Vogue Portugal. Of course, one eye is hidden.

Gavi is the "Vaccine Alliance" that is mainly funded by Bill Gates (read my article about it here). On Gavi's website, there's an article about using antidepressant pills to treat COVID. Above the article is a big, fat 666/one-eye sign. 

Hailey Bieber made the same exact sign to promote her husband's (Justin Bieber) clothing brand.

Zendaya made the exact same sign in Essence magazine.

She also did another one-eye sign in the same photoshoot to make sure you understand that there is nothing random here – just blatant signaling. 

Charlotte Rampling also had to do the one-eye sign in Fashion magazine. And she doesn't appear too happy about it.

The website of C6 Bank (Brazil) welcomes visitors with a big, fat one-eye sign. Banks love to showcase the fact that they're owned by the elite.

Lamborghini released a bizarre ad campaign that featured young girls posing in front of cars. When people got mad about it, the campaign got scrapped. 

Why does this campaign send off child trafficking vibes?

What do children have to do with $100,000+ sports cars?

In the August edition of SPOTM, I a similar ad by Audi which featured a toddler eating a banana. The ad was also scrapped after some complaints. They know exactly what they're doing and they're dog-whistling a specific elite crowd that likes children for all of the wrong reasons.

Speaking of eating bananas in a suggestive matter, Harry Styles is back at wearing outfits your aunt Mabel would wear. Last month, Styles wore a dress in Vogue magazine, prompting Candace Owens to say "Bring back manly men". Then, Styles "responded" with this photoshoot in Variety magazine under the thunderous applause of mass media propagandists. The sad reality is that Styles did not "respond" to anything. He's an industry pawn and he's doing what he's told. He was chosen to push the gender-blurring agenda and he has to wear these ridiculous outfits until his handlers say it's enough.

Every end of year, the elite-owned The Economist publishes a cryptic and very symbolic cover (I've thoroughly analyzed the 2015, 2017, and 2019 editions) This year's cover features a slot machine with pictograms representing things that could happen in 2021. In an accompanying article, The Economist says that next year will be ruled by "chance". Will we wear masks in 2021? Will the economy recover? Will America remain divided? Will we panic about global warming? Reality check: There's zero "chance" in any of these things. The elite controls the narrative and it enforces it through mass media. In other words, this slot machine is rigged.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post Symbolic Pics of the Month 12/20 appeared first on The Vigilant Citizen.

translate | Thu, 10 Dec 2020 16:28:53 +0000

A 2019 “Project Runway” Contestant Named Kovid Presented a Facemask Outfit (video)


Project Runway is a reality TV show about fashion design where contestants compete to create the best outfits. The show's finalists prepare complete fashion collections for New York Fashion Week and, ultimately the judges choose a winner. If this description caused you to yawn in a prolonged and aggressive matter, I understand completely.

However, an episode of the 17th season of that show that aired on March 28th, 2019 is (in today's context) completely mind-boggling.

In one segment, a contestant named Kovid Kapoor proudly presented an outfit that featured a matching facemask. Here's the video:

In this video, the judge says "I looove Kovid's look". It's almost as if she was talking about the facemask look of the COVID pandemic.

She then asks the model to put the mask back on. When one judge asks "What do you think of this mask?", another judge answers "It's sick". I realize that it's an expression, but the choice of words remains stupefying. That same judge also says "Can you breathe in there?".

One year later, a virus named COVID caused governments across the world to force people to wear facemasks. Also, in a weasely and underhanded matter, several un-elected "officials" have been hinting at the fact that mask mandates might remain effective after the pandemic. Since then, countless fashion designers created outfits with matching masks.

Coincidence?

Is this all a crazy, insane coincidence? Or is it yet another case of predictive programming? In the past months, I highlighted several pop culture products that predicted COVID-19 in bizarrely accurate detail such as the book The Eyes of Darkness, the movie Contagion, The Simpsons' clip about a "cat flu", and the series Utopia. Is this Project Runway episode yet another example of the elite slyly preparing the public for its plans, maybe on a subconscious level?

At the very least, there appears to be some synchronicity at play here.

Coined by Carl Jung, synchronicity is defined as "the simultaneous occurrence of events which appear significantly related but have no discernible causal connection". Jung described these events as "meaningful coincidences". He also believed that they happened for a reason. Perhaps, the universe is, somehow, trying to tell us something. Like, maybe, that there are dark forces at play around this COVID crisis.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post A 2019 "Project Runway" Contestant Named Kovid Presented a Facemask Outfit (video) appeared first on The Vigilant Citizen.

translate | Tue, 01 Dec 2020 21:18:12 +0000

Busta Rhymes’ Album “ELE2”: It’s Messages About the New World Order and the Five-Percent Nation


If you know something about rap music, you certainly know about Busta Rhymes. Often characterized as "iconic" and "legendary", Busta Rhymes has been rapping for over 30 years, releasing over 10 albums and 56 music videos.

The Brooklyn rapper rose to prominence during the early 90s, right as New York rap was entering its golden age. While most NY rappers of that era were all about grimey beats, rhymes, clothing, and music videos, Busta Rhymes came through like a colorful tornado of hyperactivity. His flashy and exuberant style brought new energy to East Coast rap while redefining the esthetics of music videos for years to come.

Busta Rhymes in the 1996 video Woo-Hah!! Got You All in Check.

While Busta's videos were about general fun and craziness, his albums mostly revolved around a sinister theme: The Apocalypse. Indeed, his three first albums were named  The Coming (1996), When Disaster Strikes (1997), and E.L.E. (Extinction Level Event): The Final World Front (1998). All of these albums predicted the coming of a major disaster in the near future. 

Fast-forward to 2020. The general context is a lot bleaker than it was in the 90s. Also, Busta Rhymes is 48 years old and a lot heavier. Understandably enough, he probably doesn't really feel like bouncing around in videos while wearing funny hats. Instead, he decided that the time was right to release Extinction Level Event 2: The Wrath of God – an album filled with intense messages and symbolism.

An Album With Messages

The cover of ELE 2: The Wrath of God features a skull wearing a facemask with an ELE symbol on its forehead.

Judging by this creepy cover alone, one can already feel that ELE2 carries a different vibe than Busta's previous works. In the 90s, his apocalyptic theme was mainly perceived as a creative concept that gave his albums an interesting vibe and intensity. However, in his 2020 album ELE2, Busta is not really joking around anymore. One gets the feeling that he actually believes that the world (as we know it) is ending.

In an interview with NME, Busta explains the meaning of his album cover and its relation with the current COVID crisis.

Hello Busta! Your new album's artwork shows a skull in a face-mask. How are you coping with this COVID-19 period?

This is one of the most unfortunate times in the history of the existence of this planet. It feels like our intelligence is being insulted significantly and there's no accountability for the suffering we have to encounter as a result. There feels like there's a blatant inconsistency in truth for us to be able to protect our well-being in the right way. People want to go to work and not be subjected to doing anything illegal to take care of themselves their family, and people have worked hard to build businesses that are being taken away from them, and can't see family members.

Who's 'they'? What would anyone exactly have to gain from this?

There's obviously something wrong and some other agenda going on – a lot of it is political. It feels super-imbalanced and unfair. We're getting caught up in the overwhelming abundances of propaganda that's keeping us distracted from realising that there's some truth we need to start working towards and getting to the bottom of.

Let's agree to disagree. 1998's 'E.L.E. (Extinction Level Event): The Final World Front' was loaded with apocalyptic imagery, so 2020 feels an appropriate time to release the follow-up…

With my work, I try to point out that a day was coming that is going to permanently end the world we've grown to know and love. I never knew we would live to see this time (Laughs). I named my albums 'The Coming', 'When Disaster Strikes…', 'E.L.E. (Extinction Level Event): The Final World Front', ' Anarchy', 'It Ain't Safe No More…', and 'The Big Bang'. I was hoping none of these events did happen, but felt it was my duty to start these conversations about how do we prepare for it if it does. So I would always have these narratives attached to the themes of my albums. That's why 'Everything Remains Raw', the B-side to my 1996 single  'Woo Hah!! Got You All In Check', I said 'There's only five years left'. Five years later, the World Trade Centre falls. Then in 1998, my first 'E.L.E. (Extinction Level Event)' album, the artwork is the World Trade Centre gone and New York in flames. Three years later, it actually happens.

I wasn't prophesising anything; I just wanted to share the sh*t that was actually out there that people are told they're conspiracy theorists if they read it. You know, the 'conspiracy theorist' term is to discredit whatever truth you might be getting close to. Now there's no changing my mind. It's not coincidence. Somebody planned this sh*t, but I don't know who.

– NME, Busta Rhymes on 'Extinction Level Event 2: The Wrath of God': "It's my duty to start conversations"

This interview revealed a couple of things. First, the interviewer is kind of a douche. Second, Busta Rhymes clearly believes that there are shady forces at work in the world and they're involved with the COVID crisis. Finally, the rapper is looking to share some important messages through his album E.L.E 2.

Here's a look at some of its messages.

E.L.E 2 Intro

As soon as the listener presses "play", things get very real, very fast. A narrator greets listeners with this prophetic monologue:

Genesis, chapter eleven, verses one through nine
Thousands of years before Christ
Tyrant Nimrod, Gilgamesh of Shinar, enslaved the first empire
One world language, one world religion, one world order
We have learned nothing (One)
Making the keys to heaven a gift to the devil
Those who desire to supplant God
Illuminati who tempt and horrify us as the most perfect angel Lucifer
Seek to rebirth a new world order upon the flesh, blood, and bones of all humanity
Again, towers rose skyward to challenge his divine glory
To conquer his serene domain
As in ancient Babylon, the one true Lord brought them down
In 2001, three became naught, conspiracy is reality
Fear is the weapon of thine enemy
Acts of terror a lie, told to convince the meek to surrender to their rulers
Atmospheric variances melt the polar ice caps and drown the rats who walk on two legs
An incurable virus to decimate the dark, nuclear rain to set us aflame
Obscured by a curtain of venom from space in the name of science
Fall to your knees, pray to a last choking breath
A new world order is here, arrogance over God means annihilation

Daddy, what's it gonna be like in the year 2021?
Only He can save us
This is the second coming
Extinction Level Event 2

The intro talks about the Biblical figure Nimrod who is said to have unified the world through one language and one religion while building the Tower of Babel to defy God. The narrator then says "We have learned nothing". Today's elite is building a New World Order that is perceived as a new version of the Tower of Babel – one that will inevitably attract the wrath of God, again.

The intro also contains a reference to 9/11. By stating that "conspiracy is reality" and "fear is the weapon of thine enemy", the narrator conveys the sense that the destruction of the twin towers in 2001 launched an era of false flag attacks meant to terrorize the population into submission.

The intro also refers to COVID-19 with the bleak words saying "An incurable virus to decimate the dark, nuclear rain to set us aflame".

During this chaotic 7-minute intro, the veteran rapper Rakim also drops a verse of "biblical" proportions. Here's the first part of it.

I tried to warn 'em with The Seventh Seal
The world is wounded, it may never heal
Even Mother Nature's gettin' ill, it's gettin' real
When millions get killed when that deadly weather spill
Until Sodom and Gomorrah's on America's turf
The horror, it'll forever get worse
Yet and still, it's like a gift at birth then you inherit a curse
But the meek must inherit the Earth, it's Heaven's will
Meek meaning powerless in the form of politics
Giving power at the dawn of the apocalypse
And war is stronger than peace
It's poverty 'til the majority is scarred with the mark of the beast

In short, there's a lot going on in this intro. It ties in a lot of the issues we hear about in 2020 as signs that the world is ending.

On a deeper level, the intro (and the album in general) is permeated with concepts and symbolism relating to the Five-Percent Nation. Considering the fact that both Busta Rhymes and Rakim are prominent Five-Percenters, the message of this intro can only be fully understood through the lens of Five-Percent philosophy (more on this later).

The rest of ELE 2 tackles several issues (riots, police brutality, etc.) while also containing a hefty dose of lighter tracks. However, the last song of the album is not "light" at all.

Satanic

The final song of the album – dramatically titled Satanic – addresses the overtly satanic imagery that has taken over rap in the last years. Busta warns artists that, by bowing down to Satan in their music, they're "playing with a match that can grow into an inferno". Here's the entire verse.

Look, I had to compile this sh*t in a song
It's so intriguing, all this f*ckin' satanic sh*t goin' on
Playin' with symbols and signs, devil worshippin'
People talk like thеy prayin' to Lucifer, but what happened to "Jеsus Walks"?
Yeah, we have demented thoughts, then you conversate with your savior
Askin' for forgiveness while displayin' blasphemous behavior
At first, we seen it subtle, now n*ggas display it major
And goin' out they way like they doin' Satan a favor
And gamble with they life like rattlin' dice in a shaker
Another life forsaken, turnin' your back on your maker
I'm only tryna cater to the facts and sh*t
I'm seein' a lot of questionable sh*t, like the f*ck these n*ggas believe in?
But now, we don't figure the same, your music is lifeless
And your visuals lookin' like rituals and sacrifices
Makin' deals with the Devil in exchange to be the nicest
You dead like your flesh was eaten by maggots and lices
We've all witnessed the change, now nobody wanna be righteous
The days we live is dark and unquestionably a crisis
The Devil tried to plant the fear from when we was in diapers
And some grew up possessed, staring in the Eye of Osiris
Now I know you see this sh*t while you sit and wonder what happened
It's strange how niggas brandish devil worship like a fashion
The signs of the times, clouds from the heavens open
Where birds fall from the sky and fish die in the ocean
Now who you think you foolin'? We seein' the way you're movin'
I hope you take the time to start thinkin' 'bout what you're doin'
You're playin' with a match that can grow into an inferno
Undescribable, the burn when the fire's feelin' eternal
I hope you document this and write it down in your journal
And read it back to yourself while overcomin' your hurdles
Now trust me and be careful of who you let in your circle
'Cause the Devil f*cks a life and will breed the p*ssy that's fertile
I know it's gettin' cold and you're fightin' the war internal
Body decayin', turnin' all grey and blue, even purple
You portray a lotta shit with no rehearsal
But in life, we don't rehearse, what you do can come back and hurt you
And until then, watch how the Devil will work through
Look at what you've become and what the Devil gave birth to
And when it hits the fan, you'll be wonderin' where your folks went
Your n*ggas'll disappear when the science gets kinda potent
I'm just buildin', I ain't mean to give an earful
Just carryin' out my duty, everybody just be careful (Be careful)

In this intense verse, Busta talks about artists' visuals "looking like rituals and sacrifices". This is easily verifiable. For the past 11 years, The Vigilant Citizen has been documenting the occult and satanic imagery found in rap videos with loads of screenshots and references. Busta says that they used to be subtle, but now they "display it major". That is 100% true.

Ironically enough, despite the messages found in ELE2, Busta Rhymes himself ended up being accused of being satanic.

Controversial Promo

On October 7th, Busta released a promotional video titled THE PROPHECY WILL BE FULFILLED. Directed by industry veteran Sam Lecca, the video takes place in a church where something unholy is happening.

A Catholic priest gives a sermon that quotes various parts of the Bible including Psalm 37: "The wicked plot against the righteous
and gnash their teeth at them."

Then, the priest marks the foreheads of children with the ELE2 logo. The Mark of the Beast?

The priest then shows his true demonic face.

The children run along with glowing eyes. Are they possessed?

Nearly all of the comments on YouTube accuse that video of being satanic. This is the top comment right now.

So, what's exactly the message of this video? In his song Satanic, Busta talks about ritualistic videos and even wonders what happened to Christian-themed songs such as Kanye West's Jesus Walks. But then, he releases this promo video where a Catholic mass is portrayed as a demonic rite.

Some answers can be found by better understanding the heavy influence of the Five-Percent Nation on Busta Rhymes' works.

Five Percent Influence

The symbol of the Five-Percent Nation containing the sun, the moon, a star, and the number 7 (which represents God).

The Five Percent Nation – also known as Nation of Gods and Earths (NGE) – was founded in 1964 by Clarence 13X, a minister of the Nation of Islam (NOI) who was working under the tutelage of Malcolm X. After years within the organization, Clarence 13X created an offshoot to the NOI because he rejected the teaching that Wallace Fard Muhammad (the mysterious founder of the NOI) was God incarnate. Instead, Clarence 13X taught his students that the black man (individually and collectively) is God. Conversely, white people are "devils" and their technology is actually "tricknology" that will not stand the test of time.

Members of the group call themselves Allah's Five-Percenters because they believe that only ten percent of the people in the world know the truth of existence. These elites and their agents keep eighty-five percent of the world in ignorance and under control. The remaining five percent are those who know the truth and are given the mission to enlighten the eighty-five percent. They are known as the "poor righteous teachers".

While the NGE is said to be close to Islam, its teachings are actually much closer to esoteric schools such as Freemasonry. Indeed, Five-Percenters are taught that there is no "mystery God" and that the "Original Man" can become a god through "knowledge of self". This concept is similar to the hermetic axiom "Know Thyself" taught in Mystery Schools such as Freemasonry. By affirming that divinity can be obtained on Earth through knowledge, disciple, and enlightenment, the NGE is philosophically closer to Gnosticism rather than traditional religions. In other words, the NGE does not believe in a god but instead teaches a form of apotheosis where the Asiatic black man is God and his proper name is "Allah", the Arabic word for "God".

The NGE also teaches its followers arcane systems called Supreme Mathematics and Supreme Alphabet as keys to understanding how man relates to the universe. This concept is similar to systems of numerology found in Freemasonry. For instance, in Supreme Mathematics, the number 7 and the letter G (the 7th letter of the alphabet) are associated with God.

While Freemasonry is a rigid secret society that recruits the local elites within its ranks, the NGE is a community-based organization that attracts disenfranchised men and inmates in urban areas.

Probably for this reason, a long list of rappers joined the ranks of the NGE, especially in the 1990s. Artists such as Rakim, Busta Rhymes, Jay Electronica, the entire Wu-Tang Clan, Erykah Badu, Jay-Z, Nas, and many others integrated NGE concepts and symbolism into their lyrics while heavily influencing hip-hop slang in general. Expressions such as "word is bond", "peace", "cipher", "dropping science", "dropping knowledge", and calling each other "god" all originate from the NGE.

Rakim, Jay-Z, and RZA wearing the symbol of the NGE.

Busta Rhymes is one of the most prominent representatives of the NGE in hip-hop. And his latest album ELE2 is heavily infused with its philosophy.

Busta stands next to a picture of Clarence 13X in his recent video Master Fard Muhammad.

Busta's verse on the ELE2 intro is pure NGE. It begins like this:

Well, it's the God (Yes), no illusions
Blessings while I greet y'all in the absence of confusion
With science to spark the mind with thoughts of greater living
It gets deeper than secrets in Masonic symbolism
And I understand if you can find it extremely hard to calculate it
As dude who refer to himself as God, let me demonstrate it

Through this verse, one understands the album's subtitle The Wrath of God is actually a reference to Busta himself. More NGE references are found later in the verse:

But I'm addicted to exposing the truth, it's a habit
Since a youngin' using a pencil to write the mathematics
Incorporating the science while I give you the classics
While some'll find it strange and resort to measures that's drastic
I articulate with clarity, reassure when you hear this
Some identify me as cuckoo or conspiracy theorist

With all of that being said, we can now better understand the reasoning behind the promotional video featuring an evil priest. Here's an excerpt from an NGE FAQ that explains how the Nation perceives organized religion in general.

"Clarence 13 X taught that eighty-five percent of the population is made up of ignorant, unlearned and uncivilized people who need to be led (mostly churchgoers). This eighty-five percent are believed to have "no knowledge of self". Ten percent of the population have SOME knowledge of self (i.e. the real truth), however they use this knowledge to wield control over the eighty-five percent instead of "liberating" them (most baptist preachers including Rev. Jesse Jackson are believed to be in this category). Lastly, he considered the five percent to be those who do possess knoweldge of themselves, their origins and the way the world system really is — and additionnally, the way in which the new world order will come about. Their job/mission is to educate the eighty-five percent to what this hidden or veiled knowledge really is."
– Nation of Gods and Earths FAQ

This FAQ explains why the Catholic priest was portrayed as an evil figure. According to Five-Percenters, preachers in traditional religions actually help the elite keep the 85% in ignorance.

In Conclusion

Analyzing the works of veteran artists such as Busta Rhymes is a different task than analyzing regular pop stars. These artists usually have full creative control of their works and their messages are often an amalgamation of the various influences in their lives. Busta Rhymes' ELE2 contains a wealth of messages about the pandemic, the New World Order, and satanism in the music industry. However, to fully understand the album's meaning, one must first understand the NGE philosophy that permeates it.

As exemplified by the YouTube comments on Busta's promo video, NGE philosophy is rather divisive and controversial. Its teachings about the nature of God, the role of religion, and the origins of white people are bound to be received with anger and skepticism by many, including religious black people. Furthermore, some might argue that all of this divisiveness only serves the elite's favorite tactic: Divide and conquer. On the other hand, those who were around during the NGE's 90s heyday say that the organization actually had a positive influence on black men by creating a community focused on truth-seeking and general righteousness which helped them turn away from gangs, drugs, and crime.

In short, I'll leave the task of judging the NGE and everything around it to God. And I'm not God. Meanwhile, we should probably all set our differences aside and focus on a common foe: A satanic elite that is creating a dystopian new world order right before our eyes.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post Busta Rhymes' Album "ELE2": It's Messages About the New World Order and the Five-Percent Nation appeared first on The Vigilant Citizen.

translate | Thu, 26 Nov 2020 16:15:30 +0000

Symbolic Pics of the Month 11/20


The girl group Little Mix recently gave a rather symbolic performance at the 2020 MTV EMAs. Through the magic of cheesy CGI, the group performed inside the capstone of a pyramid decorated with an all-seeing eye. What better way of signifying that you're an "entertainer" of the occult elite?

As if to prove my point, Little Mix singer Jesy Nelson dressed up as the devil for a Halloween Instagram post. In last month's SPOTM, there was a picture of Cardi B dressed as a horned red devil.

Rita Ora also dressed as a red devil for Halloween.

Miley Cyrus also posed as a red devil on the cover of the photography book High Gloss. They're doing this one purpose.

In another pic from High Gloss, Miley Cyrus poses naked inside a yellow tombstone with flowers strategically covering her privates. A great way of combining the over-sexualization of pop stars with the elite's culture of death.

As usual, the one-eye sign was all over the place last month. This is Game of Thrones star Rose Leslie in a symbolic photoshoot for 1883 magazine. But wait, maybe that's not an actual one-eye sign … maybe she's just posing for the camera. Let's look at other pictures from that photoshoot…

A big, fat, unmistakable one-eye sign. Let's look at another picture from that elite-sponsored photoshoot…

In this pic, Rose holds a butterfly while several hands hold other butterflies. This is pure Monarch programming symbolism representing MK handlers (hands) and alter-personas (butterflies).

Marsai Martin does the most generic one-eye sign in history on the cover of Essence. The fact that the cover talks about "Black creativity" while showcasing a sign of submission to the occult elite and its oppressive agenda is disturbingly ironic.

Spike Lee and David Byrne team up to make … a lame-ass one-eye sign. Thanks, guys.

Lily Allen recently released a sex toy. This is the pic used to promote it. I don't think it goes there.

This is the cover of Elvis Costello's. That is one creepy one-eye sign. The cover immediately reminded me of the sundial clock with a face on Epstein island.

Filipina singer and actress Nadine Lustre is getting media attention in the West. Of course, she needs to do the one-eye sign.

Another pic from the same photoshoot. That's what you need to do if you want to crossover.

French actress Léa Seydoux makes a one-eye sign while promoting Louis Vuitton.

Brazilian bank says: "Nubank is reinventing your financial life" while showcasing a massive one-eye sign on its website. When massive financial corporations use the one-eye sign in their marketing campaign, you know that there's something unholy going on there.

A Nubank ad from 2019. This is all 100% deliberate.

In an article about divorce, actress Helena Bonham poses with an eyeball inside her mouth. Other than tributing the all-important one-eye sign, the eyeball appears to be a reference to the movie The Neon Demon which is 100% about the occult elite industry. In the movie, a model ingests the eyeball of a "sacrificed" colleague to gain the favors of the industry.

Machine Gun Kelly walks around with girlfriend Meghan Fox while wearing a symbolic shirt by the brand Local Authority. Named "Devil's Dance" the shirt depicts a couple of evil Mickey Mouses, a logo resembling a Masonic square and compass, and some inverted crosses. Underneaths, one can read the words: "F*cked up friends club". Does MGK have such f*cked up friends?

A couple of years ago, I wrote that Harry Styles was "chosen" to push the gender blurring agenda. He's wearing a dress in the latest issue of Vogue.

Tampax is the latest corporate brand to submit to the elite's radical gender-blurring agenda. The sentence "Not all people with periods are women" is the exact opposite of a "fact". Here's an actual fact: You need a female reproductive system to have periods. And people who have female reproductive systems are called … wait for it … WOMEN. There is absolutely nothing "transphobic" about stating this fact. The issue at hand here is truthphobia. They want us to be scared of the truth.

Special thanks to everyone who sent in pics.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post Symbolic Pics of the Month 11/20 appeared first on The Vigilant Citizen.

translate | Tue, 17 Nov 2020 20:41:55 +0000

The Pandemic Thriller Movie “Songbird” Will Be Pure Predictive Programming


At the moment of writing these lines, the world is entering its ninth month of "pandemic life", characterized by various degrees of lockdowns, clampdowns on social gatherings, sweeping mask mandates, high tech surveillance, and the establishment of a faceless tyranny based on stats and numbers.

As people are looking for ways to wake up from this nightmarish scenario, Hollywood had a great idea: Let's make a movie about everything that is happening right now – but worse.

The upcoming movie Songbird is defined as a "pandemic thriller" (is there anything "thrilling" about a pandemic?) taking place in 2024. Directed by Hollywood staple Michael Bay (Transformers, The Purge, A Quiet Place), the movie is about COVID-23 (a mutation of COVID-19) turning America into a dystopian nightmare, complete with quarantine camps. Wikipedia describes the movie's premise as follows:

In 2024, the SARS-CoV-2 virus has mutated and the world is in its fourth pandemic year. Infected Americans are taken from their homes and forced into quarantine camps called Q-Zones, where some fight back against the brutal restrictions. A motorbike courier, Nico, who has a rare immunity, is in a relationship with Sara, a young artist whose lockdown prohibits them from physical contact. When Sara is believed to have become infected, Nico races across the empty streets of Los Angeles in an attempt to save her.

Songbird was created, shot, and (soon) released in record time. Principal production began on July 8th and wrapped up on August 3rd. It was the first movie to shoot in Los Angeles during the COVID-19 lockdown. Filming was initially halted by SAG-AFTRA (the Screen Actors Guild) but permission to shoot was granted the day after. I guess they understood that this narrative had to be released to the public ASAP.

Speaking of narratives, the movie was created in collaboration with a digital content studio aptly named Invisible Narratives. Founded by Adam Goodman, the former President of Paramount Pictures and Dreamworks SKG, the company describes itself as "disruptive storytelling that fuels culture in partnership with people of influence." In other words: Occult elite propaganda.

The company's slogan is also extremely fitting as it also applies to the occult elite as a whole: Hidden in plain sight.

Google search result for Invisible Narratives and its ominous slogan.

One only needs to watch the official trailer of Songbird to understand what it is truly about: Predictive Programming. Here's a look at this pieced of supposed "entertainment".

Trailer

Songbird's trailer begins with a very ironic use of Bob Marley's song Three Little Birds in which he repeats "every little thing is gonna be all right". I'm pretty sure that Marley wouldn't have approved the use of his song in the insanely oppressive context of the movie. However, Hollywood loves to poison wholesome and optimistic content with its soul-crushing agenda of dread and darkness so it paid for the rights of the song and that was the end of it.

One thing is for sure, every little thing is not all right in Songbird. As the song momentarily stops, we hear an announcement saying:

"Curfew is now in effect. All unauthorized citizens must stay indoors."

As we hear these words, viewers are treated to a series of upsetting landscapes.

Entire highways are closed because people are forbidden from traveling anywhere.

An abandoned amusement park with the words "doomed" spraypainted on a wall. Fun is dead.

A grim billboard showing over 8 million deaths in 2024 while ordering people to stay inside. This type of Orwellian crap already exists right now.

Then, we hear a newscaster talking about the "213th week of lockdown", which means that the lockdown of 2020 never ended.

In 2024, people are still being bombarded with the same pandemic news we are seeing right now.

In this sad context, millions of infected Americans are detained in quarantine camps. The same concept of quarantine camps was also depicted in Utopia (a bizarrely prophetic series) and Contagion (another piece of predictive programming from 2012).

The words "Let us out!!!" and "Help" strongly imply that people are being held against their will in terrible conditions.

Masses of infected people are piled up in decrepit camps monitored by hovering helicopters.

People who are not infected live in heavily controlled and never-ending lockdown. The technology used to control people is far from being "science fiction". We're about 80% there in real life.

The movie's protagonist flashes a wristband proving that he is immune to gas-masked soldiers patrolling the streets.

The concept of an immunity bracelet was already introduced to the masses in the aforementioned movie Contagion.

A screenshot from the movie Contagion. People who got the vaccine were given wristbands with barcodes in order to enter public spaces.

The idea of "immunity passports" or "immunity bracelets" is already floating around in real life for and movies such as Contagion and Songbird help normalize it to the public.

Phones are used to scan faces and detect illnesses.

In the screenshot above, the phone detects an anomaly. A Siri-like voice then says:

"Armed guards will be arriving in four to six hours. You must not attempt to leave your home or you will be shot on sight".

I guess it's time to uninstall this app and give it a bad review.

Authorities barge into a home to forcibly send a citizen to a quarantine camp.

Entertainment?

Considering the fact that this movie takes place in the very near future, uses the name of an actual virus that is currently wrecking the entire world, that it takes place in real locations (i.e. Santa Monica pier), and involves real government organizations, can we still call this "entertainment"? Here's the official definition of the word:

1- the act of entertaining; agreeable occupation for the mind; diversion; amusement
2- something affording pleasure, diversion, or amusement, especially a performance of some kind.

I cannot picture anyone getting "pleasure, diversion or amusement" by watching an even worse version of the current pandemic. If COVID-19 (and the hysteria surrounding it) was a stab wound in someone's stomach, Songbird is the equivalent of a Hollywood douche poking at it with his fat, stubby finger.

It doesn't take a "conspiracy theorist" to see that there's something off about this narrative in today's context. Here's an excerpt from a Movie Blend article about Songbird:

In another context, Songbird does look entertaining, but it does not look like it's opening up a valuable conversation. It looks like it exists just to add extremes and shock value to an already traumatizing collective experience we're all still processing on a daily basis. For someone to jump two years into the future using the actual events happening now as a reference point is not creative or interesting. It's merciless and cold. Imagine literally any other traumatizing world event doing this while we were in the thick of it. If we were in the thick of World War II, do you think we would want to see an imagined circumstance where it got worse? No, that's why musicals and cartoons started to get super popular back then.

The truth is that Songbird was not created for our entertainment. It is all about planting ideas and concepts in our collective heads. It is about normalizing new levels of tyranny and hysteria by presenting them as a logical evolution of the current context. In short, it is about predictive programming.
Allan Watts originally defined "predictive programming" as follows:

"Predictive programming is a subtle form of psychological conditioning provided by the media to acquaint the public with planned societal changes to be implemented by our leaders. If and when these changes are put through, the public will already be familiarized with them and will accept them as natural progressions, thus lessening possible public resistance and commotion."

That is why such movies exist. Even if real life does not reach the levels of insanity of Songbird (let's hope so), such movies create precedents in our collective unconscious. If new restrictions are introduced to the public, people will say "at least it is not as bad as in Songbird".

In short, none of us need to watch this brainwashing session disguised as a movie. And all of us need to make sure that none of its insanity seeps into real life.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post The Pandemic Thriller Movie "Songbird" Will Be Pure Predictive Programming appeared first on The Vigilant Citizen.

translate | Fri, 13 Nov 2020 17:58:45 +0000

How the Series “Utopia” Eerily Predicted 2020


Warning: Massive spoilers ahead.

Watching Utopia in the midst of a pandemic is a surreal experience. That's because the series was filmed in 2019, before the emergence of COVID-19. Despite this fact, Utopia is mind-bogglingly timely (or untimely according to some) in 2020 as its story revolves around a pandemic, a rush for a vaccine, and a massive conspiracy by a big pharma company.

The nefarious plans of the villains are however thwarted by a ragtag group of nerds who discovered that an underground graphic novel has been predicting the emergence of several viruses through enigmatic symbols. What's mind-boggling about this story is that the series itself appears to have predicted the COVID-19 pandemic. Furthermore, Utopia depicts a system of mind-controlled slaves carrying out murders and false flag events to advance the villain's agenda, combined with a whole lot of mass media manipulation and cover-ups.

The series is so close to our reality in 2020 that one cannot help but think: Is Utopia some kind of warning?

The series is so eerily close to 2020 reality that each episode is preceded with a notice.

Amazon's Utopia is based on a 2013 UK series of the same name. However, its new iteration was "updated" with a heavy dose of occult elite madness.

However, most mass media critics did not appreciate the plot of this series where "conspiracy theorists" are the heroes. Some even called the series "irresponsible". Here are some Utopia reviews headlines:

A rather unapproving review from Polygon.

Another angry review from Slate.

Time magazine does not want you to watch the series either.

What's the fuss all about? Here's a look at the series.

Viruses Predicted Through Symbols

A scientist forced to create a deadly virus … while doing the one-eye sign. Pure occult elite madness.

The series revolves around enigmatic graphic novels titled Dystopia and Utopia which consist of highly symbolic images describing weaponized viruses and a massive MKULTRA system surrounding it. While some believe it is all fiction, "conspiracy theorists" (I don't like that expression) believe that the books are actually predicting real-world events. One protagonist says:

"Dystopia appeared in 2014 and, if you're smart, if you're really really smart, you can study it and decipher all the real life epidemics it predicted."

He adds:

"Why do we keep feeling like its the end of the f*cking world? Because someone is ending the f*cking world!"

After analyzing the books, one protagonist says:

"Someone is taking diseases, weaponizing them and loosing them upon us!".

That sounds like something the occult elite would do. Appropriately enough, the symbolism found in the Dystopia is replete with occult elite symbolism.

On the cover of Utopia is a white rabbit holds a doll (representing an MK slave named Jessica Hyde – the main protagonist of the series) with one eye covered. The one-eye sign confirms that this is all occult elite madness.

In the series, Mr. Rabbit is the monicker used to describe the main villain (who turns out to be the CEO of a big pharma company). He forces a scientist (who is the father of Jessica Hyde) to create viruses to achieve his ultimate goal: Massive depopulation of the planet.

A page in Dystopia implies that the Zika virus was made in a laboratory and weaponized. The glasses of the scientist = One-eye sign.

One of the nerds deciphering Utopia is called Wilson Wilson. His father is a stereotypical conspiracy theorist and the subject of his research is rather interesting.

Apparently, all conspiracy theorists must feverishly stick a bunch of stuff on a wall and connect them with strings. Some articles on that wall are about China and a New World Order. China is mentioned several times in the series which is rather … prophetic.

If you look closely at the image above, you probably recognize some items covered by this site such as the Denver International Airport (read my article about it here). There are even pictures of the airport's disturbing murals that appear to have taken a new meaning in 2020.

Wilson's father put up a picture of this DIA mural which depicts a gas-masked militaristic figure next to a line of weeping mothers holding dead babies. This mural somewhat foreshadows the events of the series.

Mr. Rabbit aggressively pursues and kills anyone who is aware of his nefarious plans. Wilson Wilson is tracked down and tortured to divulge information about Utopia by … scooping one of his eyes out using a spoon.

After having his eye scooped out, Wilson wears a wide array of eyepatches, making his a walking, talking one-eye sign throughout the series.

Meanwhile, a pandemic hits the United States. Those who are sick are forced to quarantine in government-run facilities, prompting protests.

People protesting the mandatory quarantine, including a scientist named Michael Stearns (played by Rainn Wilson). This virologist was thoroughly manipulated by Mr. Rabbit to become the trustworthy face of his vaccine. Are real-life scientists being used by the elite to put a "scientific" face on nefarious plans?

The symptoms of the Stearns virus are rather similar to those of COVID-19.

As the gang of nerds search for clues, they end up meeting an employee of Homeland Security. She tells them the truth about the bizarre viruses that have been emerging in the past years:

"You know how much money there's to be made in precision biological warfare? A weapon that can target people in complete deniability? Target people by race, ethnicity? Drop a virus on a communion wafer: Target by religion. Weave a virus into tampons: Target by gender. That's what they were perfecting and that's worth billions and billions to the highest bidder."

She then adds:

"Mr. Rabbit made a deal with a group in China for a particularly vicious strain of pig flu (SARS)".

The fact that the series places China at the center of this conspiracy – before the apparition of COVID-19 in China – is rather … prophetic.

In the midst of this scary pandemic, a pharmaceutical company emerges triumphant with a vaccine that cures the disease: Christie Labs.

Pharma Company Fronting an MKULTRA Operation

The entrance of Christie Labs features its leader welcoming people with the words "Protecting Your Future".

Spoiler alert: This guy is Mr. Rabbit. Other spoiler alert: When they say "Protecting Your Future", they mean depopulation. That is the ultimate goal of this organization. And it is willing to do any despicable deed to achieve its aims, including exploiting and killing children.

In fact, Mr. Rabbit runs a full-on MKULTRA operation that uses slaves as false flag patsies, lab rats, and even martyrs. Although the words "mind control" or "MKULTRA" are never used during the series, the intense symbolism and sadistic tactics of Monarch mind control are in full display in Utopia.

Mr. Rabbit buys children from poor countries who are delivered in crates.

A page in the graphic novel describes how Arby – a cold-hearted killer used by Mr. Rabbit – was "trained" during childhood. In MKULTRA terminology, he was subjected to Delta programming.

This image of Jessica Hyde alludes to abuse by evil rabbits (MK handlers).

The butterflies on that image of Jessica Hyde are references to Monarch programming.

The twins depicted above were used by Mr. Rabbit to advance his pandemic agenda. One of them was infected with the virus and was given a vaccine that doesn't work. She was then replaced by her sister who was healthy, leading everyone to believe that the vaccine is the miracle cure everyone was waiting for.

Once she stopped being useful, Mr. Rabbit gave the sick girl a poisoned wafer with a QR code to end her life swiftly (satanic corruption of the Holy Communion). She was happy to take the wafer because she was brainwashed into thinking that being a martyr was her "purpose".

The association between Utopia and mind control is emphasized by the series' constant references to Alice in Wonderland which happens to be the most important programming script in MKULTRA. Of course, Mr. Rabbit himself is a reference to the White Rabbit in Alice in Wonderland who leads Alice through the looking glass to Wonderland (which is code for dissociation).

Appropriately enough, one of the protagonists in the series is called Alice.

Alice nearly always wears an outfit that is similar to the classic depictions of Alice in Wonderland.

If one is observant enough, one can spot white rabbits all over the place throughout the series – a creepy reminder that the actions of Mr. Rabbit (a representative of the occult elite) affect everyone.

White rabbits on the wall in Alice's house.

In short, through symbolism, the series alludes to the direct mind control of slaves through MK programming and the mind control of the masses through media manipulation.

And boy do they manipulate. Throughout the series, Christie Labs invents fake stories played out by faked people (MK slaves playing roles) to push narratives.

The organization uses troll farms to flood social media with specific narratives. You better believe this is happening in real life. Every single day.

The End Game

In the final episode, the gang ends up face-to-face with Mr. Rabbit who confesses his true plan: Massive depopulation by embedding an omni-virus in the vaccine that makes people sterile.

After being kidnapped and delivered to the gang by his own disgruntled MK slave, Mr. Rabbit exposes his plan.

And they found a Chinese symbol on his body, proving that he was Mr. Rabbit. More COVID-19-China prophesy.

Here's some of the dialogue:

"- You created a panic and now everybody's begging for the vaccine.

– Yes, and we now have exactly what we want. Hundreds of millions of Americans lining up, offering us their arms and letting us give them our creation. (…) We intend to stop human reproduction for three generations. The busy, endless, global assembly line of babies will grind to a halt."

Then, Mr. Rabbit engages in an impassioned speech about depopulation.

"A hundred years ago, the global population was 1.7 billion. In 2011, it reached 7 billion. People live too long, die less often, f*ck too much and sh*t out babies.

Global warming, mass exctinctions, food and water shortages: All these problems can be boiled down to one thing: Overpopulation.

At 1.7 billion, we can be as decadent, self-indulgent and sh*tty as we want. At ten billion, we have to live strategically. We have to live modestly. We have to live selflessly. And, as you know, we're not that good at it."

Christie goes on for several minutes about depopulation and he seems to be convincing Wilson Wilson, the walking one-eye sign.

Christie's speech appears to be in line with the infamous Georgia Guidestones (read my article about it here). Its two first commandments are:

1. Maintain humanity under 500,000,000 in perpetual balance with nature.
2. Guide reproduction wisely – improving fitness and diversity.

Throughout the series, Mr. Rabbit asks everyone around him an enigmatic question:

"What did you do today to earn your place in this crowded world?"

While, at first, this question appears to be about doing something worthwhile in one's life, we ultimately understand that there's an entire philosophy behind this question: Mr. Rabbit believes that people should EARN their place in the world by fulfilling their "purpose". His MK slaves are programmed to live only for this purpose. Those who have no purpose are expendable. And he wants this vision to be applied to society as a whole.

However, the gang stopped everything short. They infiltrated Christie Labs and destroyed their entire stock of vaccines that was ready to ship across America.

Vaccine destroyed. That is why critics did not approve of the series.

But it's not over. Mr. Rabbit escaped and appears to have converted Wilson (gotta keep some suspense for the second season). However, from my experience, this type of series says what it has to say in the first season. The following seasons are mainly about filling hours of programming.

In Conclusion

Filmed before COVID-19, Utopia eerily prophesized a pandemic and the rush for a vaccine – events that would happen in real life only months after its filming. What's even more mind-boggling is that the series is about a graphic novel that predicted a pandemic … the same way the series predicted a pandemic.

So one might ask: Is Utopia an act of rebellion against the elite? Not really. Although it appears to be warning viewers about the nefarious plans of the elite, Utopia also fully indulges in it. For instance, throughout the series, people keep getting killed in all kinds of gruesome ways, and these deaths are treated with a cold indifference that conveys the message that human life has no value. Also, there are unbearable scenes of torture. Other scenes depict dead children. One child even gets shot in the head. In the last episode, Christie's plan to halt human reproduction for three generations is presented in a convincing way, with little rebuttal about the insanity of living in a childless society.

In short, this series is a reflection of the complete insanity of our era. The elite believes that it must divulge its nefarious plans to the public before they happen in order to avoid the wrath of karmic laws. And maybe Utopia is part of such effort. In other words, the rabbit hole goes deep.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post How the Series "Utopia" Eerily Predicted 2020 appeared first on The Vigilant Citizen.

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