The Vigilant Citizen

DMX Hated the Industry … and it Hated Him Right Back

DMX was a rare figure in popular culture. Despite his enormous success (over 74 million albums sold), the rapper became a vocal critic of the music industry and grew to hate everything about it.

DMX was also vocal about another aspect of his life: His Christian faith.

So when I learned that DMX was hospitalized on Good Friday (after a Holy Week that was characterized by satanic industry madness), I was troubled by the irony of the situation. While I was rooting for him to "come back from the dead" on Easter Sunday, DMX sadly passed away on April 9th, at 50 years old.

Immediately after his hospitalization, the celebrity gossip site TMZ reported that DMX suffered a heart attack due to an overdose. However, this report was not confirmed by people close to him and the autopsy report is not yet available.

Citing other sources, the other gossip site MediaTakeOut tells a different story:

In an EXCLUSIVE interview, MTO News spoke with DMX' family member who told us that the rapper received the COVID vaccine about a week before he suffered from the heart attack.

DMX's family member told MTO News, "[DMX] got the vaccine when they opened it up to people over 50. He got it so that he could go travel and perform, stuff like that."

New York State opened up the COVID-19 vaccinations for people over the age of 50 in mid March.

And the family member suspects that DMX heart attack could have been a reaction to the vaccine. The family member explained, "Everyone [in the news] keeps saying that [DMX] had a drug overdose. How do they know? I'm in the family and no doctor told me anything about an overdose."

The family member is FURIOUS about the speculation surrounding DMX drug use. She told MTO News, "Yes he had past issues with drugs. But nobody knows that he had an OD. It's f**cked up that it's being reported like that."

She told MTO News that she – and the family – are considering taking legal action against news publications prematurely concluding that DMX  suffered a drug overdose.

But what is clear – according to the family member – is that DMX did take the Covid vaccine.
The grieving kin explained, "He took that vaccine, and he had a heart attack. I'm not saying the vaccine did it, but he never had a heart attack before."

These claims are to be taken with a grain of salt as MTONews is known for publishing questionable articles.

No matter what the case maybe be, DMX's life was one of thrilling highs and terrifying lows. Through it all, it was characterized by never-ending fights and struggles against his past, his demons, his addictions, his own family, the media, the legal system, the music industry, and, in his words, Satan himself.

Here's a look at his life.

Rough Start

DMX's childhood was filled with traumatic events that probably shaped his behavior for the rest of his life.

Simmons went through a disjointed childhood that included being beaten by his mother and her various boyfriends so badly that he lost teeth and sustained numerous bruises and cuts on his face. Due to poverty, he slept on the floor with roaches and mice crawling over him in the night. When Simmons was five years old, his family settled into the School Street Projects in Yonkers, New York.When he was six years old, his mother knocked out two of his teeth with a broom after he innocently erased something in her notebook. At school, he threw chairs at teachers and stabbed a kid in the face with a pencil. When he was seven, an aunt got him drunk on vodka. The same year, he was jailed for stealing cakes from a market.

One summer, his mother locked him in his bedroom, allowing him to only exit for trips to the bathroom. At the end of the fifth grade, at age 10, Simmons was expelled from school and sent to the Julia Dyckman Andrus Children's Home for 18 months. In what he described as a defining moment of betrayal, his mother tricked him by telling him they were just visiting the home, then she enrolled him there. A few months later, he was arrested for arson in an attempt to burn the school down. He nearly killed his co-conspirator.

When he was 14, Simmons began living on the streets of Yonkers to escape his mother's abuse, sleeping in Salvation Army clothing bins and befriending stray dogs.
– Wikipedia, DMX

DMX's love for rap music helped him go through his life's numerous hurdles and his talent allowed him to gain respect and recognition. After several years if hard work, he got signed with Def Jam Records and, in 1998, took the rap world by storm with his first album It's Dark and Hell is Hot.

Blood In, Blood Out

While becoming a big rap star was the ticket out of poverty, DMX immediately understood that there was a price to pay for it. His first album contained an important spiritual component which was expressed as conversations with God and the devil.

For instance, the song Damien is about DMX speaking with what appears to be a guardian angel. But he is gravely mistaken. The song begins like this:

Why is it every move I make turns out to be a bad one?
Where's my guardian angel? Need one, wish I had one

Damien answers:

I'm right here, shorty, and I'ma hold you down
You tryin' to f**k all these b****s? I'ma show you how
But who…? Name's D like you, but my friends call me Damien
And I'ma put you hip to somethin' about this game we in
You and me could take it there, and you'll be
The hottest n***a ever livin', that's a given? You'll see

Since the release of the 1976 movie The Omen, the name Damien became associated with the son of Satan and the antichrist. In the song, Damien pretends he's DMX's guardian angel who can make his dreams of money, success, and women come true. However, Damien quickly asks a return for his favor:

I'm about to have you drivin', probably a Benz
But we gotta stay friends, blood out, blood in

The expression "blood in, blood ou" refers to the initiation ritual of having to kill someone to enter a gang and, on the reverse end, not being able to leave the gang unless killed. In the song, it is used in the context of a deal with the music industry and, by extent, the devil himself.

At the end of the song, Damien asks DMX to kill one of his own friends – a ritual sacrifice to prove his loyalty. When DMX argues, Damien says:

Either do it or give me your right hand, that's what you said

To which DMX replies:

I see now ain't nothin' but trouble ahead

That last line unfortunately foreshadows the events that will define the rest of his life.

Although DMX went on to become one of the only artists ever to debut five albums at #1, he grew disgusted by the ways of the music industry.  And that disgust was perfectly articulated in his 2007 Def Poetry Jam performance.

During that same period, DMX felt that his work and his life needed to take a different direction. And he felt the need to be much more vocal about his faith. That desire was exemplified by his single Lord Give Me a Sign. This is the first verse:

Yeah, uh
In the name of Jesus (Spread the word!)
"No weapon formed against me shall prosper" (Preach!)
"And every tongue that rises against me in judgment, thou shall condemn" (Preach!)
(Lord give me a sign!) "For this is the heritage of the servants of the Lord"
(Preach!) "And their righteousness is of me, " said the Lord (Preach!)
Amen, uh
Lord give me a sign!
I really need talk to you Lord
Since the last time we talked, the walk has been hard
Now I know you haven't left me, but I feel like I'm alone
I'ma big boy now, but I'm still not grown
And I'm still goin' through it (What!), pain and the hurt (Yeah!)
Soakin' up trouble like, rain in the dirt (Yeah!)
And I know, only I can stop the rain
With just the mention of my savior's name, in the name of Jesus
Devil I rebuke you, for what I go through
Been tryna make me do, what I used to (What!)
But all that stops right here (Yeah!)
As long as the Lord's in my life, I will have no fear
I will know no pain, from the light to the dark (Come on!)
I will no show no shame, spit it right from the heart (Come on!)
'Cause it's right from the start, you held me down
And ain't, nothin' they can tell me now
Lord give me a sign!

DMX also planned to use his unique oratory skills to become a pastor. He never missed an occasion to share prayers with whoever wanted to listen.

While DMX was always a devout Christian, he was the first to admit that he was not a saint. He did stupid things, he had his shortcomings and he had serious personal issues.

In the latter part of his career, the industry he hated focused on exploiting these issues for cynical purposes.

Mass Media Humiliation

Some celebrities are built up by mass media. Others are torn down. During the last years of his life, DMX was definitely torn down. On several occasions, DMX argued that he being unfairly targeted in attempts to destroy him.

In a jarring example, TMZ cameras were actually waiting for DMX in a courtroom prior to his hearing. Seeing this bizarre ambush, DMX became agitated as he was convinced that TMZ was tipped off of his arrest and allowed to enter the courtroom, turning his hearing into a humiliating spectacle.

At the end of the video, DMX looks at the camera and says:

"Every time they do it to me."

TMZ was also present with cameras while he was sentenced to six months in jail for violating his probation.

I bet TMZ loved capturing DMX's reaction when he learned that he was going to jail.

During an interview while he was incarcerated in Arizona, DMX claimed that he was targeted by local authorities to get him arrested. He also wondered why he was on lock 23 hours a day.

When the interviewer asks him how someone this rich and successful could end up in jail, DMX answers:

"I think everyone who's watching knows how I ended up in here. I'm pretty sure they do."

The interview ends with DMX saying:

"Pray for me as I pray for you. Don't believe everything you hear, don't believe everything you read, and only believe half of what you see. God bless you".

In Conclusion

The least one can say is that DMX's life was characterized by its fair share of struggles and hardships which began at a very young age. These problems were only exacerbated by DMX's addictions which caused him to act in an erratic and irrational matter. However, miraculously, DMX managed to go from homelessness to owning luxurious homes, from talking to stray dogs to speaking to thousands of adoring fans.

Despite all the amazing things that were happening to him, DMX's spiritual side caused him to quickly understand that something was dark and devilish about the music industry. In an effort to escape it, he sought refuge in his faith while attempting to touch people in a positive manner. He also never missed an occasion to spit on the industry and insult everyone inside of it. As he often stated, DMX was not an industry artist, he was an artist in an industry.

And, apparently, the industry hated him back. The last years of his life were a long, humiliating way of the cross that only fueled his torment. And that way of the cross ended … on Good Friday.

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The post DMX Hated the Industry … and it Hated Him Right Back appeared first on The Vigilant Citizen.

translate | Tue, 13 Apr 2021 19:59:56 +0000

The Hidden Messages in “Forrest Gump” About America and Its Destiny

Forrest Gump is one of those movies that needs no introduction. Ever since it was released in 1994, the movie became an instant classic which is now deeply ingrained in popular culture. Proof: Over 25 years later, we still hear people doing the "life is like a box of chocolates" line with a bad Alabama accent.

Directed by Robert Zemeckis, Forrest Gump is based on the 1986 novel of the same name by Winston Groom. However, the movie differs greatly from the book as key details were reshaped and powerful symbols were infused to turn the story into a massive allegory.

As its name stipulates, Forrest Gump revolves around the life of a slow-witted yet kind-hearted man from Alabama who goes on to accomplish great things. In fact, he ends up taking part in most major events in American history between the 1950s and the 1980s.

That's a lot of accomplishments for one person. That's because Forrest Gump represents more than a single person. He represents a force, a spirit that characterized America, defined its people, and fueled its history.

There's also another force that defined American history. And it is represented by Jenny, Forrest's lifelong friend who ultimately becomes his wife. Through their tumultuous relationship, the movie compares the history of the United States to a feather that is transported by contrary winds.

Is it all random? Or is there an ultimate destiny? Here's a look at the profound symbolic meaning of the movie's characters.

Run Forrest, Run

Forrest is a God-fearing country boy from the South. He represents the heart and soul of America. Despite his low IQ, he's been inculcated with strong moral values from a young age. This fact is illustrated in the first scenes of the movie.

As a young boy, Forrest had to wear leg braces.

As Forrest tries on his braces, the doctor says to his mother:

"His legs are strong, Mrs. Gump, as strong as I've ever seen. But his back's as crooked as a politician. But we're going to straighten him right up now, aren't we, Forrest?"

While the braces did straighten out Forrest's back, they also symbolize the moral rectitude he's been imparted with since childhood – a trait that will define his entire life. This rectitude is mostly the result of his mother's love, care, and knack for teaching Forrest important values in words he could understand.

Forrest lives in a house that's been in his family since his ancestors came to America.

Passed down from generation to generation, Forrest's large ancestral home represents "wholesome America".

On Forrest's bedroom wall is a crudely drawn American flag. Forrest represents the spirit that emerged from this environment.

Elvis was a guest at this house and Forrest was the inspiration behind his iconic dance moves. It is the force represented by Forrest that made America a driving force in popular culture.

Forrest's actions are not guided by his mind but by his heart. In fact, his brain is nearly incapable of making calculated decisions based on self-interest. As a result, Forrest gets called "stupid" his entire life. To which he automatically replies:

"Stupid is as stupid does".

This phrase, which was learned from his mama, means that one's intelligence is judged by one's actions and accomplishments. And, judging by Forrest's long list of incredible successes, he cannot be defined as stupid. By extension, although wholesome America is not particularly intellectual, the spirit that animates it makes it "run like the wind".

At one point, Forrest grows out of his braces and starts running.

The braces (which represent Forrest's moral rectitude during his formative years) appear to have given him a superpower: He runs really fast.

Later in the movie, Forrest's running allowed him to become a star athlete, a war hero, and even a business mogul. He represents the force that made America a cultural, military, and economic superpower. That force comes from the people themselves whose unwavering loyalty and dedication to "doing the right thing" (even if this right thing was actually wrong) helped America rise during the 20th century. America needed these people to strive.

On several occasions, Forrest even seemed to be blessed by God. On a wider scale, this can allude to the concepts of Manifest Destiny and American exceptionalism which are based on the belief that "America is a nation called to a special destiny by God".

But before Forrest accomplished anything, he needed a push. And it came from the love of his life who also represents the other side of America.


Forrest meets Jenny on the school bus – a recurring symbol representing the start of a new era.

Forrest describes Jenny as his "most special friend, his only friend". She's the other part of America.

Forrest and Jenny spend a lot of time on "their" tree – a gigantic oak tree that appears several times during the movie. With its massive roots firmly gripping the Alabama soil, this tree represents the fact that, despite their differences, Forrest and Jenny are one of the same.

While, according to Forrest, the two friends are "like peas and carrots", they couldn't be more different. First, Jenny is intelligent and creative. Second, despite being born in the same area as Forrest, her family background is radically different: While Forrest was raised by a loving mother, Jenny lived with a violent and abusive father.

Jenny's childhood home is falling to pieces – a stark contrast to Forrest's large ancestral home.

Jenny's rundown house represents the other, "unwholesome America" which creates people who end up resenting it.

While hiding from her father, Jenny prays:

"Dear God, make me a bird so I can fly far, far, far away from here".

While Forrest runs all over the place with his feet on the ground, Jenny's greatest wish is to fly away.

Eventually, Jenny does end up far away from her broken home … but her life doesn't really get any better. No matter where she went, she couldn't escape herself.

Jenny had a dream of becoming a "famous folk singer like Joan Baez". However, the closest she came to her dream was by performing at a "gentleman's club".

While Forrest ended up living the American dream to its fullest extent, Jenny's dreams were crushed.

Whether it was due to her traumatic past or not, Jenny does not follow the same rigid moral compass as Forrest. While Forrest remained stubbornly loyal to his girl and his country, Jenny flirted with all kinds of men, groups, and movements.

During the 60s, Jenny became a hippie and embodied the counter-culture movement in the United States. While she often drifted away from Forrest, they sometimes ended up back together. On a symbolic level, America is sometimes torn apart by a strong cultural divide – represented by Forrest and Jenny. However, some events lead to reunification.

For instance, when Gump came back from Vietnam, he mistakenly ended up in a "vets for peace" group which protested against the war. Despite his loyalty to his country, Forrest's innate honesty caused him to speak his mind about the war.

An "evil" army general unplugs Forrest's mic while was divulging some ugly truths about the war. What was Forrest talking about? MKULTRA?

After his speech, Jenny runs on the reflecting pool under the Washington Monument and calls Forrest's name.

Sometimes, the two Americas agree on some issues and they become united.

However, this unity between Forrest and Jenny is short-lived because she associates with people who hate Forrest and what he stands for.

Jenny is going out with a guy who wears a red armband, a symbol associated with communist groups. Counter-culture America was being courted by foreign ideologies.

When this communist guy hits Jenny, Forrest (who is symbolically dressed in his army uniform) beats the crap out of him. In symbolic terms, when outside forces attempt to abuse and take advantage of America's open-mindedness, Gump's America comes to its defense. Because, although they are very different, Forrest and Jenny are from the same tree.

Jenny also introduced Forrest to another influential group in the 1960s.

A member of the Black Panthers lectures Gump about the war in Vietnam.

Of course, Gump's simple mind doesn't really understand why he's being yelled at. He's all about heart and soul. And that's why Bubba became his best friend.

Bubba Gump Shrimp Co.

While on the army bus (again, a symbol for new beginnings), Forrest meets Bubba.

Although they're both from Alabama, Forrest and Bubba do not share the same family history. At all. At the beginning of the movie, Forrest says that he was named after a relative who founded the Klu Klux Klan. His mother told him that his name was a reminder of the things that people do "that don't make no sense".

On the other hand, Bubba's family comes from a long line of servants.

A montage shows each generation of Bubba's family serving white people.

Despite the fact that Forrest and Bubba have reasons to resent each other, we see the exact opposite happening. As the two begin talking, we realize that they're extremely alike. In fact, Lt. Dan asks them (jokingly) if they are twins. In a way, they are. They both embody the same American spirit.

Instead of dwelling on their differences, Forrest and Bubba bond on what unites them. Instead of ruminating about the past, Bubba intends to use his family's expertise on shrimp to launch a business.

In one symbolic scene, Forrest and Bubba lean on each other.

Bubba tells Forrest:

"I'ma lean up against you and you just lean back right against me. This way we won't have to sleep with our heads in the mud. You know why we're a good partnership, Forrest? 'Cause we be watching out for one another, like brothers and stuff."

Bubba's outlook is diametrically opposed to the antagonistic disposition of the Black Panthers towards Forrest (and what he represents). Bubba's kind heart and moral values brought him to view Forrest as his brother. While they're leaning on each other, Bubba proposes Forrest a 50/50 partnership in his shrimping business. While the past was shameful and painful, the future can be fruitful.

When his platoon was attacked, Gump used his running skills to save his fellow soldiers. But he was not able to save Bubba. However, since Bubba and Forrest embody the same spirit, his shrimping company dream lived on.

The company's name, Bubba Gump Shrimping Co. represents the partnership between races in America towards a common goal.

However, at first, the company was struggling. Lt. Dan, who became Forrest's first mate, asked him:

"Where the hell is this God of yours?"

Forrest goes to church and prays to God for success.

Then, in the words of Gump, "God happened". In what looks like divine intervention (or complete chance), all of Gump's competition got decimated in a storm. We have, once again, an example of Gump's faith and moral rectitude being rewarded. On a wider scale, America's entrepreneurial spirit is seen as yet another facet of its Manifest Destiny.

Gump and Lt. Dan on the cover of Fortune magazine.

Although Bubba did not live to enjoy the successes of the company he created (the spirit embodied by Bubba is the one who sacrifices the most), his family and community did.

Bubba's mother is served by a white woman after Gump gives her Bubba's cut of the company.

Gump built a new church for the community. Behind the choir is written: "Do all He commands … receive all He promises". This sums up the spirit embodied by Gump.

Did God favor Gump's company because it was known that he would follow his heart and use the profits to help others?

During the 1980s, Forrest started running from coast to coast, spreading good business ideas all over the place as if it was gospel.

Forrest wipes his face on a t-shirt and inspires a man to sell smiley face t-shirts.

Forrest's run across the country represents the energetic and business-oriented America of the 1980s. And this spirit was contagious.

At one point, Gump became a Jesus-like figure with "disciples" abandoning everything to follow him.

However, Forrest did not have any message. He just ran because "he felt like it" as if he was animated by a higher force. At one point, Gump went back home. Because all he really cared about was Jenny.

Back to Jenny

While Forrest was accomplishing big things, Jenny was destroying herself with drugs and prostitution. Her self-hatred caused her to nearly commit suicide.

At that point, she went back to Alabama and settled down with Forrest. Did she come back because she truly loved Forrest or because she knew he was rich?

This part of the story can represent the dying down of American counter-culture and its partaking in the general prosperity of that era.

When Forrest asked Jenny to marry him, she refused. She tells him:

"You don't want to marry me."

Nevertheless, she ends up copulating with him … but she runs away before Gump wakes up the next morning.

Although the wholesome life provided by Gump is healing to Jenny, she's simply not made for it. The America she represents is not happy with the America he represents.

A few years later, Jenny reveals to Forrest that he has a son.

Jenny presents to Forrest her son … who was named after his daddy.

The two Americas embodied by Forrest and Jenny created a new generation.

Jenny also reveals to Forrest that she is dying of an unnamed virus. At this point, she asks Forrest to marry her.

Despite Jenny's "adventurous" past, she wears a virginal white dress for her wedding. That's how Forrest always pictured her.

Jenny, who died young due to her self-destructive ways, is buried under their oak tree. She is literally back to her roots. As Gump walks away from her grave, a flock of birds flies away. Jenny is finally the bird she always wanted to be.

As Gump is standing on Jenny's grave, he talks about the nature of destiny – a theme that permeates the entire movie.

"I don't know if we each have a destiny or if we're all floating around accidental-like on a breeze … but I think … maybe its both. Maybe both get happening at the same time".

The school bus approaches, representing the new beginnings of little Forrest.

As Forrest sends away his son for his first day of school, a new America is ready to make history.

As little Forrest enters the bus, a feather floats away in the wind.

Also seen at the very beginning of the movie, this feather represents little Forrest's destiny. And America's destiny.

In Conclusion

Several modern reviews of Forrest Gump are somewhat critical of its message, as it is sometimes described as a "conservative" movie. While Gump does embody traits that can be associated with conservatism and Jenny with liberalism, the movie's actual scope goes way beyond political lines.

In the movie, Gump is not guided by politics, but by right or wrong. At one point, he (clumsily) participates in the desegregation of schools in Alabama which went against the conservative views of the time. He's also (clumsily) behind Watergate, a scandal which cost Nixon's Presidency – a Republican.

Gump is solely guided by his moral compass and he runs as fast as he possibly can towards that direction. And he gets rewarded for it. Through its characters, the movie provides a vision of America: When America acts in a moral matter and strives for good, it gets rewarded with success and prosperity. When it hates itself and betrays its core values, it spirals into self-destruction, like Jenny. On the other hand, Forrest needs Jenny to learn some things and to realize that he can run fast.

Through these contrary winds, America's destiny floats around like a feather. And nobody really knows where it will land. Except maybe God.

P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post The Hidden Messages in "Forrest Gump" About America and Its Destiny appeared first on The Vigilant Citizen.

translate | Fri, 09 Apr 2021 14:57:00 +0000

The Occult Meaning of Lil Nas X’s “MONTERO” and the Symbolism of His “Satan Shoes”

Lil Nas X (LNX) rose to worldwide fame with the independently released Old Town Road. In a matter of weeks, the song went from being a viral sensation to the international hit that defined the year 2019.

The success of Old Town Road was due to several facts: It was fun, it was catchy and it bridged the gap between rap and country music. The result: Children were dancing to the song while chanting every word of its lyrics at birthday parties and summer camps.

Then Lil Nas X got signed to Columbia Records. Shortly after, LNX's popularity was "weaponized" to become a vehicle for the elite's agenda. Soon after Lil Nas X started displaying all of the signs and symbols associated with the occult elite.

Shortly after signing with Columbia, LNX did the one-eye sign on the cover of Teen Vogue. That sign proved that LNX was not "paving his own road". The road is being paved for him.

While LNX's first album was somewhat rushed to cash into the Old Town Road craze, the record company took its time for the second album. The rapper's elite handlers wanted to make sure that his young fans were fully exposed to all of the facets of its toxic agenda: Hypersexualization, gender confusion, and, of course, all-out Satanism. The result: The first single, MONTERO (Call Me by Your Name) shamelessly proselytizes for Satanism while bombarding young viewers with explicit imagery.

If you read other articles on this site, you know that this agenda is nothing new. However, it used to be much more subtle. But not MONTERO: LNX is literally grinding on Satan for about 30% of the video.

And, when one looks deeper into the symbolism of the video, we understand the full depth of the elite's depravity. We also understand how they prey on the minds of young people like vultures.

Here's a look at the video.

Servicing Satan

If one reads mass media reviews, MONTERO is about LNX being his "real self" because Montero is his real first name. However, the video tells a whole other story. Through biblical references and overt symbolism, MONTERO becomes a celebration of Satanism disguised as a "queer song".

The first scene shows a heavenly setting. However, the horns hint at evil lurking.

The video begins with a narrator saying:

"In life, we hide the parts of ourselves we don't want the world to see. We lock them away. We tell them no. We banish them. But here…we don't. Welcome to Montero."

Some might think that this is about LNX wanting to be openly gay. However, the video makes it clear: It is about LNX being openly Satanic.

In the Garden of Eden, LNX plays the role of Adam … or Eve … or both combined. Who knows.

The biblical serpent – aka Lucifer – takes an alien/human form and gets rather lascivious with LNX.

As Lucifer performs an explicit act on LNX, the camera pans back to the tree.

On the Tree of Knowledge are inscribed enigmatic words and symbols.

There is nothing random happening in this scene. Everything here has a profound meaning to the occult elite. Here are some examples:

Leviathan's cross, also known as the cross of Satan.

666 symbol.

This is a screenshot of an FBI file describing the symbol of the spiral used in pedo circles to identify "little boy lovers".

The Greek words of the tree form a quote taken from Plato's Symposium. It says:

 "After the division the two parts of man, each desiring his other half."

To better understand this quote, we must look at the general context of the Symposium. In this philosophical text, several men attend a banquet (where wine is flowing freely) and participate in a contest of speeches to praise Eros, the god of love and desire.

Strangely enough, one of the speeches praises "boy love".

Pausanias contrasts common desire with a "heavenly" love between an older man and a young man (before the age when his beard starts to grow), in which the two exchange sexual pleasure while the older man imparts wisdom to the younger one.
– Wikipedia, Symposium

After being possessed by Lucifer, LNX finds himself on Earth and he's being judged with severity.

LNX is chained as people judge him.

Meanwhile, LNX sings some explicit lyrics:

I want that jet lag from f*ckin' and flyin'
Shoot a child in your mouth while I'm ridin'

A crowd of dumb-looking people (who appear to be blind) yells at LNX. Do these people represent the "unenlightened masses"?

The rest of the verse is extremely telling:

A sign of the times every time that I speak
A dime and a nine, it was mine every week
What a time, an incline, God was shinin' on me
Now I can't leave
And now I'm actin' hella elite

Never want the n****s that's in my league
I wanna f**k the ones I envy, I envy

The first line is a reference to LNX's critics who say that his entire career is a sign of the biblical End Times where everything degenerates. In the rest of this verse, LNX sings about his success in the music industry. A "dime and a nine" is a reference to Old Town Road's sitting at #1 in Billboard charts for 19 weeks.

In another line, LNX says that "he can't leave" the industry and that he's now acting "hella elite". In other words, he's stuck and he's under the control of the industry. The last line is about him wanting those he envies which is a direct reference to two cardinal sins of Christianity (lust and envy). In other words, he now lives by the sinful ways of the elite.

After being stoned by the people, LNX ascends to heaven. However, a stripper pole emerges and LNX decides to descend into hell. As a stripper.

LNX is now in underwear and knee-high boots as slides down a stripper pole to hell.

LNX arrives at the throne of Satan.

This scene is replete with symbols that are used in actual black magic and satanic rituals. There is a reason why these exact symbols keep appearing in popular culture: This is not entertainment, this is religious indoctrination.

The symbol on the ground is inspired by the goat of Mendes pentagram as depicted by Stanislas de Gaita in Clef de la Magie Noire.

On the left, Adam and Eve are united in a magical union of the opposites. LNX embodied the same concept at the beginning of the video. On the right is the goat of Mendes inside an inverted pentagram. This symbol was used to form the Sigil of the Church of Satan.

Around the pentagram is the Latin saying "damnant quod non intellegunt" which means "they condemn what they don't understand". Dude, Lil Nas X (if that's even your real name), I don't think YOU fully understand what this is all about.

Then, LNX literally grinds on Satan for an uncomfortable number of seconds.

This scene sums up the entire video. And it sums up the message the elite wants to communicate to young people. This is not about being "yourself", it is about becoming a literal prostitute to the elite's system and submitting to its satanic ways.

After seducing Satan, LNX grabs Satan's horns and places them on his own head.

Then, he becomes a Lucifer-like fallen angel.

In the final scene, LNX achieves the ultimate goal of occultists: To become a god himself. His initiation into the satanic realm is complete.

Some mass media critics claim that the satanic context of the video is actually a metaphor about him being gay and condemn for his lifestyle. However, his "Satan shoes" prove that there is no metaphor happening here. Everything is quite literal.

Satan Shoes

Alongside his infernal video, LNX collaborated with the streetwear company MSCHF to release custom Nike sneakers. The number of pairs available: 666.

The imagery on the official website of the shoes is basically a shrine to Satan.

This is what we see while the website loads.

A screenshot of the Satan shoe website. Depictions of hell and the devil, the number 666, inverted crosses, inverted pentagrams … it's all there.

On the shoe is also written "Luke 10:18". This biblical verse says:

And He said to them, "I saw Satan fall like lightning from heaven"

These shoes are cursed.

LNX does the one-eye sign while holding a 666 shoe. What else does he need to do to make you understand that he's a complete slave to the satanic elite?

The website also mentions that the sole of each shoe contains one drop of human blood.

The fact that this item contains actual blood is extremely meaningful. First, the elite loves to wear items that contain actual human organic matter. Furthermore, the drop of blood alludes to the elite's favorite activities: Witchcraft and blood sacrifices.

In Conclusion

Lil Nas X's first hit Old Time Road was a mega-hit that was particularly loved by children. As with nearly every celebrity that is popular with young people, LNX was recruited by the elite to propagate its toxic agenda. The video MONTERO manages to combine all of the toxicity the elite wants to indoctrinate the youth with: Hypersexualization, gender blurring, and the promotion of Satanism as a cool religion.

Contrary to what is being said in mass media about this song, nothing about it "empowering" or "liberating". It is about slavery. In the video, LNX is a literal sex worker for Satan. The two other leading figures in rap right now are Cardi B and Meghan Stallion. They are also being praised for their playing the roles of prostitutes in a music video. Is Black culture truly being "empowered" right now? Or is it being pimped by the elite?

As LNX says himself, the video MONTERO is definitely a "sign of the times". The scene where he grinds on the devil is as symbolic as it is visceral. It encapsulates everything that is wrong, toxic, and debased in popular culture today. It reflects the dark minds of those who control the music business and the sick messages it is looking to indoctrinate young people with.

And the fact that mass media is celebrating this thing is telling. On one hand, they are censoring speech, canceling people, and burning books that go slightly against its agenda. On the other hand, they talk about "free speech" when defending WAP (a video about Beta Kitten slaves), Cuties (a movie promoting the sexualization of 11-year-old children), and El Diablo (a Eurovision song about being in love with the devil).

In short, MONTERO is a blatant confirmation of everything that has been described on this site for years. If watching LNX grinding on Satan doesn't convince you that there's an agenda going on, then absolutely nothing will.

P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post The Occult Meaning of Lil Nas X's "MONTERO" and the Symbolism of His "Satan Shoes" appeared first on The Vigilant Citizen.

translate | Mon, 29 Mar 2021 21:35:54 +0000

Symbolic Pics of the Month 03/21

Doja Cat was recently featured in a V magazine photoshoot that's as offputting as it is symbolic. First, Cat looks like some kind of plastic android – an apt way of representing the industry turning artists into mindless slaves. Second, a classic symbol representing the elite is an octopus (with its tentacles in all spheres of society). Considering these facts, the pics of that shoot represent the complete control of Doja Cat by the elite.

Chained to the elite.

Violated by the elite. Literally and figuratively.

Every year, V magazine releases its "New Rulers" issue which features up-and-coming celebrities that are popular with young people. It is also a perfect excuse to "initiate" these celebrities to the elite's sick agenda. In this picture, we see Noah Beck, a Tik Tok "heartthrob" soccer player with millions of followers. They've put him in makeup and high heels because that's what the agenda requires.

Model Jordun Love is also a "New Ruler" (a more appropriate term would be "New Pawn"). He has to do the one-eye sign to indicate his submission to the elite.

Rapper 24KGoldn is also a "New Pawn". One-eye sign.

Damiar Krogh is a Tik Tok star with millions of followers. Here, he wears makeup, lipstick, and Mickey Mouse ears (MKULTRA Disney Programming). To complete this superb work of art, he's doing a one-eye sign.

Justin Bieber recently released a new album and EVERYTHING about it screams out: "I'm an industry slave". The cover itself features him doing the one-eye sign with an expression that says: "Why do I have to do this crap again?"

To prove that there is nothing random about Bieber's pose above, the alternate cover also features a one-eye sign.

To promote his album, Bieber was featured in Billboard magazine. Guess what he was told to do. Yeah.

Same thing but with another flower. Seriously, these people are CREATIVE GENIUSES to come up with this stuff.

Josh Gad likes to use social media to lecture people and push political agendas. His profile picture featuring a blatant one-eye sign proves that he is a controlled pawn.

Last week, I posted an article about Demi Lovato pushing a radical agenda by claiming that gender reveals are transphobic. A few days later, Demi revealed her new album cover and it's 100% about being under elite control. First, the title "Dancing With the Devil" is obvious. Yes, it can refer to her past hardships but it can also mean her being controlled by the satanic elite. Second, the butterflies are a reference to Monarch mind control. The multiple Demis are a reference to dissociation/multiple personas. In short, this cover is all about her being an MK slave of the industry.

Butterfly tattoo = Monarch mind control. Rehab = reprogramming.

Tom Holland – mostly known for playing Spiderman in several movies – makes a blatant one-eye sign in British GQ magazine.

JLO aka "why is she still everywhere" does a big, fat one-eye sign on the cover of Allure. The cover says "J.LO Then, Now and & Forever" … under the condition that you submit to the elite. 

51-year-old Gwen Stefani is releasing new music and she needs some of that sweet media attention. The one-eye sign is required.

Ellen Page became a trans man. I personally don't care what people do with their bodies but the fact that this transition was on the cover of Time magazine is more proof that there's a sustained gender-blurring agenda in mass media.

My last article was about the protests in Cyprus caused by the Eurovision song "El Diablo" which was deemed satanic. Norway's entry to the contest is called Fallen Angel. As you might know, that's exactly the title given to Lucifer. In his performance, singer TIX is chained (to the elite) while horned demons dance around him. Eurovision should be renamed Elitevision.

Garage is a clothing brand that is popular with teenage girls. The geniuses at this company found it smart to send an e-mail titled "Send Nudes" to its 14-year-old girls. 

In my article "What is the Great Reset?": A Blatant Propaganda Video by the World Economic Forum, I explained the Orwellian agenda of the WEF. In a recent tweet, the same WEF actually praised lockdowns and even posted a video about how they were great for the environment. Did they mention that lockdowns destroyed lives, livelihoods, and basic liberties? Of course not, they really don't care about that.

Some readers asked me what I thought of the whole Meghan Markle situation. This meme sums up my views rather accurately.

Special thanks to everyone who sent in pics!

P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post Symbolic Pics of the Month 03/21 appeared first on The Vigilant Citizen.

translate | Wed, 17 Mar 2021 14:58:54 +0000

Eurovision Song “El Diablo” Sparks Protests for its Satanic Message

Eurovision is an international song contest with massive appeal and influence. It has been a TV staple for decades, it includes over 50 countries and it is watched by hundreds of millions of viewers every year. Considering these facts, you better believe that the elite will use this unmissable platform to push its agenda.

In my article about the 2019 Eurovision finale, I highlighted the blatant symbolism on display during the show which culminated with a disturbing ritualistic performance by Madonna.

A screenshot of Madonna's performance at Eurovision 2019 featuring masked dancers being "killed" by Madonna's breath of death combined with the Statue of Liberty breaking down. Some say that this performance predicted the coming of COVID-19.

Eurovision was canceled in 2020 due to the pandemic but it is right back at it this year.

In November 2020, the Cyprus Broadcasting Corporation (CyBC) announced Greek singer Elena Tsagrinou as the Cypriot representative for the Eurovision Song Contest 2021 with the song El Diablo. Prior to her selection, Tsagrinou called Eurovision an institution that she'd been following for many years. She added that if the right song was found, it would be her pleasure and honor to compete.

Apparently, the right song was found … and it is about the singer "giving her heart" to the devil.

On February 28th 2021, the song was released and it was not well received. The Orthodox Church stated that the song had a satanic message and Cypriots took to the streets to protest it.

On the other hand, Cyprus' state broadcaster claims that the song is actually about falling in love with a "bad boy". The singer even added that it is about abusive relationships and #metoo. Here's a look at the song.

Dancing With the Devil

A promo image for El Diablo. Pretty infernal.

This song does not require an in-depth analysis. It's an ultra-generic pop song that actually sounds like Lady Gaga's Bad Romance. Coincidentally enough, Bad Romance is also about a "toxic relationship" with satanic undertones.

As is often the case in Eurovision, the song was written by industry veterans Jimmy "Joker" Thornfeldt, Laurell Barker, Oxa, and Thomas Stengaard. Here are the lyrics.


I fell in love, I fell in lovе
I gave my heart to el diablo, еl diablo
I gave it up, I gave it up
Because he tells me I'm his angel, I'm his angel

Those are the two verses:

Tonight we gonna burn in a party
We wild as fire that's on the loose
Hotter than siracha on our bodies
Ta-Taco tamale, yeah, that's my mood
All this spicy melts my icy edges
Baby, it's true
Tonight we gonna burn in a party
It's Heaven in Hell with you

Tonight we gonna dance in the moonlight
Droppin' our lashes on the floor
Hair flip-flip, made you look twice
Touch me, touch me, mi amor
All this spicy melts my icy edges
Baby, for sure
Tonight we gonna dance in the moonlight
And then we gonna do it some more

First of all, I don't understand how an entire team of people was required to write these lyrics. Second, is there anything in that song that remotely alludes to #meetoo or an abusive partner? The lyrics make it very clear that the singer is having super sexy fun with El Diablo and that her mood is "Ta-taco tamale". I'm not quite sure what that means but I assume that it's positive.

Also, the video does not contain any references to any kind of relationship neither. In fact, there's nearly nothing worth analyzing in that video …  except for the worst product placement I've ever seen.

As the singer praises the devil, we suddenly see some fine Head and Shoulders™ products. Because if there's one thing that the devil doesn't like, it's dandruff.

Uhh… Elena … there's no running water around you … have fun standing in a black void with a handful of shampoo.

Towards the end of the video, some guys (who appear to be painted black) creep towards the singer.

The men lift up Helena as she poses in a Baphomet-style "as above so below" sign.

I'm not sure what these men are supposed to represent and why they're painted black. However, as we watch this perplexing scene, we hear children in the background chanting repeatedly "I love El Diablo".

That's probably what caused some people to say: "That's it. I'm going out to protest this crap. But first, let me grab the largest crucifix I can find."


A protestor holds a cross outside Cyprus' national broadcasting building during a protest in Nicosia on March 6.

The release of El Diablo sparked outrage and controversy in Cyprus due to its satanic meaning.

Dozens of Orthodox Christian faithful held up wooden crosses and sang Church hymns outside of Cyprus' state broadcaster on Saturday to demand the withdrawal of the country's controversial entry for the Eurovision song contest — titled "El Diablo" — that they say promotes satanic worship.

Some of the protesters, including families, held up placards reading in Greek, "We're protesting peacefully, no to El Diablo," "Repent and return to Christ" and "Christ saves, Diablo kills."

The broadcaster and the singer of the song insist it has been misinterpreted and the song is actually about an abusive relationship between two lovers.

The protest came several days after the powerful Orthodox Church called for the withdrawal of the song that it said mocked the country's moral foundations by advocating "our surrender to the devil and promoting his worship."

The Holy Synod, the Church's highest decision-making body, said in a statement that the song "essentially praises the fatalistic submission of humans to the devil's authority" and urged the state broadcaster to replace it with one that "expresses our history, culture, traditions and our claims."
– AP, Protesters say out with Cyprus' 'Satanic' Eurovision entry

A protestor holds a sign that says: "The Satanists do not represent us".

Protestors gather outside of Cyprus' national broadcasting building.

The broadcaster and the Cypriot government responded to the controversy by fully backing the song.

The state broadcaster insisted that the entry won't be withdrawn, but its board chairman, Andreas Frangos, conceded that organizers should have done a better job explaining the core message of the song, whose lyrics include, "I gave my heart to el diablo…because he tells me I'm his angel."

Even the Cypriot government waded into the controversy, with Presidential spokesman Viktoras Papadopoulos saying that although the views of dissenters are respected, the government cannot quash freedom of expression.

"The Government fully respects creative intellectual and artistic freedom that cannot be misinterpreted or limited because of a song's title, and unnecessary dimensions should not be attributed," Papadopoulos said in a written statement.

The song's performer, Greek artist Elena Tsagrinou, said that the song is about a woman who cries out for help after falling for a "bad boy" known as "El Diablo" and coming to identify and bond with her abuser. Tsagrinou insisted that any other interpretation is "unfounded."

"The song sends a strong message, one against any form of abuse, such as the one conveyed in 'El Diablo,'" Tsagrinou told The Associated Press in a written statement. "In these 'Me Too Movement' times that message is extremely relevant and can be felt not only in Cyprus but also across Europe and beyond."
– Ibid.

Reread the lyrics and tell me where there's a "cry for help" and a "strong message against abuse". Because all I got from that song is "taco tamale". In the end, it is yet another basic pop song that tries to make satanism appear cool, fun and sexy.

In Conclusion

El Diablo was written by a group of industry veterans that are not from Cyprus. The song was "imported" there and Elena Tsagrinou was chosen to perform it. Furthermore, I suspect that Cyprus was selected specifically because the Orthodox Church is highly influential in that area. In other words, this is about the occult elite poking and prodding pockets of Christianity around the world.

This controversy proves that the elite's agenda is not only reserved for international superstars. Local and regional celebrities are also targeted to make sure that every single market around the world is tainted by this agenda.

And when people ask for a song that actually represents them, this is the response they get from local media and the government: "I love El Diablo."

P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post Eurovision Song "El Diablo" Sparks Protests for its Satanic Message appeared first on The Vigilant Citizen.

translate | Thu, 11 Mar 2021 20:28:52 +0000

Demi Lovato: “Gender Reveal Parties Are Transphobic”

Gender reveal parties are events held during pregnancy where expecting parents reveal the sex of their unborn child in a fun way (i.e. popping a balloon filled with pink or blue confetti). Can these parties be obnoxious? Yes. Are they sometimes annoyingly centered around creating "Instagrammable" moments? You betcha. But are they transphobic? Get the hell out of here.

But that's exactly what Demi Lovato believes. Actually, that exactly what the elite want us to believe. And it is using industry pawns such as Demi Lovato to propagate the message.

The Instagram story was originally created by ALOK, a "gender non-conforming and transfeminine " author. When he was part of a group named DARKMATTER, he wrote an insane and infamous Facebook post that stated that little girls are "kinky".


In the story, ALOK explains how a private gathering of friends and family to celebrate the coming of a little boy or girl is "transphobic". Here's the post in all of its absurdity.

View this post on Instagram

A post shared by Demi Lovato (@ddlovato)

If you scroll through the many pages of this story, you'll find a lengthy explanation that dives deep into their madness. Honestly, I feel that even attempting to understand their contrived logic is already a win for their propaganda. But we need to be aware of the ideas that are being sold as "irrefutable scientific facts" by mass media. Here are some "lowlights" of this Instagram post.

"You can't have your binary pink-blue binary cake and eat it too".

In the words of Barack Obama: "Yes we can". The fact that these people are trying to restrict our lives by throwing the word "transphobia" around is China-level social control. If a person is not actively being hateful towards an actual trans person, solely because that person is a trans, then there is no "transphobia" happening.

"Gender reveals are based on the illusion that genitals = gender and that there are only two options "boy or girl".


"The idea that sex is based on genitalia is inconsistent with science".

This statement terrifies me. Because if propaganda can convince people that "sex is not based on genitalia", it can convince people of anything. ANYTHING.

The "science" that ALOK is referring to is actually radical propaganda that was created by ideologically-motivated think tanks. Because these think tanks are heavily funded by powerful entities such as the World Health Organization, they managed to force their propaganda in all facets of society, including "science" (scientists who refuse to cater to this propaganda are shunned and destroyed).

Until very recently, the gender of a person was always directly related to genitals. In fact, the words "genitals" and "gender" both come from the root "gen" which roughly means "to reproduce". However, through intense propaganda, the powers that be redefined "gender" to become is a "social construct".

Anyways, I won't start refuting every single claim in this post because this "debate" is simply insane. More importantly, because the true core issue at hand is, as usual, freedom.

Weaponizing Words to Restrict Freedom

This debate is not about trans people. It never was. It is about weaponizing the word "transphobic" to thoroughly cleanse society from the concept of gender. In short, it's all about the gender-blurring agenda I've been warning about since 2013.

There's a profound irony in this situation. The word "transphobia" is not used to allow trans people to live freely (they already are). It is used to censor speech, rewrite science, redefine culture and restrict freedoms. It is a weapon of China-style social control.

It is so pervasive that the word "transphobic" is now used to shame people who are celebrating the coming of a baby in private gatherings.

On the positive side, most of the comments on Demi Lovato's post prove that the world has not yet gone insane. Here are the top comments on her post.

The fact that the great majority of people completely reject this radical propaganda highlights an important reality: This "movement" does not reflect a natural and organic evolution of society; It is a contrived, artificial, and thoroughly manufactured construct that is being forced on the society through mass media and social media.

I sincerely believe that those behind this movement do not actually believe any of it. But they want us to believe it. The ultimate goal: To create a generation (from the root word "gen", BTW) that is so confused and detached from truth and nature that it can be convinced of anything using propaganda.

And that is why Demi Lovato shamed gender reveals on Instagram.

P.S. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post Demi Lovato: "Gender Reveal Parties Are Transphobic" appeared first on The Vigilant Citizen.

translate | Mon, 08 Mar 2021 19:37:27 +0000

Symbolic Pics of the Month 02/21

Last month's SPOTM featured promo pics for Miley Cyrus' "Super Bowl Tik Tok Tailgate" and they were all about Beta Kitten symbolism. Unsurprisingly enough, the actual show was replete with similar symbolism. In the background of this pic, we can see a teary eye surrounded by feline print – a symbol representing Beta Kitten slaves controlled by the elite's MKULTRA system.

Of course, Miley also had to pay tribute to her satanic handlers.

On Valentines Day, Meghan Fox posted this picture of her posing with her boyfriend Machine Gun Kelly. If we go past the match devil horn signs (so romantic), what is going on with this "painting" in the background? Why do Hollywood people love trashy paintings featuring children in dire situations?

A closeup of the painting. Also, I've mirrored it to make the words legible. Although I cannot see it in its entirety, this painting appears to reek of MK-influenced, deeply disturbed "art".

The gender-blurring agenda was first mentioned on this site in 2013. Since then, this agenda made its way into all facets of society. As usual, mass media is driving this agenda through relentless propaganda. This is the cover of Glamour magazine featuring a model who has chest hair.  

"Influencer" James Charles is part of this agenda. He recently posted this (photoshopped) picture of him being pregnant. Of course, he has no organs allowing him to carry a baby. But the gender-blurring agenda is all about blurring the very clear and distinct line between males and females.

When I say that the gender-blurring agenda is reflected in all aspects of society, I truly mean all aspects of society. Hasbro recently announced that it is dropping the "Mr." from Mr. Potato Head and to gender denominations from its toys. Some might say: "Well, potatoes don't have genders". Actually, these "potatoes" are anthropomorphized which means that they are given human qualities. Actual potatoes do not wear glasses or and I'm pretty sure they don't grow mustaches. The actual goal of this rebrand is to train children to reject the concept of binary genders.

As usual, the one-eye sign was all over the place last month. This is Travis Scott on the cover of i-D magazine. The dog's face says: "Please don't use me for this crap".

The career of French comedian Gad Elmaleh was almost destroyed after he was accused of plagiarizing jokes. However, by doing the one-eye sign, he's been given "la nouvelle vie" (a new life) in showbusiness.

Hailee Steinfeld does the one-eye sign on the cover of Boston Common using a flower. That's so original and creative. Nobody ever thought of this.

Ashley Usich-Iha is the twin sister of Marilyn Manson's wife. She launched a clothing line and she models some of the clothes on the official website. This is her hiding one eye using a flower. Pure creative genius. It's like, wow.

Nearly every edition of SPOTM contains a Netflix poster containing a one-eye sign. That's because Netflix is all about the elite's agenda. This is the poster promoting Bling Empire, a reality series about wealthy Asian socialites.

The marketing surrounding the video game Resident Evil Village is strongly focused on the one-eye sign.

This is another Resident Evil Village promo image featuring one of the main characters (Marilyn Manson in drag?). Big focus on the one-eye sign.

YouTube "celebrated" Black History month with this image featuring a whole lot of one-eye signs. The message: They don't really care, this is elite-sponsored, corporate PR.

The government of British Columbia in Canada published this COVID "Self-Care Bingo" card on social media. It tells fully grown men and women with jobs and responsibilities to "make a blanket fort" in response to oppressive COVID measures. This "game", which appears to come straight out of an elementary school, is a prime example of how COVID is being used to infantilize and demoralize the masses.

This is a picture of band practice in a high school in Central Washington. The dystopian nightmare is now.

Ever since Epstein was "suicided", the light that was being cast on the elite's pedo system was turned off. In this recently surfaced picture, Epstein holds a child inside his private jet with a creepy look on his face. This is the kind of sickening crap they are trying to hide.

Special thanks to everyone who sent in pics!

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post Symbolic Pics of the Month 02/21 appeared first on The Vigilant Citizen.

translate | Fri, 26 Feb 2021 16:09:00 +0000

The Hidden Meaning of “Chemtrails Over the Country Club” by Lana Del Rey

In order to understand Lana Del Rey, one must first understand her history and the functioning of the music industry as a whole. The first fact that one needs to understand is that Lana Del Rey is an alter-persona who, throughout the years, has been centering around a specific narrative: An industry slave who bounces from one toxic relationship to another.

Before becoming Lana Del Rey, Elizabeth Woolridge Grant used to go by the stage name of Lizzie Grant.

When Lizzie Grant flopped, a new persona was created: Lana Del Rey. The artist underwent a complete metamorphosis that included a new musical style, new visual esthetics, and even some plastic surgery. After signing with Interscope Records in 2012, Lana Del Rey quickly enjoyed massive mass media promotion. Also, she became yet another vessel for the occult elite's symbolism.

Lana Del Rey on the cover of Lovecat Magazine (2012) where she was described as "pop's new phenomenon". In the picture, she hides one eye with a diamond – an image that aptly sums up her entire career.

Although LDR quickly gained a huge cult following and sold millions of albums, many were skeptical regarding her authenticity. Some critics stated that Lana Del Rey was fashioned by "manipulative managers", that her music was written by professional songwriters, and efforts were made to erase her past. It was also speculated that her meteoric rise to success was fueled by her father's wealth and connections in the industry.

Like many others, Lana Del Rey had to be a slave to the industry in order to become successful. And that fact is thoroughly reflected in her songs, her videos, and … in real life.

Industry Slave

Several songs by Lana Del Rey address themes of abuse, promiscuity, prostitution, and toxic relationships. Her real-life relationships were somehow worse.

Lana had a rather "open" relationship with Harvey Weinstein.

The song Cola from her album Born to Die is a tribute to this "relationship" with the infamous Hollywood producer. Here are some of the lyrics.

My p*ssy tastes like Pepsi-Cola
My eyes are wide like cherry pies
I gots a taste for men who are older
It's always been, so it's no surprise

Harvey's in the sky with diamonds and he's making me crazy
(I come alive, alive)
All he wants to do is party with his pretty baby

Later in the song, Lana refers to Weinstein as her "dad".

I fall asleep in an American flag
I wear my diamonds on Skid Row
I pledge allegiance to my dad
For teaching me everything he knows

In short, Lana Del Rey's entire persona is based on the Marilyn Monroe "prototype" – a Beta Kitten slave who gets passed around at the highest levels of the elite. For this reason, Lana's work is replete with references to Marilyn Monroe. In fact, in the song Body Electric, LDR sings

Elvis is my daddy, Marilyn is my mother

But there are many other references. Like other representatives of the Beta Kitten system, LDR showcases an obsessive devotion to Marilyn Monroe.

In National Anthem, LDR recreates Monroe's iconic "Happy Birthday Mr. President" moment which was dedicated to JFK – one of the elite people she was "servicing" as a Beta slave.

As the years went LDR had to adapt her messaging according to the elite's agenda. That's what industry puppets do. Therefore, after claiming that she found feminism "not interesting" at the beginning of her career, she ended up backtracking to voice her support for third-wave feminism in 2020. In a move that is somewhat related, LDR also publicized her interest in witchcraft and encouraged her fans to engage in rituals with her.

A headline from Teen Vogue (marketed at teenage girls) about Lana Del Rey and witchcraft.

LDR's tweet encouraging her fans to partake in a ritual to curse Donald J. Trump in 2017.

In short, everything about Lana Del Rey is in perfect alignment with the occult elite. And her 2021 single Chemtrails Over the Country Club is in perfect continuation of that narrative.

Chemtrails Over the Country Club

The title of LDR's 2021 album (and lead single) Chemtrails Over the Country Club is rather enigmatic yet evocative. As you might know, "chemtrails" refer to a conspiracy theory that has been circulating for decades.

Chemtrails refers to the theory that governments or other parties are engaged in a secret program to add toxic chemicals to the atmosphere from aircraft in a way that forms visible plumes in the sky, somewhat similar to contrails. Various different motivations for this alleged spraying are speculated, including sterilization, reduction of life expectancy, mind control or weather control.
– Chemtrails Conspiracy Theory, The Keith Group

So why are chemtrails being sprayed over the country club – a social gathering place for the rich and affluent? The music video appears to be providing some answers as Lana and her country club friends are revealed to be witches who take part in blood rituals at night.

When Lana Del Rey released the video and the album cover, it was followed by controversy. However, as usual, mass media completely ignored the blatant symbolism of the video to focus on absurdities.

The album cover of Chemtrails Over the Country Club.

When LDR posted the album cover on Instagram, some people slammed her for the "lack of diversity" on the picture. One commentator wrote:

"Are you anti black and POC? In this time in America it's more important than ever to show women of all shades. Please think about that next cover."

This "controversy" baffled me on a profound level. Are they really trying to police every single picture posted online and calculating the racial background of each individual in said pictures? Didn't we agree a long time ago that tokenism was regressive and extremely racist?

Instead of ignoring these internet vultures (which is the right thing to do), Lana replied to them. First, she engaged in the cringy exercise of pointing out that there's a black woman in the picture and two others of Mexican descent. She then added:

My best friends are rappers my boyfriends have been rappers

Yes, LDR basically said that she's been banging rappers for years so she can't possibly be racist. While the woke crowd found that reply to be "problematic", it is 100% in line with her Marilyn Monroe, industry slave persona.

In short, "music critics" in mass media focused on an absurd "controversy" instead of properly analyzing the blatant imagery in Chemtrails Over the Country Club. Because this video has absolutely nothing to do with race. It has everything to do with the occult elite.

The Video

Not unlike previous videos by LDR, Chemtrails Over the Country Club has a 1950's Americana esthetic.

LDR drives a red Mercedes which represents wealth and affluence.

She relaxes at a country club with some privileged women and children.

In the screenshot above, you can see LDR wearing a mesh mask. Throughout the video, there are several closeups of her putting it on or removing it.

After putting on some jewelry, LDR puts on a mesh mask … as if it was another fashion accessory.

That specific mask was the subject of yet another "controversy" regarding LDR. In November, the singer wore that mask during a book signing, prompting people to accuse her of being a COVID superspreader. Although LDR claimed that there's plastic embedded inside the mask, people were still angry.

A headline from Glamour magazine about that mask.

The fact that this mask was the subject of a special focus in this video is odd. Is there a message behind it? Is it maybe about how the elite wears the mask as an accessory for virtue-signaling rather than actual safety? In the video, LDR appears to be wearing the mask at random moments: Sometimes she wears it while she's alone while, at other times, she doesn't wear it while surrounded by people.

Meanwhile, as the name of the song implies, chemtrails are being sprayed over the country club.

A child looks up at the sky as chemtrails being sprayed right above him.

What is the effect of these chemtrails on LDR and her friends?

Mind Control

After a day of wholesome country club activities, everything turns dark. Indeed, the fun-in-the-sun theme of the video is replaced with an ominous vibe and imagery relating to Monarch mind control. Through symbolism, the video ultimately tells the story of LDR dissociating and engaging in dark rituals.

Not unlike other MK-themed music videos (i.e. Katy Perry's Wide Awake), LDR's core persona (her real self) is represented by a child.

LDR watches a movie with a girl that somewhat looks like her.

On numerous occasions, the video alludes to the fact that the young girl is actually LDR.

The girl puts on the same jewelry as LDR. Also, notice the many mirrors in this scene. Mirrors and reflections are extremely important in MK symbolism.

The girl picks up a mirror and looks at her reflection. Right after, we see LDR looking at her reflection in the car's side-view mirror.

The young girl is also associated with other MK imagery.

In one scene, we see a closeup of a porcelain figure. In the scene right after, the girl makes the same pose. 

In Monarch imagery, MK slaves are often depicted as porcelain figures – probably because they can be "broken" easily. If you look closely at the figure above, it is cracked, hinting at the fracturing of the personality of MK slaves.

Then, the chemtrails in the sky appear to have altered the weather.

Sunny skies are replaced by a menacing tornado.

The scene above is highly reminiscent of the famous tornado scene in The Wizard of Oz which takes Dorothy to the land of Oz. In Monarch mind control, The Wizard of Oz is used as a programming script where the Land of Oz symbolizes dissociation.

In The Wizard of Oz, Dorothy's house is swept up by the tornado. In Chemtrails Over the Country Club, LDR's car is swept up by the tornado.

Like in The Wizard of Oz, the "tornado" in Chemtrails Over the Country Club actually happens in LDR's mind.

As the tornado sweeps up Lana's car, a short scene depicts the girl spinning around in her chair.

In another scene, Lana goes through a mirror and shatters it: A reference to Alice in Wonderland – another MK programming script where slaves are told to go "through the looking glass" towards dissociation.

Therefore, through various symbols, the video depicts LDR dissociating from reality. Then, things get even darker.

After dissociation, Lana and her friends walk around with red eyes hinting at them being "possessed". 

We soon understand that the women having fun in a posh country club actually hide a dark secret.

Vampire teeth and reptilian eyes combine with the classic "I'm possessed by evil" posture.

The red Mercedes is set on fire (sacrifice). Meanwhile, Lana "connects" with a wolf in a rather intimate matter.

At one point, Lana literally becomes the wolf.

The wolf represents the "inner-beast" and the absence of inhibitions. Consequently, in the second part of the video, the women are lascivious and drawn to blood.

So, in order to take advantage of the rich and affluent life of the elite, Lana has to dissociate and be subjected to the elite's dark side.

After a night of blood and sex rituals, Lana is bruised up, hinting at the fact that she's actually a slave.

The video ends with the women going to bed and getting ready to act "normal" the next day.

In Conclusion

In the first part of Chemtrails Over the Country Club, Lana is part of a group of privileged women who gather in a posh setting to relax and have fun. In the second part of the video, the same women turn into vampire-demons who partake in dark sex and blood rituals. Since mass media likes to associate witchcraft with feminism, some say that this video is "empowering". However, the symbolism in Chemtrails Over the Country Club is clear: Lana is not "empowered", she's a slave.

To core concept of the video revolves around chemtrails being sprayed above Lana. These chemtrails alter the weather and cause a tornado. The video makes it clear that the tornado is a metaphor for Lana's mind control where she dissociates from her core persona. In other words, she is not herself. The chemtrails represent her being controlled from "above": The occult elite.

Since we all breathe the same air, the video can also represent the world as a whole being controlled by the occult elite. Through constant brainwashing (chemtrails), the masses are pushed towards the embrace of everything that is evil, twisted and self-destructive. Meanwhile, they laugh at us behind their mesh masks.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post The Hidden Meaning of "Chemtrails Over the Country Club" by Lana Del Rey appeared first on The Vigilant Citizen.

translate | Wed, 17 Feb 2021 18:23:51 +0000

The Occult Meaning of The Weeknd’s Super Bowl Performance

The Super Bowl is, at its core, a sporting event. However, judging by media reactions, lots of people were less interested in the actual football game and more interested in playing COVID police. The result: Twitter geniuses complained about the lack of social distancing in the crowd while not realizing that most "fans" were actually cardboard cutouts. Other individuals obsessed about the mask-wearing practices of people in the stadium and took the time to shame them on social media. "Did he just remove his mask to take a sip of beer? Unacceptable. Drink through your mask like the rest of us, buddy!"

With all of these joyless people actively looking for ways to be offended by a football game, The Weeknd was in charge of lightening the mood with some good old fashioned singing and dancing. And for about 14 minutes, instead of moaning about some player on the sidelines wearing his mask under his nose, people gazed at the red-clad The Weeknd and wondered things such as "What is the meaning of the bandages?"

In that sense, The Weeknd accomplished his job as an entertainer: To get people to forget about their immediate problems by drawing them into his artistic universe. However, when one understands the meaning of this universe, one is reminded of another major problem: The entertainment industry is a toxic cesspool of satanic psychopaths. Am I exaggerating, here? No.

In fact, the entire narrative surrounding The Weeknd points to this very fact.

Star Boy

To properly understand the meaning of The Weeknd's enigmatic performance, one needs to look at his alter persona and its evolution throughout the past months. Because, while the world was fighting a pandemic, The Weeknd has been carrying out a form of ritual drama in his public appearances. Indeed, through costumes and makeup, the Canadian singer has been telling a story of transformation as a "chosen one" of the entertainment business.

The Weeknd accepting an award at the 2020 VMAs (which was a dystopian abomination) with a bruised face.

The Weeknd accepting an award at the 2020 AMAs with bandages on his face.

While The Weeknd receives accolades from the industry, his bruises and bandages also allude to the fact that he is paying a hefty price for fame. Furthermore, the fact that he is constantly dressed in red – the color occultly associated with sacrifice – confirms this fact.

His Super Bowl performance was the perfect conclusion of this ritual drama: The self-described "Starboy" reaps the full rewards of being an industry darling … but at what cost?

Well, that's what The Weeknd is all about. Here's a look at his Super Bowl performance and how it fits win his overarching narrative.

Half Time Ceremony

The Weeknd's performance began with an intro that had dark, ritualistic, and spiritual undertones.

A robed figure with flashing red eyes descends from above as we hear religious chanting.

After the descent, the figure joins many other red-eyed "angels".

Then, the set opens up and The Weeknd emerges surrounded by light.

According to ex-NFL player Larry Johnson, this display had a biblical meaning.

Bizarre coincidence: The Weeknd's real first name is Abel. In another post, Johnson wrote:

Whether or not this display was a direct reference to Revelation 9 is up for debate. However, this bizarre intro definitely conveyed a dark spiritual meaning.

In this biblical context, The Weeknd begins his performance with the song Starboy. Considering the main message of this song, it was a perfect choice to begin the show.

As explained in my article The Occult Meaning of The Weeknd's "Starboy", the song is basically about The Weeknd selling his soul to become an industry "star". The cover art of the single sums everything up:

Three columns consisting of six symbols each = 666.

Then, The Weeknd performs The Hills – a song about drugs and general Hollywood decadence. In the video, he meets a Satan-like character who offers him a deal. The song also contains references to Wes Craven's movie The Hills Have Eyes which is about cannibal mutants who stalk and kill unsuspecting people … reminds me of the Hollywood occult elite.

While The Weeknd sings The Hills, the unholy "choir" bounces around while making praying hands. Black mass.

After this display of pseudo-satanism, The Weeknd goes back into the "abyss" he emerged from. There, he sings Can't Feel My Face. Here's a tweet summing up this situation.

Then, it gets crowded.

The Weeknd is surrounded by a bunch of clones dressed like him, but with bandaged faces.

Who are these dudes and what do they want from us?

In a recent interview with Variety, The Weeknd briefly explained the meaning of the bandages.

"The significance of the entire head bandages is reflecting on the absurd culture of Hollywood celebrity and people manipulating themselves for superficial reasons to please and be validated."

This is a typical mass media explanation that brushes on the topic while avoiding the darker aspects of the narrative. To fully understand what is going on here, we need to look at the imagery surrounding The Weeknd's latest album After Hours.

After Hours Narrative

The album After Hours was promoted with numerous music videos and short films that combine to tell a dark and enigmatic story. I won't go into an in-depth analysis of this material because we'll be here all day. To sum things up quickly, the story involves The Weeknd running around Las Vegas while high out of his mind and being possessed by a demon.

He also gets beaten up by mobsters and, eventually, he gets decapitated by a woman. Then, two Hollywood girls find The Weeknd's head on the street and … they get weird with it.

It actually gets much worse.

Then, the girls kill a male stripper and attach The Weeknd's head to the body. Then they have sex with that thing … with blood all over the place.

Throughout this horrific imagery, there's a commentary about Hollywood and the price of fame. The Weeknd blurred the line between himself and his persona by appearing in public events with bandages on his face, hinting at the fact that there's a real-life meaning to his story.

After spending some time hidden behind bandages, The Weeknd emerges transformed in the video Save Your Tears.

In Save Your Tears, The Weeknd's face is swollen and deformed. There are scars on the side of his face which allude to the fact that he's been "reconstructed".

In this video, The Weeknd performs for guests wearing Venetian masks, in a setting reminiscent of the movie Eyes Wide Shut … which is about the occult elite's satanic practices.

So, after The Weeknd's decapitation and transformation, he gets to perform for the occult elite. Then, he gets to perform at the Super Bowl. But he wasn't alone.

The Weeknd was surrounded by an army of clones.

Why were there so many clones? Is it, perhaps, a reminder that The Weeknd can be replaced by the elite at any time? After all, in order to become a "Starboy", he had to undergo a profound transformation which completely denatured him. The process involved drugs, violence, torture, demonic possession, and dissociation (represented by decapitation). The Weeknd's grotesque face in the video Save Your Tears is a representation of the artist's distorted soul after going through the trauma required to become an industry darling. And if he ever rebels against the system that made him, another clone is ready to be programmed to take his place.

In Conclusion

The Weeknd's Super Bowl performance appears to be the conclusion to a narrative that has been going on for months. Through music videos and live performances, the singer has been telling a story about fame, fortune, and the true cost of it all. This story was amplified and "validated" by mass media itself as he was given the opportunity to play out his persona on the biggest stages on Earth. After winning awards and appearing in countless media events while in character, The Weeknd brought his dark persona to the masses during the Super Bowl Halftime show.

The moral of the story: Selling your soul is totally worth it … until you get decapitated. More importantly, the show is a reminder of who actually rules the "entertainment" that we're supposed to consume while in lockdown.

Oh, and the Buccaneers won the Super Bowl.

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post The Occult Meaning of The Weeknd's Super Bowl Performance appeared first on The Vigilant Citizen.

translate | Tue, 09 Feb 2021 16:00:36 +0000

“What is the Great Reset?”: A Blatant Propaganda Video by the World Economic Forum

The video "What is the Great Reset?" is a bizarre piece of PR / propaganda. At face value, it appears to say "don't worry about the Great Reset, we love you all very much". However, through coercive words and powerful symbols, the message most people get is "we're doing this … whether you like it or not".

Through its condescending tone and obnoxious, over-simplistic phrasing, the video is basically about the elite talking down to the peasants, especially those who dare question its plans. And, if the goal of this video was to quell concerns about the Great Reset, it failed miserably. Proof: About 99.9% of the comments on YouTube are extremely negative. Here are some examples.

Here's the video:

This video is important and worth analyzing for several reasons. First, it was produced by the World Economic Forum (WEF) itself. As stated in several past articles, the WEF is one of those non-democratic elite organizations that set social and economic policies on a global level. In other words, if the WEF releases a video about something, it has the power to actually make it happen. In fact, it is probably already happening.

Second, this is not one of those feel-good "let's fight the pandemic together" videos. It actually announces the "death of capitalism as we know it" – in those very words. It announces drastic, historical, and structural changes on a global level. It announces a New World Order.

This is the video description on YouTube:

The pandemic has radically changed the world as we know it, and the actions we take today, as we work to recover, will define our generation. It's why the World Economic Forum is calling for a new form of capitalism, one that puts people and planet first, as we come together to rebuild the world after COVID-19.

The first sentence of this description sets the overarching narrative: The pandemic destroyed the world and the elite is going to fix it. However, that description contains one glaring omission: The pandemic itself did not "radically change the world" – it is the response to it that changed it. And this response was dictated by the very elite that is now lecturing us about a Great Reset.

Indeed, instead of tackling the pandemic with a balanced and targeted approach that's focused on people who are actually at risk, the elite insisted on shutting down small and medium businesses for months, eliminating millions of jobs in the process. Meanwhile, elite-owned mega-corporations were allowed to strive.

Then, after suffocating the masses for nearly a full year, the WEF says that the system is broken. But they broke it. And before they broke it, we were actually in the midst of the longest economic recovery on record.  I am not saying that capitalism as we know is perfect. However, we are being presented a "solution" to a problem they've purposely created. In short: Order of out chaos.

Here's a look at this video.

In Your Face

Usually, PR efforts by elite organizations hide their true intentions with flowery words and meaningless sentences. But this thing is blatant.

Of course, it has to start with the elite's complete obsession with seeing the entire world wearing masks. They're particularly excited when children wear them.

At the beginning of the video, we see a bunch of people donning masks in a semi-ritualistic manner: A sign of submission to the elite.

Then, we hear UN Secretary-General, Antonio Guterres describing the pandemic as an "opportunity".

In a weird shot that includes a massive full-moon, Guterres talks about "hope" brought by vaccines. He also adds: "there's no vaccine for the planet, nature needs a bailout". In other words: If COVID hysteria ever goes away, it will immediately be replaced by global warming hysteria.

Then, the video treats us with the image of a building crumbling down as the narrator says: "With everything falling apart, we can reshape the world in ways we couldn't before". That's powerful, near-subliminal imagery.

Not unlike the building above, the world is actually being subjected to controlled demolition. And they've placed the dynamites themselves. Why?

The narrator then says: "That's why so many are calling for a Great Reset".

Nobody (except for the elite) is calling for a Great Reset. Everybody (except for the elite) is calling for the complete restoration of freedoms.

Then, in a bizarre twist, the narrator talks about how the Great Reset sounds like a conspiracy.

"Great Reset? That sounds more like buzzword bingo masking some nefarious plan for world domination".

While these words are uttered, powerful symbols are displayed.

While this image is meant to ridicule theories regarding the Great Reset, it actually depicts, with relative accuracy, what the Great Reset would achieve: The hand of the elite pulling the strings of the global economy.

Then, a fake newspaper with the headline: "Global Elite's Plan For Your Future".

Once again, while this headline is meant to address critics, it is also unconsciously assimilated by viewers to the first degree. The contents of this fake article are quite revealing:

The Great Reset is well-documented.

The Great Reset has been labeled a conspiracy theory and parts of it sounds like a conspiracy theory, but everything we know about it comes from the global elites themselves, who have been quite open about it.

"This is not a conspiracy theory, this is a well-documented movement among many of the world's most powerful people," says Justin Haskins, the editorial director at the Heartland Institute and a leading authority on the Great Reset, "fundamentally, this is a radical and complete transformation of everything that we do in our society," Haskins adds, "it will change the way businesses are evaluated, it will coerce businesses to pursue left-wing causes."

The Great Reset was unveiled at the World Economic Forum in Davos, Switzerland, where many of the world's most powerful people go to offer solutions to the world's problems. They have said that the coronavirus pandemic as a historic opportunity to change the way the world operates.

COVID-19 pandemic as an "opportunity" to change everything.

A World Economic Forum video warns, "Right now we're facing a crisis of international proportions. It's going to have a long-term impact on us".

And their solution is essentially global socialism. Think of the Green New Deal combined with the COVID-19 lockdown restrictions and throw in something called the Fourth Industrial Revolution, in which technology is supposed to radically change the way we live and work.

Haskins says: "The elites, the technocrats in society, the most educated people", see the chance to "control and manipulate society, pull the levers in society so that it's in their minds, perfect."

As you can see, the contents of this newspaper are not gibberish. It mentions Justin Haskins of Heartland Institute, a researcher from an actual think tank who has been warning about the massive scope of the Great Reset.

Right after, the video replicates a classic scene from the movie They Live (read my article about it here). Through the lens of truth, the words "Great Reset" turn into "Obey!"

So the video acknowledges that the Great Reset sounds like a massive conspiracy to use COVID-19 to usher in global socialism. Then, instead of quelling these concerns, the video basically confirms them.

The narrator argues that the World Economic Forum is about "bringing people together". She says:

"Whether its politicians, CEOs, academics, activists or you, we're all about getting people toghter."

Were YOU invited to the WEF? No, you weren't. They don't even want you to leave your house.

To illustrate people "coming together", the video shows us this collage of powerful people (and elite-owned pawns).

The image above immediately reminded me of the very symbolic Economist cover from 2015 featuring figures of the world elite.

Then, citing the pandemic and global warming, the video gets rather extreme.

The video says: "Capitalism as we know it is dead". To make things perfectly clear for us peasants, they've literally depicted a tombstone that says Capitalism RIP 2020.

About 23 seconds prior, the video was "addressing" critics claiming that the Great Reset was about global socialism. Then it literally shows a tombstone with the words "Capitalism RIP". Once again, powerful imagery coming from a powerful place.

Then, the video introduces "stakeholder capitalism" – a system that would drastically change the way businesses and economies function.

"It's for these reasons that the forum talks about something called stakeholder capitalism which would shift businesses away from just profit because, if we want to change where the focus of our recovery will go, then we need a new dashboard for the new economy. And that needs to encompass people, planet, prosperity, and institutions."

While capitalism is based on a self-regulating system of offer and demand, the Great Reset looks to redefine the way businesses are evaluated through new parameters. The main one: Compliance to the elite's social and political agendas.

Shortly after, the narrator utters this enigmatic sentence:

"And that's all about getting the right people in the right place at the right time".

While the video doesn't quite explain what this sentence actually means in real-life situations, its implications are rather chilling. Instead of allowing successful individuals and businesses to grow organically, the elite's system would interfere to "get the right people at the right place at the right time", in accordance with its agenda. In other words, the system would be rigged and compliance to a wider agenda would be mandatory in a new economy.

The video ends with a call to viewers to get involved. However, of course, you're not actually invited to the WEF. What they really want you to do is to shut up, wear a mask and stay home.

In Conclusion

If one watches the various videos posted by the World Economic Forum on YouTube, a common thread is easily discernable. 1- Scare people with catastrophic disasters (this video focused on COVID and global warming). 2- Present a drastic solution that involves a non-democratic elite entity regulating the entire world.

To justify the Great Reset, the WEF mentions "economic disparities" caused by COVID-19. However, these disparities were caused by economy-killing policies dictated by the World Health Organization – another elite organization that is largely funded by China. By forcing massive lockdowns, they knew exactly what would happen. They created chaos, and now they're looking to restore order.

Despite all of the words being thrown around, the real issue at hand is freedom. A free market allows any citizen to create a business and make a living from it. And, as long as there's a demand for it, the business can grow and everyone involved prospers. Free enterprise is a vector of freedom and allows those who succeed to live a comfortable life – no matter their social or political allegiances. It is all about numbers.

The Great Reset is looking to break this vector of freedom by introducing social and political components to the free market. If you do not comply, you do not succeed. Instead, they'll put "the right person, at the right place, at the right time".

P.S. The economic crisis caused by COVID-19 has caused a massive drop in advertising revenues, making it difficult for independent websites such as The Vigilant Citizen to remain afloat. If you appreciated this article, please consider showing your support through a small monthly donation on Patreon. If you prefer, you can also make a one-time donation here. Your support will help this site navigate these difficult times as it continues to provide vital information and analysis on a regular basis. Thank you!

The post "What is the Great Reset?": A Blatant Propaganda Video by the World Economic Forum appeared first on The Vigilant Citizen.

translate | Tue, 02 Feb 2021 17:23:40 +0000
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